Eugenio's Close Up: Inside the Slums of Buenos Aires A professional photographer seeks to infuse his Buenos Aires slum with art, creativity and free expression. As with so many of the marginalised shanty towns of Latin America, there is a wellspring of violence and economic despair. Caught in the ever-shifting instability of Argentina's economy, there is little chance that these slums will be transformed or that their residents will be able to easily escape the country's cyclical poverty. Despite this for Eugenio, a 32-year-old photographer who still calls the slum of Villa 15 his home, there is a persistent richness to the life around him, and hope.
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Eugenio's Close Up: Inside the Slums of Buenos Aires A professional photographer seeks to infuse his Buenos Aires slum with art, creativity and free expression. As with so many of the marginalised shanty towns of Latin America, there is a wellspring of violence and economic despair. Caught in the ever-shifting instability of Argentina's economy, there is little chance that these slums will be transformed or that their residents will be able to easily escape the country's cyclical poverty. Despite this for Eugenio, a 32-year-old photographer who still calls the slum of Villa 15 his home, there is a persistent richness to the life around him, and hope.
2016-04-26
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In 1970s New York, photographer Martha Cooper captured some of the first images of graffiti at a time when the city had declared war on it. Decades later, Cooper has become an influential godmother to a global movement of street artists.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
A heartwarming exploration of a community art project by photographer Tawfik Elgazzar providing free portraits for locals and passers-by in Sydney, Australia's Inner West. The film explores the nature of individuality, cultural diversity and the positive joy for the photographer of seeing his subjects smile.
Short film about "Yuyanapaq", the photo exhibition of the armed conflict in Peru, at Casa Riva Agüero, Chorrillos, Lima-Peru.
Megacities is a documentary about the slums of five different metropolitan cities.
In Argentina, a woman dies every week as the result of illegal abortions. In 2018, for the seventh time, a motion supporting legal, secure and free abortion was presented to the national congress of Argentina. The project provoked a fierce debate, revealing a society divided more than ever between the pro-life and freedom to choose positions. Through an assemblage of passionate testimonies, Let It Be Law documents the determination of women fighting bravely to secure the right to physical self-determination, and bears witness to their massive mobilization in the streets of Buenos Aires.
Over a period of six years, director James Bluemel and producer Gordon Wilson followed epileptic alcoholic Nigel (37) from Oxford, England, who managed to slip through the net of the welfare system for 66 months. Self-mutilation, alcohol, and childlike delusions mean Nigel is a vulnerable man. In the words of his social worker, "Nigel has been abused financially, sexually, and emotionally for years." She's referring to the days when, while out "in the wild," a man named Robbie took Nigel under his wings. He was like a father to Nigel, while at the same time absolutely unfit for the role of caregiver, especially because he couldn't keep his hands to himself.
In the Bernese Alps, the Agassizhorn peak memorialises Louis Agassiz – a controversial 19th-century scientist, who not only named the mountain after himself, but who claimed he had discovered the Ice Age and went on to become one of the century's most virulent, most influential racists.
Documentary depicts what happened in Rio de Janeiro on June 12th 2000, when bus 174 was taken by an armed young man, threatening to shoot all the passengers. Transmitted live on all Brazilian TV networks, this shocking and tragic-ending event became one of violence's most shocking portraits, and one of the scariest examples of police incompetence and abuse in recent years.
Following the 1884–85 Berlin Conference resolution on the partition of Africa, the Portuguese army uses a talented ensign to register the effective occupation of the territory belonging to the Cuamato people, conquered in 1907, in the south of Angola. A STORY FROM AFRICA enlivens a rarely seen photographic archive through the tragic tale of Calipalula, the Cuamato nobleman essential to the unfolding of events in this Portuguese pacification campaign.
A tribute to the cameramen of the newsreel companies and the service film units, in the form of a compilation of film of the cameramen themselves, their training and some of their most dramatic film.
Errol Morris examines the incidents of abuse and torture of suspected terrorists at the hands of U.S. forces at the Abu Ghraib prison.
John Baumhackl recalls the early days of the Vietnam War when more and more troops were being sent into combat every month. In 1968, John's number came up and he was drafted into the conflict. Buying a camera at his company store before shipping off, he captured many battles while in a helicopter. John was near the front lines when President Nixon made the controversial decision to push into Cambodia. In John's view, this saved American lives.
A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?