Mina is a young woman who has three daughters and now she is 9 months pregnant. She loves her life very much. Her husband would like to have a boy, but she hasn't been able to deliver a baby boy so far. The people of her society believe that a man must have at least one son and they put pressure on her. The relatives and her husband tell her that if the 4th baby is not a boy, she has to allow her husband to marry another woman so that she may give birth to a boy. Mina has decided not to know about her baby's gender till the day of the delivery to overcome all the stress and tensions, so she hasn't taken a Sonography test and she waits until the baby is born.
Mina is a young woman who has three daughters and now she is 9 months pregnant. She loves her life very much. Her husband would like to have a boy, but she hasn't been able to deliver a baby boy so far. The people of her society believe that a man must have at least one son and they put pressure on her. The relatives and her husband tell her that if the 4th baby is not a boy, she has to allow her husband to marry another woman so that she may give birth to a boy. Mina has decided not to know about her baby's gender till the day of the delivery to overcome all the stress and tensions, so she hasn't taken a Sonography test and she waits until the baby is born.
2020-09-01
0
Mina has three daughters but she lives in a society where giving birth to a boy is considered as a superiority. Mina is blamed because of this.
Arctic Tale is a 2007 documentary film from the National Geographic Society about the life cycle of a walrus and her calf, and a polar bear and her cubs, in a similar vein to the 2005 hit production March of the Penguins, also from National Geographic.
Aunt Neirud was always present at family gatherings. Neirud was big, strong, and worked in the circus. Who was this woman so close to the family and about whom we know so little?
Lou Colpé has been filming her grandparents since she was 15. In the process of this intense relationship, she notices some disconcerting signs in her grandmother: Alzheimer’s is slowing her down. A new film begins, a tougher one: the story of a couple that must face a tremendous challenge. Struggling against the tide of oblivion, the task of filmmaking becomes the ultimate act of resistance. Trying to retain the last images of her grandparents, an intimate conversation begins and echoes through the songs that play on the radio, conjuring lost stories and memories.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Doaa el-Adl, the first woman to be awarded the esteemed Journalistic Distinction in Caricature, serves as a catalyst for transformation within the predominantly male-dominated realm of Egyptian political cartoonists. Challenging patriarchal norms, she routinely confronts censorship, harassment, and even threats to her life. In a remarkable fusion of documentary, cartoons, and animation, Egyptian director Nada Riyadh breathes life into el-Adl's most renowned works. This dynamic and fearless presentation delves into the issue of violence against women, stretching the boundaries of freedom of speech in a society often characterized by restrictions. Through her exceptional talent, el-Adl not only champions women's rights but also serves as an inspiration for societal change.
A portrait that follows Nan, my uncle and the last two years he and his parents live together. In long, tightly framed shots, a picture emerges of three intimately interwoven lives: the gentle and touching bickering between Nan and his mother, the evenings in front of the television when time seems to stand still, and the minutes ticking by as Grandpa silently peels an apple. In the film, disability is not only seen as symptoms on individual bodies, but as social, physical, and temporal relationships. It is a meditation on time, disabilities, and the economies of care in contemporary China.
Following the death of their parents, Harriet and her siblings must unpack their childhood fears as they prepare to sell their dragon-filled Oxfordshire home. Between the clutter and the boxes, the siblings find themselves haunted by the memories of their late parents: a dragon-obsessed father and an exacting mother, and the esoteric collections of objects they left behind.
An Oscar nominated documentary about a middle-class American family who is torn apart when the father Arnold and son Jesse are accused of sexually abusing numerous children. Director Jarecki interviews people from different sides of this tragic story and raises the question of whether they were rightfully tried when they claim they were innocent and there was never any evidence against them.
In the table that symbolizes the value of traditional women, a woman who wants to break free from her family must face her daughter.
What would your family reminiscences about dad sound like if he had been an early supporter of Hitler’s, a leader of the notorious SA and the Third Reich’s minister in charge of Slovakia, including its Final Solution? Executed as a war criminal in 1947, Hanns Ludin left behind a grieving widow and six young children, the youngest of whom became a filmmaker. It's a fascinating, maddening, sometimes even humorous look at what the director calls "a typical German story." (Film Forum)
Through a film letter, Lara communicates with her great-grandfather Paco, whom she barely knew. She explains to him what has happened since he died.
A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
In Argentina, almost all adopted children are under 5 years of old. Luis and Valeria open the doors of their home and tell us their family story. A true story full of obstacles, fears and love about paths that connect and people who meet by chance.
María and Isabel are two women in their fifties who, like many others, recycle in Quito, where there is no recycling system. María leads a collective fight for basic labor rights; while Isabel transmits her knowledge of environmental care while she raises her daughters.
The Chukchi reindeer breeders are peculiar people. They are nomads. Reindeers are their welfare, the purport of life. The mother-reindeer is the main divine being; it protects the Chukchi from misfortune and troubles. Nature is not friendly towards people here. Only Chukchi can survive in Tundra. A rush period for the Chukchi reindeer breeders comes in winter, when the temperature rises up to 50 degrees Celsius at night and in the sunlight of the day it doesn't exceed 40 degrees Celsius in tundra: they should separate young deers from the rest of the herd, the weak from the strong. And this, considering that the herds of the Chukchi reindeer breeders number some thousand heads...
Painter Zdzisław Beksiński, his wife Zofia and their son Tomasz, a well-known radio journalist and translator, were a typical and unconventional family, both at the same time. One of the father’s obsessions was filming himself and his family members. Using archival footage only, shot primarily by Zdzisław, as well many other materials, which have not been presented anywhere so far, the film tells a tragic story of the Beksińskis that has never ceased to fascinate Polish filmmakers.
It is hard to find a family home where all the members have gone to live their separate lives in different parts of the world. Travelling between different continents, the director visits divorced parents and their new partners and also meets her sister who decided to join an alternative community. Their family exists on archival films and photographs only. Is it still possible to put it all together against all odds?
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.