Workers Leaving the Lumière Factory(1895)

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Sprinkler Sprinkled(fr)

A gardener is watering his flowers, when a mischievous boy sneaks up behind his back, and puts a foot on the water hose. The gardener is surprised and looks into the nozzle to find out why the water has stopped coming. The boy then lifts his foot from the hose, whereby the water squirts up in the gardener's face. The gardener chases the boy, grips his ear and slaps him in his buttocks. The boy then runs away and the gardener continues his watering. Three separate versions of this film exist, this is the original, filmed by Louis Lumière.

Baby's Meal(fr)

A father, a mother and a baby are sitting at a table, on a patio outside. Dad is feeding Baby her lunch, while Mum is serving tea.

Piggy(es)

Sara is an overweight teen who lives in the shadow of a clique of cool girls holidaying in her village. Not even her childhood friend, Claudia, defends her when she's bullied at the local pool in front of an unknown man. Her clothes are stolen and Sara must get home wearing nothing but her bikini.

Man Walking Around a Corner(xx)

The last remaining production of Le Prince's LPCC Type-16 (16-lens camera) is part of a gelatine film shot in 32 images/second, and pictures a man walking around a corner. Le Prince, who was in Leeds (UK) at that time, sent these images to his wife in New York City in a letter dated 18 August 1887.

Snowball Fight(fr)

Wintertime in Lyon. About a dozen people, men and women, are having a snowball fight in the middle of a tree-lined street. The cyclist coming along the road becomes the target of opportunity. He falls off his bicycle. He's not hurt, but he rides back the way he came, as the fight continues.

Playing Cards(fr)

Three friends are playing cards in a beer garden. One of them orders drinks. The waitress comes back with a bottle of wine and three glasses on a tray. The man serves his friends. They clink glasses and drink. Then the man asks for a newspaper. He reads a funny story in it and the three friends burst out laughing while the waitress merely smiles.

The Docks of New York(en)

A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.

A Nightmare(fr)

A man has a fantastical nightmare involving, among other things, a grinning malevolent moon.

Sack Race(fr)

Shot in 1896, this playful actuality captures workers from the Lumière factory in Lyon competing in a sack race. The scene shows the participants’ comic struggles and falls, with onlookers enjoying the lighthearted contest. Beyond its humor, the film offers a glimpse of everyday leisure and camaraderie among the Lumière workforce during cinema’s earliest years.

The Photographical Congress Arrives in Lyon(fr)

Down the gangway, photographers leave the deck of a riverboat in large numbers.

The X-Ray Fiend(en)

A romantic couple are transformed into skeletons via X-Rays. The film combines two very recent innovations: Wilhelm Roentgen's discovery of X-rays in 1895, and Georges Méliès' accidental realisation of the special-effects potential of the jump-cut in 1896.

La lupa(it)

She was tall, dark and thin, with a proud and voluptuous bust. They called her "The she-wolf" because she seemed never to be satisfied. All the men were obsessed with her but one day the she-wolf fell madly in love with young Nanni.

Horse Trick Riders(en)

In the background is a house. In the foreground, a groom holds the reins of a sleek black horse that stands in profile. A tall man, dressed in a black uniform, demonstrates how to mount the horse then encourages and tries to assist a man in white. The man in white keeps falling, and soon it's apparent that he's an putting on a show. His pratfalls become more elaborate and stylish. The horse stands patient. The little groom laughs to see such sport. And finally, the man in white finds a comic accommodation. The story, though brief, has a beginning, middle, and end.

Transformation by Hats(fr)

Félicien Trewey uses a basic prop to create comical hats and their accompanying caricatures.

Malice in Wonderland(en)

A jet-propelled white rabbit flies through the vulva of a supine woman into a wonderland where people and objects turn inside out, changing shapes and identities at warp speed. Events roughly follow Lewis Carroll's "Alice in Wonderland." The caterpillar and the queen make appearances, as does Alice. Images and symbols are often sexual. At the end, Alice asks, "Who has had such a curious dream?"

Line 9(es)

In a city with constant movement like the subway rides, the paths of Andrés and Miguel are crossing. It seems like the beginning of a new Romance but Andrés doesn't know which direction to take.

Gentleman's Agreement(en)

A magazine writer poses as a Jew to expose anti-Semitism.

