Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
Shot in his garage-studio, the camera records Ader painstakingly hoisting a large brick over his shoulder. His figure is harshly lit by two tangles of light bulbs. He drops the brick, crushing one strand of lights. He again lifts the brick, allowing tension to accrue. The climax inevitable—the brick falls and crushes the second set of lights. Here the film abruptly ends, all illumination extinguished.
1971-03-24
1
0.0My Trip to Miami follows a well-meaning, misguided, tourist as he tries to self-actualize via Trip Advisors algorithmic script. My Trip to Miami is a documentation of a fantasy, a failure in image-based expectations.
0.0A documentary featuring 30 Argentinian women aged between 4 and 80, sharing their stories of resilience, strength, and unique perspectives on womanhood through performance art.
6.6"Meat Joy is an erotic rite — excessive, indulgent, a celebration of flesh as material: raw fish, chicken, sausages, wet paint, transparent plastic, ropes, brushes, paper scrap. Its propulsion is towards the ecstatic — shifting and turning among tenderness, wildness, precision, abandon; qualities that could at any moment be sensual, comic, joyous, repellent. Physical equivalences are enacted as a psychic imagistic stream, in which the layered elements mesh and gain intensity by the energy complement of the audience. The original performances became notorious and introduced a vision of the 'sacred erotic.' This video was converted from original film footage of three 1964 performances of Meat Joy at its first staged performance at the Festival de la Libre Expression, Paris, Dennison Hall, London, and Judson Church, New York City."
0.0Artist Katinka Simonse, alias Tinkebell, is a controversial, very mediagenic phenomenon. In her universe there is no distinction between life, art and activism; Tinkebell is her own work of art. Everything she encounters on her life path can become part of her story. Filmmaker Judith de Leeuw was given access to all images about Tinkebell, including her entire private archive. She thus constructed an archive film about how as a human being, living on the ruins of the past, you can be a character in your own story. What is the price you can afford if you continue to believe at any cost?
7.1Offbeat performance artists The Blue Man Group have finally been captured live on this disc that features concert footage, three full-length music videos and three songs from Blue Man Group's album, "The Complex." The live footage was filmed during Blue Man Group's successful and widely acclaimed August 2003 rock tour, where they wowed 9,000 fans in two sold-out concerts.
0.0Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.
6.8Al Pacino's deeply-felt rumination on Shakespeare's significance and relevance to the modern world through interviews and an in-depth analysis of "Richard III."
8.3The closed microcosm of garage co-ops, where the socio-economic environment has blended with personal space, provides a step back in time. Men are still boys, but their tinkering is both the trade and hobby of individual entrepreneurs, since self-exploitation as leisure time activity is a time capsule where neoliberalism has enclosed the postindustrial proletariat. Inventors, geniuses, crazy scientists, and men with golden hands - you will find them in garages.
Filmed at New York’s Carnegie Hall, Cut Piece documents one of Yoko Ono’s most powerful conceptual pieces. Performed by the artist herself, Ono sits motionless on the stage after inviting the audience to come up and cut away her clothing in a denouement of the reciprocity between victim and assailant.
10.0Dragphoria is a short film about drag and identity, finding yourself in a noisy crowd, and slowly accepting yourself after a long-awaited denial.
4.3A young woman wanders around New York City and stumbles across a number of strange characters and settings that represent the "underground" areas of the city. She sees stand up comedy in Central Park, a prostitution auction, a voodoo ceremony, an S&M club, and a number of very interesting performance artists. These are just a few of the sights and sounds of New York that she encounters.
0.0In the first 58 minute Performance, Relation in Space, which took place in July 1976 at the Biennale in Venice, Abramovic/Ulay, both naked, walk towards each other from opposite ends of a room, touching as they pass each other, and then they repeat the movement while their bodies collide and one of them (Marina) falls over under the impact, until they are both exhausted. A statically mounted video camera simultaneously filmed the touching of the bodies in the middle of the room.
2.0Summer 1991. The last days of the Soviet Empire. Dark clouds gathered over Moscow as the Soviet government prepared to turn back the clock of history. While the world focused on the crashing Soviet Empire, this film focuses on the people who would've been among the first to suffer repression - the women and men who have broken sexual taboos in a consummate act of liberation against a rigid, crippled world. This is a view from their vantage point, unveiling the shadow-side of Soviet culture in the wake of the revolution, where the real provocative nudity is the nakedness of the soul.
10.0When a gang of suburban teens stumbled across a bunch of abandoned instruments and formed The Fleshtones little did they know that 30 years later they'll still be struggling to rock - and pay the bills.
0.0Ulysses Jenkins composed "Dream City" from documentation of a twenty-four-hour performance he organized in collaboration with David Hammons, Maren Hassinger, and Senga Nengudi. A discordant, absurdist, and poetic montage, the video weaves together jazz and punk shows, recitations by Jenkins, and shots of the Los Angeles skyline and oil wells to comment on power and nation in the early years of Ronald Reagan's presidency.
4.0A sincere portrait, and in first person, of the multifaceted Andalusian artist José Pérez Ocaña.
8.01 A Bitter Message Of Hopeless Grief 2 The Will To Provoke 3 The Delusions Of Expediency 4 The Pleasure Of Uninhibited Excess 5 A Scenic Harvest From The Kingdom Of Pain 6 Virtues Of Negative Fascination 7 Seven Machine Performances
0.0A concept film from Imogen Heap and Thomas Ermacora, made with crowd-sourced video footage, creating a nature film accompanied by an Orchestral score composed by Heap.
0.0A ritual of transformation and awakening within the walls of the only existing original ‘diorama’ building in London