BARE BONES(2020)

Spring Came to My Brother Charlie's Flat(sh)

Experimental short film from Yugoslavia. A woman and a man are making out on a bed, when suddenly an odd fellow with a chandelier enters the room. Suspense grows as they have a drink together...

Mettle(en)

An experimental film shot with the purpose of trying to create a hostile alien environment using only shots of nature, color correction, and sound design.

The Storm(ar)

The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.

Roda Viva Roda Brasil(pt)

VR or ( mirages of a family )(de)

The interface of contrary realities is torn. Passion and fear of unbelievable strength are connecting and scattering the siblings. What remains: the search for love - the getaway into another reality?

The Astronaut(en)

A short film recounting the travels of a lonely astronaut confronted by the unknown. Unfolding as a mystery, it becomes a carefully subtle, autobiographical examination of the feeling of loneliness and the existential issue of not understanding life on earth and ones place among it.

Tetsuo II: Body Hammer(ja)

A Japanese salaryman finds his body transforming into a weapon through sheer rage after his son is kidnapped by a gang of violent thugs.

Sabath(sh)

Short experimental 16mm film.

Madhouse Mitchel(en)

Creeping from the halls of the maze brain, corruption and terror is woven by devils born from the denied errors of mankind.

Weightless Bird In A Falling Cage(en)

A faceless protagonist witnesses the alienation of gentrification as his home is overtaken by development. the forces behind it are demanding him to leave, but also consequently push him further and further into his not-home.

A Report on the Party and the Guests(da)

Europe, 2028. A humanlike creature washes ashore, carrying with him a motionless body he calls his mother. He is on a mission of some kind, reporting on the dwindling human activity in an increasingly automated world.

About Buenos Aires(es)

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Migrating Forms(en)

A man and woman embark on a sexual journey to detach mind from body. The relationship slowly grows into one of emotional domination, physical disease, abandonment and the creation of personal pornography.

Without a Word(sh)

The main protagonist is a young fellow who tries to live his life within 30 frames. He's a person suitable for any atmosphere, which makes him different from the rest. He's like a plant that differs from others, an informer who wants to escape out from his skin. This man loves, hates, eats, drinks, lies ill, laughs, cries, kisses, plays... These are agonies of a contemporary man.

Free as Dead(fr)

The story concerns a man bound to death and a young girl, following a path of ritualistic transfiguration to ultimately become completely free as dead. A frightening tale of evil excess, demented sorcery and lurid ritual. An original experimental short horror film presenting a voyage into the darkest and most psychedelic nether regions of the subconscious.

Luzern Viper(de)

A Schmelzdahin short wherein a print of a portion of Nosferatu (including the iconic shot of the vampire on the boat) has been degraded and abstracted through the bacterialogical decomposition, disintegration, and chemical processes Schmelzdahin would use.

HSP: There Is No Escape from the Terrors Of the Mind(en)

There is no escape… From one side of the globe to the other, there is no escaping the faces, the visions, the ever-watchful camera. There is no escaping the mask, there is no escaping the resonating echoes of images and sounds that cross each other over time. There is no escaping the cinema. There is no escaping the terrors of the mind. “A mysterious loner, perhaps a poet, journeys through a series of uncanny surrealistic landscapes with an unclear purpose. His adventure is divided into three sections. The main theme of this experiment is to compare the eerier qualities of different landscapes and interpose the characters within them, elaborating the project’s ongoing preoccupation with extracting sinister moods from ordinary settings. In a way, these can be seen as experimental horror films in which an atmosphere of dread is evoked and sustained without the expected narrative trappings.”

Triptych on Matter and Death(sh)

A young woman, injured and alone, desperately seeks refuge in an empty house before finding an abandoned train car. Haunted by surreal visions, she repeatedly collapses. At dawn, her motionless form draws the curiosity of local children, leaving her fate uncertain.

Same Player Shoots Again(de)

Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?

Hermitage(it)

Hermitage, defined by Bene as "a rehearsal for lenses", beyond any literal rendition - its narrative trace comes from one of his anti-novels, Credito Italiano V.E.R.D.I - displays his immediate attitude to thinking a cinematic language completely based on actor's movements and actions, and more specifically, on his presence and his schemes. Camouflaged or naked, still or moving, his body seems to play and be played at the same time, shifted by objective and subjective tensions, both metaphorically and visually speaking.