
Presented as part of the exhibition "RIVER OF FUNDAMENT", Museum of Contemporary Art, Los Angeles.
5.4This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
Man With a Movie Camera: The Global Remake is a participatory video shot by people around the world who are invited to record images interpreting the original script of Vertov’s Man With A Movie Camera and upload them to this site. Software developed specifically for this project archives, sequences and streams the submissions as a film. Anyone can upload footage. When the work streams your contribution becomes part of a worldwide montage, in Vertov’s terms the “decoding of life as it is”.
7.2What does modern art mean for ordinary visitors to an exhibition?
5.0A multiple-superimposition hand-painted visual symphony of animal life of earth. THE LOOM might be compared to musical quartet-form (as there are almost always four superimposed pictures); but the complexity of texture, multiplicity of tone, and the variety of interrelated rhythm, suggest symphonic dimensions. The film is very inspired by George Melies: the animals exist (in Jane's enclosure) as on a stage, their interrelationships edited to the disciplines of dance, so therefore one might say this hardly represents "animal life on earth"; but I would argue that this work at least epitomizes theatrical Nature, magical Creature, and is the outside limit, to date, of my art in that respect. (The balance-of-light was so perfectly realized in making the neg. of this print that I wish to credit Western Cine Lab's "timer" Louise Fujiki as creative collaborator in the accomplishment of this work.)
9.0A woman comes to terms with her life on her last day in town.
0.0Birth and Life of Former Marine Craigy Doonka, Story of Life, Art and Vengeance
6.0In the mid-1960s, wealthy debutant Edie Sedgwick meets artist Andy Warhol. She joins Warhol's famous Factory and becomes his muse. Although she seems to have it all, Edie cannot have the love she craves from Andy, and she has an affair with a charismatic musician, who pushes her to seek independence from the artist and the milieu.
6.1A Baltimore teenager who picks up a second-hand camera starts snapping his way to stardom, soon turning into a nationwide sensation, with a fateful choice between his life and his art.
7.0After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.
0.0Stonecutters emigrated from northern Italy to Barre, Vermont, the "Granite Capital of the World." Follow the artisans and their families from quarries, workshops and schools in Italy to granite carving sheds in New England, as they seek their own identities, choosing what to keep and what to cut away from their American and Italian legacies.
3.0A gang of women wreak havoc in the city, killing various men who have treated women poorly. And sometimes they do it just for fun.
0.0From the remote Australian desert to the opulence of Buckingham Palace - Namatjira Project is the iconic story of the Namatjira family, tracing their quest for justice.
7.5The documentary is titled after Arkadaş Z. Özger’s poem “Hello My Dear” which had caused much controversy in the period it was first published. Considered to be in defiance of heteronormativity, the said poem includes references to the poet’s personality, his family, his relationship to the society, and his “unexpected” death, which came three years after its publication. Today, 50 years after it was written, the documentary follows these same lines in the poem utilising cinematic elements. The documentary also rediscovers the poetics; reaches out to the family, the comrades, the friendships, departing from the official historical accounts, cognizant of his experience of otherness, in pursuit of the “lost” portrait of Arkadaş Z. Özger.
0.0A visit to the Rotoli cemetery in Palermo, while film director Carmelo Bene reads a fragment of Antonio Pizzuto's book "Signorina Rosina".
7.0Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
6.8In the class-obsessed and religiously divided UK of the early 1920s, two determined young runners train for the 1924 Paris Olympics. Eric Liddell, a devout Christian born to Scottish missionaries in China, sees running as part of his worship of God's glory and refuses to train or compete on the Sabbath. Harold Abrahams overcomes anti-Semitism and class bias, but neglects his beloved sweetheart in his single-minded quest.
5.0While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
3.0Stabat Mater opens and closes with two sung laments, then launches into a breathless torrent of words and phrases, a re-reading of the eternal feminine of Joyce’s Ulysses, which echoes the exultant/feverish swoop of the camera through a Mediterranean landscape