Sacha Runa Yachay(2007)

The Medicine of Forgiveness(es)

Benito Arévalo is an onaya: a traditional healer in a Shipibo-Konibo community in Peruvian Amazonia. He explains something of the onaya tradition, and how he came to drink the plant medicine ayahuasca under his father's tutelage. Arévalo leads an ayahuasca ceremony for Westerners, and shares with us something of his understanding of the plants and the onaya tradition.

Voices That Heal(es)

Herlinda Augustin is a Shipibo healer who lives with her family in Peruvian Amazonia. Will she and other healers be able to maintain their ancient tradition despite Western encroachment?

My Death Dog(es)

Photo poetry of Bunchanawingʉmʉ Jesús Camilo Niño Izquierdo' piece of lost feelings in the Arhuaco Indigenous Reservation, northern Colombia.

Forests(fr)

In a dark, ambiguous environment, minuscule particles drift slowly before the lens. The image focuses to reveal spruce trees and tall pines, while Innu voices tell us the story of this territory, this flooded forest. Muffled percussive sounds gradually become louder, suggesting the presence of a hydroelectric dam. The submerged trees gradually transform into firebrands as whispers bring back the stories of this forest.

The Road Forward(en)

The Road Forward is an electrifying musical documentary that connects a pivotal moment in Canada’s civil rights history—the beginnings of Indian Nationalism in the 1930s—with the powerful momentum of First Nations activism today. Interviews and musical sequences describe how a tiny movement, the Native Brotherhood and Sisterhood, grew to become a successful voice for change across the country. Visually stunning, The Road Forward seamlessly connects past and present through superbly produced story-songs with soaring vocals, blues, rock, and traditional beats.

Foster Child(en)

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

Now Is the Time(en)

When internationally renowned Haida carver Robert Davidson was only 22 years old, he carved the first new totem pole on British Columbia’s Haida Gwaii in almost a century. On the 50th anniversary of the pole’s raising, Haida filmmaker Christopher Auchter steps easily through history to revisit that day in August 1969, when the entire village of Old Massett gathered to celebrate the event that would signal the rebirth of the Haida spirit.

Of Ravens and Children(iu)

Cry Rock(en)

The wild beauty of the Bella Coola Valley blends with vivid watercolor animation illuminating the role of the Nuxalk oral tradition and the intersection of story, place and culture.

The Last of the Nomads(en)

Like an antipodean version of Romeo and Juliet, it emerges that Warri and Yatungka became the last nomads because they had married outside their tribal laws and eloped to the most inaccessible of regions. In 1977 the land was stricken by a severe drought and their tribal elders mounted a search for them with the help of a party of white men led by Dr Bill Peasley and one of their own number, a childhood friend named Mudjon. The film takes Dr Peasley back into the desert to relive his momentous journey with Mudjon and culminates with poignant archival footage of the elderly couple found naked and starving.

The Lyrical Rongdanis(as)

A musical documentary woven around the endangered musical culture of the Rangdani Rabhas from Manikganj, Meghalaya, North East India.

Sabino Vive: Las últimas fronteras.(es)

The documentary recreates the facts in the life of the Yukpa Chief, Sabino Romero, an indigenous fighter killed on March 3, 2013, in the Chaktapa community of the Sierra de Perija in Zulia state, Venezuela. The film reflects the infinite struggle of Sabino and his people, accompanied by the social groups, in this story of truly libertarian images made with blood and fire, revealing the skein of interests that forged and carried out Sabino's murder, and the attitude Inhuman and murderous of those who made it another victim of history.

Through the Repellent Fence: A Land Art Film(en)

The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.

Bastardy(en)

Provocative, funny and profoundly moving, Bastardy is the inspirational story of a self proclaimed Robin Hood of the streets. For Forty years and with infectious humour and optimism, Jack Charles has juggled a life of crime with another successful career- acting

I Said I Would Never Paint This Way Again(en)

A documentary that tells the story of five American Indian artists, the Urban Indian 5 (UI5), and their unique partnership.

Giiwe: Returning Home(en)

Following filmmaker Taye Alvis as he looks to reconnect to his community of Walpole Island First Nation. Taye will explore his relationship to Walpole Island, and how one can reconnect to their traditions and culture by way of conversation, arts, and recreation.

KAPU: Sacred Hawaiian Burials(en)

Death is an intimate experience, and how we lay our loved ones to rest, varies between cultures. KAPU: Sacred Hawaiian Burials sheds light on the ongoing battle by Native Hawaiians to protect burial sites across the state and the iwi, or sacred bones, that are within them.

Surviving Columbus(en)

This Peabody Award-winning documentary from New Mexico PBS looks at the European arrival in the Americas from the perspective of the Pueblo Peoples.

Toroboro: The Name of the Plants(es)

A botanical expedition in Ecuador's Amazon becomes a medium for an indigenous Huaorani community to remember the genocidal colonization it suffered in the 1960s. Meanwhile, a group of ecologists from the capital tries to stop oil exploitation in the last remaining forests where the isolated Huaoranis still live, who to this day refuse to come into contact with civilization.

Monumento a Uruçumirim(pt)

Manifesto of the Pataxó tribe, with the testimony of the chief José Guajajara, in front of the Monument to Estácio de Sá, where the Tamoios massacre took place in 1567, on the coincident day that celebrates the foundation of the city of Rio de Janeiro, 20 January.