A docu-drama shot in 1970, but not completed until 1973, the film sought to encapsulate in an experimental form issues that were under discussion within the Women’s Liberation Movement at this time and to thus contribute to action for change. In its numerous community screenings, active debate was encouraged as part of the viewing experience.
After World War II, Antonia and her daughter, Danielle, go back to their Dutch hometown, where Antonia's late mother has bestowed a small farm upon her. There, Antonia settles down and joins a tightly-knit but unusual community. Those around her include quirky friend Crooked Finger, would-be suitor Bas and, eventually for Antonia, a granddaughter and great-granddaughter who help create a strong family of empowered women.
Documentary dialogue with young women in Algiers on their experience of independence shortly after their country's independence.
Based on the inspiring true story of Lilly Ledbetter, an ordinary Alabama tire factory supervisor who discovers she's being paid less than her male peers. Her fight for fair pay takes her to the Supreme Court and Congress, while powerful forces try to shut her down. Lilly refuses to accept the status quo and has the courage to fight for what is right.
Form small beginnings on a Victorian farm to globetrotting punk rock icons, the Cosmic Psychos became one of Australia's most influential bands. Now after thirty years of music making, 'Cosmic Psychos: Blokes You Can Trust' documents the highs and lows of the group's musical career as told by members from the Melvins, L7, Mud Honey, Pearl Jam, and The Hard-Ons with other international music producers and from the Cosmic Psycho band members themselves.
Since the cult success of Merci Patron!, activist/journalist/filmmaker François Ruffin has become an MP. Here, he attempts to table a law aimed at upholding the rights of what in Quebec are known as caregivers, and shows us in passing how a law whose need seems patently obvious is put together, debated, voted on and . . . dies on the battleground of French politics. A stirring documentary about social injustice that somehow manages to make us bust a gut laughing as we rage with indignation. And also cry at the beauty of it all, thanks to the director’s humanist sensibility and a deft play between reality and fiction.
On Sunday December 4, 2005, 3 Cronulla lifesavers were coming off duty when they passed a group of 8 Lebanese young men. They stared at each other, a heated verbal exchange turned quickly into a violent brawl, resulting in 3 lifesavers being beaten up. This event was to spark 10 days of violent mob attacks and retaliations, the likes of which Australia had never witnessed. This is the story of the dramatic events covering the lead up to and the 10 days between 4th and 13th December 2005 known as the Cronulla Riots.
AFL legend Adam Goodes shares the story of his life and career to offer a deeper insight into race, identity, and belonging.
Two drag performers and a transgender woman travel across the desert to perform their unique style of cabaret.
On the front line of the Syrian war, a 30-year-old commander leads her female battalion to retake an ISIS-controlled city and emerges severely wounded, forcing her to redefine herself in this empowering tale of emancipation and freedom.
Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment
While touring to promote her second studio album "Sucker", Charli XCX tackles what feminism ('the f-word') really means to women in the music industry in a series of interviews with other pop artists.
Diane and Dora are two prostitutes who begin to rebel against their lot in life. Meanwhile, in another part of town, a murderer is at large.
A portrait of an albino Aboriginal teenager, her feelings of alienation while at a convent boarding school, and her dreams of escape.
In her second film, MY LIFE AS I LIVE IT (1993), Essie Coffey returns to her home in Dodge City where she and the A-Team are running in the shire elections. Inter-cutting between 1993 and 1978, the film presents the fascinating contrasts of a society in transition. Some of the kids we met in the earlier film now have families of their own and are involved in education, art and sports. Others are drifting, trying to cope with alcohol and depression. Most significantly, community programs offer the possibility of dignity and self-determination. In this film, Essie shows us the Community Development Employment Program (CDEP) making a real difference. Although the CDEP has now come under attack from the Federal government, MY LIFE AS I LIVE IT portrays the CDEP as providing meaningful work and services to an impoverished remote community.
Seeking refuge on an island in Upstate New York, a married couple's final attempt to salvage their failing relationship takes a turn for the worse when the husband begins to regress emotionally, mentally, and physically.
When she was raped, Ellen thought it was the worst thing to ever happen to her. What was worse, was the treatment by the hospital staff, police and the court system, when she reported it, and the man was caught.
Of Maine’s more than 5000 commercial lobstermen only 4% are female. The Captain celebrates that fearless minority through the lens of Sadie Samuels. At 27 years old, she is the youngest and only female lobster boat captain in the Rockport, Maine harbor. Despite the long hours and manual labor of hauling traps, Samuels is in love — obsessed even — with what she calls the most beautiful, magical place on the planet. Her love for lobster fishing was imparted early in her childhood by her dad Matt, who has been her mentor and inspiration since she was a little girl in yellow fishing boots.
Manoja marries Prabhu for her mother's sake, but dislikes her husband. Gradually, she warms up to his dogged attempts at sparking a romance, but Prabhu, who is frustrated with her indifference, ruins it all on their wedding anniversary. The couple separate but neither can forget the other. Can Manoja find it in herself to forgive Prabhu and get back to him?
Nadine and Manu are two mad women, as tidy as can be, almost perfectionists. They have several things in common: extreme sex, drugs, beer and the trigger. They find the solution to their problems with guns and beware to those who dare to get in their way!