Greña Cultura Libertad
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The End of Summer(fr)
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.
Dance With Me(lv)
A high-school folk dancing group heads to Latvian School Youth Song and Dance Festival, an event that takes place every five years and is part of the Latvian national identity – this is the culmination point of five years of work. Away from their homes and parents, they spend seven days and nights together. They are 18 and have just graduated, and this seems to be the last idle summer of their lives. Dreams mix with boredom, silly jokes with serious conversations. Taking care of one another creates affection and grows into a collective power. There are thousands like them at the festival. Every individual sensation turns into a common celebration that becomes more than just a tradition.
The Male Gaze: Fleeting Glances(en)
A release that features 7 shorts from Italy, Israel, Tunisia, New Zealand, the United States and France, exploring those furtive first steps that men take as they decide to act on their sexuality. The 7 short films are: The First Time [La prima volta] (2012); Kiss Me (2022); Nidhal [نضال] (2022); Sparrow (2016); I Am Mackenzie (2019); The Place Between Us [Il posto fra di noi] (2010); By the End of the Night [Que la nuit s'achève] (2018).
Soldier(es)
A young man decides to join the army. He becomes the drummer in the military band, and his everyday life is now a combination of military training and music. What does the Argentine Army do these days, more than thirty years after the dictatorship? What does it mean to be a soldier in a country without wars?
The Take(en)
In suburban Buenos Aires, thirty unemployed ceramics workers walk into their idle factory, roll out sleeping mats and refuse to leave. All they want is to re-start the silent machines. But this simple act - the take - has the power to turn the globalization debate on its head. Armed only with slingshots and an abiding faith in shop-floor democracy, the workers face off against the bosses, bankers and a whole system that sees their beloved factories as nothing more than scrap metal for sale.
Adam & Henry Adventures(en)
Unsatisfied with college, a filmmaker leaves everything behind to join two friends on their bike trip across the world.
War Baby(en)
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Member of the Club(en)
Tells the story of New Orleans's black aristocracy as seen through the eyes of an African American debutante and her matriarchal family. This poignant coming of age story opens a lens to the wider struggle of black New Orleans's to shape an upper class society during the rise of the Jim Crow south.
This Way of Life(en)
Peter Karena, his wife Colleen, their six children and many horses live almost wild in the stunning beauty of New Zealand's rugged Ruahine Mountains. Until, that is, Peter's escalating battle with his own father has profound consequences for the whole clan.
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In a forest in Norway, a family lives an isolated lifestyle in an attempt to be wild and free, but a tragic event changes everything, and they are forced to adjust to modern society.
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Three young men bond together to escape volatile families in their Rust Belt hometown. As they face adult responsibilities, unexpected revelations threaten their decade-long friendship.
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the days we'll look back on(en)
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Visions of Violence(en)
This visceral cinematic snapshot is an inventive commentary on the pleasures and dangers of wielding a camera. Using different video and film formats, the director tries to record life as it is, unpredictable and at times dangerous.
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Iris(en)
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