1962-01-01
0
Down the gangway, photographers leave the deck of a riverboat in large numbers.
Tobin, a transgender teen living in Squamish, BC, prepares for his acting debut where he’ll be playing a male leading character in the youth play. While rehearsals are in progress, his friends and chosen family band together to help remove him from a difficult living situation and connect him the support he needs.
Kaiser Wilhelm II appears before the people in Damascus.
Kaiser Wilhelm II arrives in Constantinople.
This John Nesbitt's Passing Parade short tells the story of Alfred Nobel, who invented dynamite, and later established the Nobel Prize.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Twenty years later, the producers of "Heavy Metal Parking Lot" track down and interview some of the heavy-metal fans originally featured in the 1986 cult classic.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.
The film tells of the radical life-search by the Swiss writer Paul Nizon, born 1929 in Bern, Switzerland, who became what “he was meant to be” in Paris. Now 90-year-old, Paul Nizon grants insights into his life and work in a self-ironic, direct manner. The intimate portrait of a great literary outsider emerges, for whom the risk of life and the risk of writing merge into one and the same work of art.
An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
The film follows 10-year-old Oleg, whose life has been turned upside down by the ongoing war in East Ukraine. Oleg lives with his beloved grandmother Alexandra in a small house in a village on the frontline. Most people have left the village, but Oleg and Alexandra love their life together there and want to stay on and take care of each other. But life is becoming more and more difficult and the war does not seem to end.
Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire.
An animated film about the British engineer Isambard Kingdom Brunel, who spearheaded numerous engineering marvels of the early 19th century - including the Thames Tunnel, the Great Western Railway, and the Great Eastern steamship (for 40 years the world's largest steamship). Various styles of animation are used to depict events in his colorful life.
Czech painter and illustrator Alphonse Mucha (1860-1939) ranks among the pioneers of the Art Nouveau movement at the end of the 19th century. Virtually overnight, he becomes famous in Paris thanks to the posters that he designs to announce actress Sarah Bernhardt’s plays. But at the height of his fame, Mucha decides to leave Paris to realize his lifetime project.