A polemic against Werner Herzog and the making of "Fitzcarraldo", exploring the question of the filmmaker's ethical and moral responsibility.
0.0For both Aboriginal and non-Aboriginal Australians, Captain James Cook is a figure of great historical significance.
0.0Documentary about filmmaker Bonnie Ammaaq's memories of life on Baffin Island, where her family moved for eleven years during her childhood from the hamlet of Igloolik to return to the traditional Inuit way of life.
8.0From the ashes of Australia’s devastating bushfires, wildlife survivors begin their long journeys to recovery. Australia’s fauna have evolved to coexist with bushfire, but these Black Summer fires are unprecedented in their scale, speed and intensity. Many native animals are unable to escape, or endure, without human help. We follow iconic species like koalas, kangaroos, wombats, and an endangered parrot through their rescue, rehabilitation and eventual release. Remarkable tales of compassion and dedication are revealed along the way – from an orphan wombat growing too attached to her carer, to audacious helicopter airdrops to feed remote rock wallabies. When the fires finally burn out, Australia looks to the science, innovation and Indigenous knowledge that will be needed to safeguard fragile wildlife in an even hotter future.
0.0Finnish filmmaker and artist Sami van Ingen is a great-grandson of documentary pioneer Robert Flaherty, and seemingly the sole member of the family with a hands-on interest in continuing the directing legacy. Among the materials he found in the estate of Robert and Frances Flaherty’s daughter Monica were the film reels and video tapes detailing several years of work on realising her lifelong dream project: a sound version of her parents’ 1926 docu-fiction axiom, Moana: A Romance of the Golden Age.
10.0About trauma, resilience and post-traumatic growth in the medics who served with Australia's special forces in Afghanistan. From losing mates in the battlefield to treating horrifically injured Afghan kids in remote surgical theatres.
0.050 years on, the Aboriginal Tent Embassy is the oldest continuing protest occupation site in the world. Taking a fresh lens this is a bold dive into a year of protest and revolutionary change for First Nations people.
This short impressionist documentary looks at the creation of a Button Blanket by integrating the performance of a traditional dance with the art of the West Coast Heiltsuk Nation.
0.0In Australia, sharks have recently been recorded with unusual prey-including other sharks. In order to figure out what has caused this shift in diet, Dr. Charlie Huvaneers and team head to shark infested waters to find out what's in the stomach of a great white - and why.
5.8Eight men escape from the most isolated prison on earth. Only one man survives and the story he recounts shocks the British establishment to the core. This story is the last confession of Alexander Pearce.
0.0Until the 1950s, the Waorani were able to successfully defended their area of settlement – today’s Yasuni National Park in the Ecuadorian Amazon – with the aid of spears. Then Christian missionaries entered the thick rain forest and paved the way for an oil company. Nowadays many of the tribes are estranged as some want to benefit from the short-term money the company is offering while others fight to preserve their land, culture and independence under all circumstances.
"Don't go in the Water." This line bred fear in millions of people around the world. In 1975, Jaws showcased the greatest eating machine, the great white shark, on the big scren and changed the swimming habits of movie-goers everywhere. By far the most feared creature in the sea, this species is responsible for more attacks on human beings that all other sharks combined. Step outside the Hollywood hype and travel to South Australia with an expedition as they attempt to increase understanding and reduce human/shark confrontations. Observe the behavior and lifestyle of the great white shark, and see these miracles of evolution up close in this unforgettable exploration under sea.
0.0Resident Orca tells the unfolding story of a captive whale’s fight for survival and freedom. After decades of failed attempts to bring her home, an unlikely partnership between Indigenous matriarchs, a billionaire philanthropist, killer whale experts, and the aquarium’s new owner take on the impossible task of freeing Lolita, captured 53 years ago as a baby, only to spend the rest of her life performing in the smallest killer whale tank in North America. When Lolita falls ill under troubling circumstances, her advocates are faced with a painful question: is it too late to save her?
6.2Explorer Bruce Parry visits nomadic tribes in Borneo and the Amazon in hope to better understand humanity's changing relationship with the world around us.
0.0While flying to the first stop on their latest tour, the four members of the Australian music group The Seekers recall in flashback the origins of the group and their rise to success.
10.0takayna / Tarkine in northwestern Tasmania is home to one of the last undisturbed tracts of Gondwanan rainforest in the world, and one of the highest concentrations of Aboriginal archaeology in the hemisphere. Yet this place, which remains largely as it was when dinosaurs roamed the planet, is currently at the mercy of destructive extraction industries, including logging and mining. Weaving together the conflicting narratives of activists, locals and Aboriginal communities, and told through the experiences of a trail running doctor and a relentless environmentalist, this documentary, presented by Patagonia Films, unpacks the complexities of modern conservation and challenges us to consider the importance of our last truly wild places.
5.5Yndio do Brasil is a collage of hundreds of Brazilian films and films from other countries - features, newsreels and documentaries - that show how the film industry has seen and heard Brazilian indigenous peoples since they were filmed in 1912 for the first time: idealised and prejudiced, religious and militaristic, cruel and magic.
0.0In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.
This documentary short is the first film made by an all-Aboriginal film crew, training under the NFB's Challenge for Change Program. It was shot at Akwesasne (St. Regis Reserve). Two spokesmen explain historical and other aspects of Longhouse religion, culture, and government and reflect on the impact of the white man's arrival on the Indian way of life.