By Rook Or By Left Hook(2021)

Domboeza(fr)

Salvador Dalí at Work(en)

Filmmaker Jonas Mekas follows the surrealist artist around the streets of New York documenting staged public art events.

Floyd "Money" Mayweather(en)

Floyd Mayweather is the man with the perfect boxing record. His career has spanned more than two decades. His nickname is Floyd 'Money' Mayweather for a reason. His bouts make millions upon millions of dollars in PPV revenue. From a simple start in life in Grand Rapids, Michigan, to headlining two of the biggest PPV events of all time. Floyd has proven time and time again that he is money. Whether it's taking on one of the best boxers in the world, Manny Pacquiao or fighting the king of the Octagon, Conor McGregor, Floyd 'Money' Mayweather puts on a show no matter the opponent.

The Sound of Identity(en)

In the spotlight of global media coverage, the first transgender woman ever to perform as Don Giovanni in a professional opera, makes her historic debut in one of the reddest states in the U.S.

Pussy Versus Putin(en)

In 2012 two members of anarchistic female band Pussy Riot were sentenced to two years in a Mordovian labor camp for "hooliganism motivated by religious hatred". Russian film collective Gogol’s Wives follow each step of the feminist punk band’s battle against Putin including their first disruptive performances on a trolley bus, shooting a video about transparent elections, a controversial performance in a Red Square cathedral, and footage shot in a jail cell. Support comes from many corners including Madonna who painted the words "Pussy Riot" on her back and wore a balaclava during her Moscow show. The documentary portrays the grim state of present-day Russia, a country starkly divided between conservatism and anarchy. Pussy Riot believes that art has to be free and they're willing to take it to extremes. "Pussycat made a mess in the house," they say, and the house is Russia. The filmmakers do not seek to moralize, they simply edit events and leave viewers to draw their own conclusions.

Marcel Duchamp: The Art of the Possible(en)

A remarkable walk through the life and work of the French artist Marcel Duchamp (1887-1968), one of the most important creators of the 20th century, revolutionary of arts, aesthetics and pop culture.

When We Were Kings(en)

It's 1974. Muhammad Ali is 32 and thought by many to be past his prime. George Foreman is ten years younger and the heavyweight champion of the world. Promoter Don King wants to make a name for himself and offers both fighters five million dollars apiece to fight one another, and when they accept, King has only to come up with the money. He finds a willing backer in Mobutu Sese Suko, the dictator of Zaire, and the "Rumble in the Jungle" is set, including a musical festival featuring some of America's top black performers, like James Brown and B.B. King.

This Is Not a Dream(en)

The video revolution of the 1970s offered unprecedented access to the moving image for artists and performers. This Is Not a Dream explores the legacies of this revolution and its continued impact on contemporary art and performance. Charting a path across four decades of avant-garde experiment and radical escapism, This Is Not a Dream traces the influences of Andy Warhol, John Waters and Jack Smith to the perverted frontiers of YouTube and Chatroulette, taking in subverted talk shows and soap operas, streetwalker fashions and glittery magic penises along the way.

Discovering Hamlet(en)

IN 1988, rising star Kenneth Branagh tackled the role of Shakespeare’s prince of Denmark for the first time in his professional career under the guidance of celebrated actor Derek Jacobi. Narrated by Patrick Stewart, this hour-long film documents how Kenneth Branagh and Derek Jacobi, two intelligent and passionate men, found new depths in Shakespeare’s classic drama, Hamlet. Filmmakers Mark Olshaker and Larry Klein follow the company through four weeks of rehearsals, from the first read-throughs to opening night.

64 Day Hero(en)

Documentary about the life and career of the 1940s and 1950s boxer Randy Turpin.

The Masters Game - Ingo vs. Floyd(en)

A documentary about one of the most famous classic boxing match with the legendary swedish boxer Jens Ingemar "Ingo" Johansson going to New York to face the then current champion, Floyd Patterson.

Hatton(en)

A definitive portrait of a unique, working-class hero, one of the world’s most beloved boxers - Ricky ‘The Hitman’ Hatton. This documentary, with incredible access to Ricky and unseen archive footage, charts his journey from the Hattersley estate near Manchester to headlining on the strip in Las Vegas is an emotional insight into a brilliant but flawed sporting hero. Raw and compelling, the documentary showcases this cautionary tale and inspirational story of a man forced to navigate a path through fragile relationships and broken dreams as he attempts to make sense of a life that appeared destined for a happy ending.

Bruno v Tyson(en)

The full story of an epic in-ring rivalry and the fascinating personal relationship that went along with it.

Kick Like Tayla(en)

Kick Like Tayla shares a raw and unfiltered look into the life of AFLW player and boxing champion, Tayla Harris, as she confronts public and personal challenges, and channels her platform for good.

Glory to the Queen(en)

Against the backdrop of Cold War, Glory to the Queen reveals stories of four legendary female chess players from Georgia who revolutionized women’s chess across the globe and became Soviet icons of female emancipation.

Mayweather(en)

Documentary about the life of undefeated eight-time world boxing champion Floyd “Money” Mayweather.

Fall 1(en)

Bas Jan Ader's first fall film shows him seated on a chair, tumbling from the roof of his two-storey house in the Inland Empire.

Fall 2(en)

Bas Jan Ader rides his bike into a canal in Amsterdam.

I'm Too Sad to Tell You(en)

This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.

Nightfall(en)

Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.