While making a portrait of a single gay man in Lisbon, a Vietnamese filmmaker offers his character a little gift from the bottom of his heart. This is a film about the act of filming.
Inspired to make an original, intimate family portrait, Gracie Otto directs a feature length documentary on her father, Barry Otto, whose career in Australian theatre, film and television has spanned more than 50 years. Baz as he is affectionately known is one of a kind - a truly creative, endearing and extremely eccentric personality who embraces the serious and the silly. This story is about Gracie's relationship with her father, in the twilight of his career and his life, as she tries to capture his memories, before his memory disappears. This is not a traditional biopic, but a deeply personal, artistic and cinematic reflection. Sometimes poignant in its exploration of deteriorating health, the film looks at the world through Baz's eyes, an ode to living a passionate life, that both honours him and preserves his memory.
The powerful and inspiring true story of the controversial human rights campaigner whose provocative acts of civil diso bedience rocked the British establishment, revolutionised attitudes to homosexuality and exposed world tyrants. As social attitudes change and history vindicates Peter's stance on gay rights, his David versus Goliath battles gradually win him status as a national treasure. The film follows Peter as he embarks on his riskiest crusade yet by seeking to disrupt the FIFA World Cup in Moscow to draw attention to the persecution of LGBT+ people in Russia and Chechnya.
The history of the infamous serial killer known as the ‘zodiac’ in the late 1960s. It takes you through his kill rampage and to the case that still to this day has not been cracked.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Equatorial Guinea became independent 51 years ago from Spain. This African country lives under one of the longest-lived dictatorships in the world, Teodoro Obiang, a military man trained in Zaragoza. His regime strongly represses all freedoms, including sexual ones. Franco Spanish laws are still in force in the country, such as the «public scandal». It is not possible to protest on the street and the only LGTB organization in the country has not been able to legalize itself. In addition, the country’s Parliament is studying hardening the current penal code. To denounce the situation, the group «We are part of the world» has collected the voices of the community in a documentary that pays tribute to Fidel Lemoy, one of its best-known faces, who disappeared last year.
This walk in the daily life of several psychiatric institutions, allows us to meet extraordinary people who let us enter their privacy.
A silent succession of black-and-white photographs of the city of Montreal.
An exploration of the relationship between bodies, spaces and touch as a form of longing, Maja Classen’s latest documentary TRUTH OR DARE takes on an essayistic format inspired by the dramaturgy of a sex-positive party in Berlin and the COVID lockdowns of the past two years when the freedom of these spaces seemed possibly lost forever. The film’s protagonists – which include the Chilean queer sex worker Jorge and the genderqueer person Puck – are afforded the space to share their stories of loneliness, desires, sexuality, and identity and reveal how they have found a home and chosen family in Berlin’s queer, sex-positive community.
This film is at once a self-portrait and an homage to Jean-Marie Straub, Farocki's role model and former teacher at the Film Academy.
47 Days, Sound-less by Vietnamese artist Nguyễn Trinh Thi is a film that explores the relationships between sound and silence, vision, language, colours and their absence. Nguyễn identifies “peripheries”—including natural landscapes used as backdrops, uncredited characters and soundtracks from American and Vietnamese movies—that reveal more-than-human perspectives. Offering new ways of looking and listening, 47 Days, Sound-less invites audiences to reflect on the inextricable relationship between a place and its inhabitants.
"Panic Bodies is a 70-minute, six-part exploration of the ways we experience the body's betrayals: disease, decline and death. The film is a panorama of emotionally charged recollections of strange relatives and estranged siblings, staged recreations of fast-fading pasts and personal mythologies, and reflections on the anxious states created by the body's fragile claims on time and space. It's about being a stranger in your own skin. Panic Bodies perfects the phantom quality of any good work about mourning, but it is not reducible to that. It is also enlivened by the intimacy that comes from having made a spectacle of personal secrets." (Kathleen Pirrie Adams, Xtra)
It wasn’t long until Ethan knew that he wasn’t Irene, meanwhile, Sarah wondered why it wasn’t the colour of her skin that made her feel so different from the others but, in fact, the stigma of living with HIV. Those are some of the stories from "DIVERSXS".
A 60th anniversary retrospective documentary on the influence and context of the 1962 film, To Kill a Mockingbird.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.
In the heart of the Finnish forest, the long-closed foundry of the little town of Karkkila has come back to life thanks to director Aki Kaurismäki and his creation of the town's first cinema. The peace and calm of the little town of Karkkila, nestled deep in the Finnish forest, is interrupted by unexpected sounds. In the abandoned foundry, noisy building work is taking place. Inside the building, Aki Kaurismäki is both builder and site manager of what is soon to become the Kino Laika cinema. The creation of the cinema is the talk of the town. In the factory still in activity, in a 1960s Cadillac, in a bikers' club, in the local pub, in the woods or in Aki Kaurismäki's former editing room, people start talking about cinema again.
“The Talk” showcases the experiences of three LGBTQ+ youth learning about sex health under an inadequate Canadian sex-ed curriculum. Each subject opens up about their knowledge surrounding sexual health, gender identity, the not so honest information they were taught in their classrooms and its impact on their self-image.
Some months after the fall of the Berlin wall, during the time of federal elections in Germany in 1990, Chris Marker shot this passionate documentary, reflecting the state of the place and its spirit with remarkable acuity.
After the sunset, a man wonders between the edges of the highways gathering edible roadkill animals.