This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.
This documentary, the final film directed by Frank Capra, explores America's plans for the future of space exploration. It was produced by the Martin-Marietta Corporation for exhibition in the Hall of Science at the 1964 New York World's Fair.
1964-09-10
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An alien being fights to complete an impossible task. A metaphor for the emotional weight one carries within, and the hardships when striving to rid oneself of it.
Short educational film about television
Twenty-five films from twenty-five European countries by twenty-five European directors.
The epic story of the life of a volcano, capable of both causing the extinction of all things and helping the evolution of species, over 60 million years.
A film about an unhappy man who catches his wife with a lover. He leaves to buy a gun, while plotting to kill the wife and the lover. Based on a short story by Anton Chekhov.
Jan Schmidt and Pavel Juráček turn their attention to the problem of Czechoslovakia's unloved cars in this whimsical documentary short.
One summer afternoon in 1907, Abel and his wife (both mice) are picnicking, when they become separated during a violent rainstorm. After flying some distance, Abel discovers himself alone on a river island, unable to swim due to the powerful current. Abel periodically attempts to leave the island by various means: flying on a leaf, rowing a crudely fashioned boat, etc. Meanwhile, he tries to create a normal life of sorts, even learning to enjoy a new hobby: sculpture. Still, Abel's goal is to escape the island and rejoin his wife in the city.
Hykade's third and final part of The Country Trilogy. The once dead father of "We Lived in Grass" returns. "I give you the runt," he says. "But you take care of it and you kill it next year."
The animation was produced for the Tezuka Osamu Manga Museum, thus it features scenes from the "life and nature" of Tezuka Osamu's childhood, themes that are central to the museum as a whole, through exchanges between the boy Osamu and the carabid beetle (Osamushi) who provided the origin for the artist's name.
The film expresses the sense of being left behind. It stems from the realities of my childhood and how they did not match up with what I was feeling back then.
The fourth-grade protagonist is going through physical and emotional changes and feels awkward as she can't help but compare herself to her friends. One day, she is blown away by her classmate Aya's swimming and realizes that she has feelings for her.
Even though I feel like I'm living in the now, here, I think I just end up being in nowhere all the time. And in the nowhere, I find the now and the here.
The elderly at the nursing home have their heads shaved. The protagonist who works there sees them but can't read their expressions. However, from one instance, he finds himself looking closely at their faces.
This is the story of a vegetable garden, from the first seeds to the harvest. But this garden is different, because here the gardener has decided to banish pesticides and other chemicals, and to be helped only by discreet workers, the insects. As we dive into the heart of this plant kingdom, we discover thousands of tiny lives that organize themselves as in a micro-society: decomposing insects, recyclers, pollinators, the workers of the garden work to maintain a fragile balance within the vegetable garden. As the plants grow and begin to produce their first vegetables, the incredible interactions between insects and plants help protect the future harvest. But it is also their personal stories that punctuate the life of the garden. Between parades, mutual aid and attempted putsch, the story of the vegetable garden thus takes the form of a true nature tale.
A deadpan sci-fi, interweaving moments of familiar routine with esoteric messages from deep space.
Francis is a short story written by american novelist Dave Eggers. This is the story of a young boy growing up in the suburbs of chicago. He spent his vacations in Quetico Provincial Park, up on the border of Minnesota and Canada. But he won't be going back any day soon, not after what happened to a girl called Francis Brandywine.
One cold and damp morning, two weasels were wandering the quiet streets. They get separated at one point but are reunited. Just then, bells and alarms began to ring through the city, and dawn came.
Fracture (1977) is a short animated film from France by the Brizzi Brothers (Paul and Gaëtan), a duo better known for their work on feature-length animated films such as Asterix versus Caesar (1985), and a number of films for Disney. Fracture is their earliest work, and isn’t remotely Disney-like, delivering an SF / fantasy scenario of alien inexplicabilities that makes it an animated counterpart of the comic strips that were running in Métal Hurlant (and its US counterpart, Heavy Metal) in the late 1970s.
Ten years after the film Home (2009), Yann Arthus-Bertrand looks back, with Legacy, on his life and fifty years of commitment. It's his most personal film. The photographer and director tells the story of nature and man. He also reveals a suffering planet and the ecological damage caused by man. He finally invites us to reconcile with nature and proposes several solutions