Gabeira(2017)

Aconteceu, virou Manchete! A História da Rede Manchete(pt)

Boca Fechada(pt)

Sieged: The Press vs. Denialism(pt)

Behind the scenes of news coverage during the pandemic. Follow the work of the professional press in a fight against denialism.

Rito do Amor Selvagem(pt)

BUNS(es)

Um real a hora(pt)

Greña Cultura Libertad(es)

Selma Light: Para os aplausos do público(pt)

In the form of a documentary, this Final Year Coursework chronicles the career of Selma Light, a transgender woman, drag queen, and activist, a prominent voice in the LGBTQIA+ movement in Florianópolis, Santa Catarina. The construction of the biographical narrative revisits key moments in Selma's career, such as when she traveled with theater companies, her first time as a drag queen, and her debut as a performance artist. Her personal life is also explored, from her childhood in the countryside of Rio Grande do Sul to her acceptance of her gender identity. Her current work adds a new challenge to the struggle of the LGBTQIA+ community in the capital of Santa Catarina: she holds a public office, never before held by a trans person. She has the decision-making power to advance the struggle of the LGBTQIA+ community in the capital of Santa Catarina.

Jornal News(pt)

Dolly's Scoop(en)

James Fairfax, editor of the scandalous Morning Argus, stops at nothing for a juicy story, much to the disdain of his staff—especially reporter Dolly Clare.

Último jornal do mundo(pt)

Jornal da Semana Retrasada(pt)

Pure in Heart: The Life and Legacy of Lon Chaney, Jr.(en)

A short documentary about the classic Universal Monster actor, Lon Chaney, Jr.

Bald: The Making of 'THX 1138'(en)

The film features a conversation between Lucas and Francis Ford Coppola, producer of THX 1138. They discuss Lucas' vision for the film, including his ideas about science fiction in general and in particular his concept of the "used future" which would famously feature in his film Star Wars. Intercut with this discussion is footage shot prior to the start of production of THX 1138 showing several of its actors having their heads shaved, a requirement for appearing in the film. In several cases the actors are shown being shaved in a public location. For example, Maggie McOmie is shaved outside the Palace of Fine Arts in San Francisco, while Robert Duvall watches a sporting event as his hair is cut off. Another actor, Marshall Efron, who would later play an insane man in the film, cut off his own hair and was filmed doing so in a bathtub.

Open Your Eyes!(en)

Behind the scenes footage of Pasolini and crew filming 'Salò o le 120 giornate di Sodoma'.

Walking with Pasolini(en)

A documentary about Pier Paolo Pasolini and his film 'Salò o le 120 giornate di Sodoma'.

Quand tu disais, Valéry(fr)

Divided into five parts, this film traces the long strike by workers at the Caravelair caravan factory in Trigniac, near Saint-Nazaire, led by the C.G.T. and C.F.D.T. unions. Shot in 1975, the film achieved the strange feat of being produced entirely by workers' producers - 15,000 of them paid in advance for their tickets - and of being amortized, and even made profitable, by being shown outside the commercial circuit alone.

Geschenk uit de bodem(nl)

Live from Space(en)

National Geographic and NASA are sending you into space - live! For the first time ever, board the International Space Station and take a complete orbit of Earth in real time.

Tough Guys(en)

10 years before the debut of the Ultimate Fighting Championship. In 1979, Bill Viola and Frank Caliguri dreamed up a contest pitting barroom bigmouths against wrestlers, martial artists, boxers, bouncers and brawlers, billed as no-holds-barred new type of competitive fighting. When the fights succeeded beyond their wildest expectations, they were swept up in a chain of events that ended in the first mixed-martial arts ban in the nation. “Tough Guys” chronicles the inception of Caliguri and Viola’s first bouts and the colorful, crazy cast of fighters who made them a hit as well as the politicians who brought it all crashing down. The film brings to life a moment when the national martial arts craze was building to a crescendo as the economies of Pennsylvania steel towns were plummeting to levels of unemployment never seen, breeding desperate men looking for a chance to prove their worth and make some money in the ring.