Shifting Paths

The Trouble with Merle(en)

The director explores the birth origins of actress Merle Oberon, traveling to Tasmania and India in search of the truth, but her quest ultimately results in probably more questions than it answers.

Strudel Sisters(hu)

Two elderly sisters share the delicate art of making traditional Hungarian strudel and reveal a deeply personal family story about their mother, who taught them everything they know.

Liberators Take Liberties(de)

Helke Sander interviews multiple German women who were raped in Berlin by Soviet soldiers in May 1945. Most women never spoke of their experience to anyone, due largely to the shame attached to rape in German culture at that time.

FASCISM(s): A Film in Six Parts(en)

Six sequences about Fascism and its segments throughout history.

Villa Madjo(fr)

Nazaten(nl)

Frans Bromet goes in search of his family history and discovers that Hermanus Bromet was a well-known slave trader in Suriname. Should he feel guilty for what his ancestor did? How do you deal with a burdened family past?

Ashes(es)

A cellar. A forgotten amphora. The ashes of a woman. Her granddaughter, daughter-in-law and son characterise her, entwining their memories and experiences. They reflect about filial love, gender and isolation through her overbearing nature.

Dear Albania(en)

Eliza Dushku takes on her homeland of Albania.

Up the Yangtze(zh)

At the edge of the Yangtze River, not far from the Three Gorges Dam, young men and women take up employment on a cruise ship, where they confront rising waters and a radically changing China.

Parque Necrópolis(es)

Mathi Schenk's Last Journey to Poland(en)

In the summer of 2001, 75-year-old Mathi Schenk made his last trip to Poland, following in the footsteps of his own past. He lives in the eastern cantons of Belgium, which were forcibly united with the German Reich after the invasion of German troops in May 1940. Those who did not volunteer for the Wehrmacht were – like Mathi Schenk – sent to war as forced soldiers for Germany. When the Warsaw Uprising broke out in August 1944, the 18-year-old arrived in the Polish capital and was assigned to the notorious SS Dirlewanger Brigade. During the 63 days of bitter fighting, which cost the lives of more than 200,000 Poles, he witnessed unimaginable atrocities against the people of Warsaw. While fleeing the Red Army, Polish farmers found the young soldier wounded in a ditch. Despite his German uniform, they hid him from the Russians in their village.

The Family Forest(en)

Epigenetics and psychogenealogy ​through a VERY personal experience.

Our Maternal Home(en)

Filmmaker and educator Janine Windolph ventures from Saskatchewan to Quebec with her two teens and younger sister, tracing their familial origins to the Cree First Nation of Waswanipi. Against the scenic backdrop of these Traditional Lands, Elders offer newfound interdependence and hands-on learning, transforming this humble visit into a sensory-filled expression of reclamation and resilience. Our Maternal Home lovingly establishes a heart-centred form of resistance to confront and heal from the generational impacts of cultural disconnection, making space for what comes next.

Hitlers Traum von Micky Maus - Zeichentrick unterm Hakenkreuz(de)

The order comes in the summer of 1941 from propaganda minister Joseph Goebbels himself: The best animators are summoned to Berlin. Their task: Producing feature-length cartoons in ‘Disney-Quality’ with the newly founded ‘Deutsche Zeichenfilm GmbH’. To get trained, the Disney movie “Snow White” is re-traced frame by frame. After the final victory, one new feature-length production of quality shall be released every year from 1947 onwards. – that is the plan. Only in 1943, the first production is completed: “Armer Hansi” a 17-minute-long colour movie, realized with the effortful Multiplane-technology. The second film by the ‘Deutsche Zeichenfilm’ is only completed in 1946 – by DEFA. In the territories occupied by Germany, cartoons are produced as well, sometimes harmless ones, sometimes propagandistic ones. With excerpts from animated movies, life-action film documents, and witness reports by contemporaries, this documentary draws a picture of the cartoon production in the third Reich.

Never Again Is Now Global(en)

Holocaust survivors, children of survivors, and grandchildren - as well as German freedom fighters - express their shock at the Covid era's fear-mongering and divisive dictates that are reminiscent of the prelude to the Holocaust. This ambitious five-part docu-series is the brainchild of Holocaust survivor and human rights activist Vera Sharav.

To Catch a Glimpse(en)

A film that delves into director Jean Carlomusto's family history by trying to find out if the rumors about her grandmother's death -- trying to rid herself of an unwanted pregnancy in 1939 -- are true.

What the Forest conceals(fr)

CE QUE CACHE LA FORÊT (What the Forest conceals) explores the invisible inheritance we carry within us: that of the family unconscious passed down from generation to generation. Personalities as varied as psychologist Anne Ancelin Schützenberger, systemic therapist Bert Hellinger and artist Alexandro Jodorowsky have, each in their own way, revealed the existence of these unresolved stories that profoundly influence our lives. Today, epigenetic research confirms that trauma can mark our genome, and be passed on beyond those who experienced it. But how do these memories get inscribed in us? How can they be recognized, overcome and healed? Filmmaker Louis Mouchet shares his own journey through this deeply personal film. This process was nourished by : The making of and follow-up to the film La Constellation Jodorowsky, An introspective dive triggered by the death of his mother and the simultaneous birth of his first child, A powerful session with Romanian therapist Cristina Schmidt.

De tros en tros(ca)

The director follows her family through three different lands, speaking and eating with her grandma along the way

Floripes(pt)

A story with almost 100 years told by the 95 years old woman Floripes.

Riefenstahl(de)

Explores Leni Riefenstahl's artistic legacy and her complex ties to the Nazi regime, juxtaposing her self-portrayal with evidence suggesting awareness of the regime's atrocities.