
When Nick Hurndon was six years old he and his two older brothers were set on fire by their stepfather in their San Francisco home. Now in his early forties, Nick is a retired Marine and is raising two sons that are about the same age he was when he was set ablaze. This is a film about childhood trauma and the effects that abuse had on his sense of self worth, and the ways in which one man is interrupting a cycle of violence so that his two sons can thrive.

When Nick Hurndon was six years old he and his two older brothers were set on fire by their stepfather in their San Francisco home. Now in his early forties, Nick is a retired Marine and is raising two sons that are about the same age he was when he was set ablaze. This is a film about childhood trauma and the effects that abuse had on his sense of self worth, and the ways in which one man is interrupting a cycle of violence so that his two sons can thrive.
2020-01-17
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The Invisible Subtitler is an independent documentary about the use of subtitles in cinema and the life of subtitlers themselves, focusing on the economic issues faced by the subtitlers and how they are currently invisible in the globalized business of the film industry.
7.1As the AIDS epidemic was spreading in 1987, the Swedish government commissioned Roy Andersson to make an educational film about the disease. In these twenty or so monotone scenes, Andersson criticizes the medical community for its dehumanizing and racist tendencies when researching HIV and AIDS.
6.0In the summer of 1968, a group of people assembled in Great Barrington, Massachusetts. They were making a film of John Barth's 1958 novel The End of the Road.
6.0A documentary that reflects on people sickened by chemical dependency. The patients, admitted to the Casa de Eurípedes clinic, along with family members and staff, report on their experiences, existence and challenges during the rehabilitation process.
0.0Documentary on the recording of the Album Una vez iniciado el fuego by Sakatumba
0.0The Oldest Heart is a short documentary that follows the inspiring journey of Australia’s oldest female amateur boxer, Lyn Joy Mills, who at 71, embarks on an extraordinary journey toward her first official fight.
JoAnn Elam was an experimental filmmaker, postal worker, and social activist. She is most known for her films Rape and Lie Back and Enjoy it. This film remixes JoAnn's footage as a way of introducing viewers to her life and work. Commissioned by the Chicago Film Archives with music by Tim Kinsella.
5.0The Making of Amarillo Ramp documents the construction of Robert Smithson's earthwork Amarillo Ramp. At age thirty-five, while photographing the site of the earthwork in progress, Smithson died in a small airplane accident, along with pilot Gale Ray Rogers and photographer Robert E. Curtin. After Smithson's passing, Nancy Holt, Richard Serra, and Tony Shafrazi completed Amarillo Ramp according to Smithson's specifications. This film documents the sounds and actions of the powerful machinery necessary to create an earthwork of this scale, while underscoring the human skill and personal relationships that were integral to the completion of the work.
1.0A short film of boats sailing in the New York Harbor
A community of Armenians, refugees from the Soviet Union during the Baku pogroms, live in a deep American province. Baku life, Armenian blood, Soviet mentality, and American emigration mix in incredible tragicomic proportion.
0.0An experimental short where the filmmaker considers her personal relationship with intimacy, sexuality and the male gaze.
0.0Paris, France. Franz Reichelt wearing the parachute that he designed and invented before ascending the Eiffel Tower. Reichelt standing on platform high up on the tower preparing to jump he hovers on the brink for some time and then eventually jumps falling straight down to his death. Police and small crowd around the body of Reichelt as it is carried away, they then measure the depth of the hole made by his fall.
A program made for Kultura on the life and career of Larisa Shepitko.
A program on the relationship between the filmmaking couple Larisa Sheptiko and Elim Klimov.
8.0Director Francis Ford Coppola, cast and production crew explore the making of the 1992 masterpiece.
0.0In 1810, 20 year old Sara Baartman got on a boat from Cape Town to London, unaware that she would never see her home again, or that she would become the icon of racial inferiority and black female sexuality for the next 100 years. Four years later, she became the object of scientific research that formed the bedrock of European ideas about BFS. She died the next year, but even after her death, Sara remained an object of imperialist scientific investigation. In the name of Science, her sexual organs and brain were preserved and displayed in the Musee de l'Homme in Paris until as recently as 1985. Using historical drawings, cartoons, legal documents, and interviews with noted cultural historians and anthropologists, this documentary deconstructs the social, political, scientific, and philosophical assumptions that transformed one young woman into a representation of savage sexuality and racial inferiority.
9.0The documentary of Kill Bill Vol.2, and how it was made. This is a documentary found on the DVD of Kill Bill Vol. 2. It consists of interviews, behind-the-scenes footage, and clips of the movie.
This film shows the kit and equipment that the 42nd of Foot, The Black Watch wore and used at Waterloo. The Battalion was in 9 Bde of Picton's 5th Division and fought at Quatre Bras and Waterloo. The 8 British Battalions in Picton's Division were all Peninsula Battalions and most probably the most relaible in Wellington's Army. Hence their use at Quatre Bras and their position at Waterloo. The Division lost 43% of its men as casualties at Waterloo including Picton himself, Wellington's greatest fighting general.
The film is a continuous, "real time" tracking shot of a stream bed. The length of the track was ten yards. The camera was suspended in a motorized carriage running on steel cables three feet above the water surface. The camera pointed vertically downwards recording the contours of the stream bed and the flow of water along its course. The sound of the water was recorded synchronously from the moving carriage.
A Studio B Production – Co-produced by Citizen Film for the San Francisco Symphony