Zygote(en)

The two remaining crew members of a mining operation in the Arctic Circle fight to survive against an alien creature.

Zeitgeist: Addendum(en)

Zeitgeist: Addendum premiered at the 5th Annual Artivist Film Festival. Director Peter Joseph stated: "The failure of our world to resolve the issues of war, poverty, and corruption, rests within a gross ignorance about what guides human behavior to begin with. It address the true source of the instability in our society, while offering the only fundamental, long-term solution."

Just what I Am(es)

Short documentary about a transexual sex worker.

Battleship Potemkin(ru)

A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre.

Night and Fog(fr)

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Mustapha El Atrassi - La Vie Est Folle(fr)

Immersion in Mustapha's mind during the lockdown period.

Ask Me, Don't Tell Me(en)

Short film documenting the San Francisco Youth for Service program.

Shake Hands with Danger(en)

This short cautionary training film examines dangers associated with earthmoving equipment operation, showing many simulated accidents on construction sites.

V útvare(sk)

Vnuci Antoina de Saint-Exupéryho(sk)

Family Strands(en)

Three generations of women represent the past, present and future of hairstyling. Lisa Bruno, Jessica Fera and Keyra Bruno navigate a journey of growth in their careers and family; leading and learning from one another within their satisfyingly creative world of colours and cuts.

How the Telephone Talks(en)

"All sounds travel in waves much the same as ripples in water." Educational film produced by Bray Studios New York, which was the dominant animation studio based in the United States in the years surrounding World War I.

Eat(en)

3 guys, 44 days, 11 countries, 18 flights, 38 thousand miles, an exploding volcano, 2 cameras and almost a terabyte of footage - a short devoted to the food of the world.

The Island(es)

Dos Islas is a poetic story about old age, family and the bond between a granddaughter and a grandmother. The woman, who just turned 102, tells stories about her past and childhood. In a literary and visual way she describes the most minute details. The film dazzles the viewer with love and optimism, the time passes slowly between the two islands, which might be real people, real places or the products of the main character’s imagination.

R31(es)

The Double Face of Peter Lorre(de)

Peter Lorre achieved international fame for his performance in the myth-making role in M. This character has held a peculiar fascination for generations of cinephiles. However, at the time, whilst such success meant recognition, it also weighed on the Hungarian actor as a constrictive burden. Using photographs and film extracts, Das doppelte Gesicht reconstructs the ups and downs of Lorre's career, taking into consideration the economic imperatives and workings of the film industry at the time. (Arnold Hohmann, 1984)

Kasama Kang Tumanda(tl)

A filmmaker follows her grandparents’ daily life after her chain-smoker and alcoholic grandmother is forced to stop drinking beer for a month.

Ivan the Terrible, Part II: The Boyars' Plot(ru)

This is the second part of a projected three-part epic biopic of Russian Czar Ivan Grozny, undertaken by Soviet film-maker Sergei Eisenstein at the behest of Josef Stalin. Production of the epic was stopped before the third part could be filmed, due to producer dissatisfaction with Eisenstein's introducing forbidden experimental filming techniques into the material, more evident in this part than the first part. As it was, this second part was banned from showings until after the deaths of both Eisenstein and Stalin, and a change of attitude by the subsequent heads of the Soviet government. In this part, as Ivan the Terrible attempts to consolidate his power by establishing a personal army, his political rivals, the Russian boyars, plot to assassinate him.

Filipinescas - Getanzte Legenden der philippinischen Inselwelt(de)

TV movie about dance rites in the Philippines

The Grass Ceiling(en)

Based on Eimear Ryan’s essay ‘The Fear of Winning’, three successful female athletes explore how being physically courageous, unapologetically competitive and deeply passionate in team sport can unlock a freedom to really occupy your own skin.

Mutts(fr)

For the 750 dogs that live in a Moroccan shelter, the daily routine consists of eating, resting, a bit of fighting and eating again. Could they possibly expect more from life? A pointed, cinematic commentary on mass confinement.

Nascita di un culto(it)

In the province of Salerno in Campania, a village is attracting more and more pilgrims, sometimes several hundred a day. Arriving by bus, car and even on foot, they pray to Saint Antony to protect them from demons and disasters. They do this through the intermediary of a certain Giuseppina who embodies the dead soul of young Alberto, the grandson of the former seminarian who died accidentally some ten years earlier.