
After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London

After the waning of the protests in Sanrizuka, Ogawa Pro started questioning the future of the collective and looking for other subjects to film. Following the method developed in the previous films, the filmmakers moved to the slum of Kotobuchi in the port city of Yokohama, where more than 6000 people were struggling to get by without any means of survival, exposed to industrial accidents and diseases. The result is one of the most moving films produced by the collective, a series of beautifully filmed portraits, voicing the silenced stories and songs of a group of people living in this community. Credit: ICA London
1975-05-24
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6.0One billion people on our planet—one in six—live in shantytowns, slums or squats. Slums: Cities of Tomorrow challenges conventional thinking to propose that slums are in fact the solution, not the problem, to urban overcrowding caused by the massive migration of people to cities. (Lynne Fernie, HotDocs)
6.0Explores the lives of Sara, Gigi and Giovanna, three Latino transvestites who for years have lived on the streets of Manhattan supporting their drug addictions through prostitution. They made their temporary home inside broken garbage trucks that the Sanitation Department keeps next to the salt deposits used in the winter to melt the snow. The three friends share the place known as "The Salt Mines".
0.0Between 1968 and 1970, J M Goodger, a lecturer at the University of Salford, made a film record of the living conditions in the slums of Ordsall, Salford, which were then in the process of being demolished. Under the title 'The Changing face of Salford', the film was in two parts: 'Life in the slums' and 'Bloody slums'.
0.0In the midst of a catastrophic steel industry collapse, a remarkable grassroots community effort leads to a national healthcare program that helps more than 200 million children...and counting.
7.5This revealing portrait of Cuba follows the lives of Fidel Castro and three Cuban families affected by his policies over the last four decades.
0.0Award-winning documentary maker Bryan Bruce investigates New Zealand's housing crisis and what might be done to solve it. Bruce consults with recognised world experts (in Canada, Ireland and Germany) to discuss their global research – this time on foreign capital and housing affordability and the effect of immigration on house prices. Bruce also looks at some of the many possible solutions (available particularly in Germany) that would provide families with stability of tenure that don’t involve private ownership.
"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González
7.1An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
6.5Megacities is a documentary about the slums of five different metropolitan cities.
7.0This documentary is a portrait of Point St. Charles, one of Montreal’s notoriously bleak neighbourhoods. Many of the residents are English-speaking and of Irish origin; many of them are also on welfare. Considered to be one of the toughest districts in all of Canada, Point St. Charles is poor in terms of community facilities, but still full of rich contrasts and high spirits – that is, most of the time.
Psychoanalysis in El Barrio shows the experience of Latino psychoanalysts in the United States bringing psychoanalysis to Latino communities. It features interviews with ten Latino analysts (whose heritage is from a variety of Latino cultures) as well as students. It uniquely shows some of those communities in Philadelphia, New York City, and Texas and Interviews Latinos in the street on their thoughts about therapy. And it discusses issues of culture, bias, language and transference that occur for Latino analysts and their patients. The video challenges psychoanalysts to understand the culture and economic circumstances of Latinos in the United States and to bring psychoanalytically informed therapy to them. It Is a consequence of conferences held by the Institute for Psychoanalytic Training and Research (IPTAR) and the Clinical Psychology Department of The New School.
4.8Shot over the course of 18 months in New York City's Lower East Side, METHADONIA sheds light on the inherent flaws of legal methadone treatments for heroin addiction by profiling eight addicts, in various stages of recovery and relapse, who attend the New York Center for Addiction Treatment Services (NYCATS).
0.0A drama-documentary film about the fatal effect of poor living conditions on health – the so-called "social inheritance." The principal characters in the film are two fourteen or fifteen-year-old children, Carl and Hanne. Covering a hundred-year period and drawing on case stories recorded by actual hospital staff, the film illustrates a number of variations of "the same old story."
0.0During World War I, African-Americans worked on the railroad near Corbin, Kentucky. When whites returned from the war, there was conflict. Whites sought their former jobs and positions in the community. In 1919, a race riot occurred. Whites put the African-Americans on railroad cars and ran them out of town. In Trouble Behind, members of the Corbin community speak out on the issue. The filmmakers also interview former members of the Corbin, which at the time of filming had only one black family. Some Corbin residents express confusion as to why African-Americans don't move back. Others openly use racial epithets. Some young adults seem troubled by the racism, past and present. Others don't.
7.3Werner Herzog takes a film crew to the island of Guadeloupe when he hears that the volcano on the island is going to erupt. Everyone has left, except for one old man who refuses to leave.
6.2The capture of Naples, the first great European city to be liberated, revealed the magnitude of the tasks involved in re-creating the means of livelihood and the machinery of government in a devastated, starving and disease-ridden city.
6.4DEBT is the story of a frantic pursuit: the search for the responsible for the televised cry of hunger of Barbara Flores, an eight-year-old Argentinean girl. Buenos Aires, Washington, the IMF, the World Bank and Davos; corruption and the international bureaucratic lack of interest.