During World War I, African-Americans worked on the railroad near Corbin, Kentucky. When whites returned from the war, there was conflict. Whites sought their former jobs and positions in the community. In 1919, a race riot occurred. Whites put the African-Americans on railroad cars and ran them out of town. In Trouble Behind, members of the Corbin community speak out on the issue. The filmmakers also interview former members of the Corbin, which at the time of filming had only one black family. Some Corbin residents express confusion as to why African-Americans don't move back. Others openly use racial epithets. Some young adults seem troubled by the racism, past and present. Others don't.
1991-12-18
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Documentary following Serbian football coach Zoran Đorđević as he helps form South Sudan's first national football team.
An intimate, arresting portrait of the cursed Appalachian mining town of Ivanhoe, Virginia. The film captures the town as it prepares for the annual Jubilee, a wild 4th of July celebration where families and neighbors let loose and triumph over daily hardships, industrial abandonment, and race.
A relentless chronicle of the tragedy of the Uighurs, an ethnic minority of some eleven million people who live in the Xinjiang region of northwest China, speak a Turkic language and practice the Muslim religion. The Uighurs suffer brutal cultural and political oppression by Xin Jinping's tyrannical government: torture, disappearances, forced labor, re-education of children and adults, mass sterilizations, extensive surveillance and destruction of historical heritage.
A feature length documentary that tells the story of nine young men and women constructing positive lives as they face the challenges of growing up poor in one of America's most famous African American communities.
Santiago Mitre co-directs his first movement following The Student together with choreographer Onofri Barbato. Although it would have been more accurate to say “his first film-story-adventure-movie-great movie following The Student”, the word movement fits perfectly in Los posibles, the most overwhelmingly kinetic work Argentine cinema has delivered in many, many years. The film deals with the adaptation of a dance show directed by Onofri together with a group of teenagers who came to Casa La Salle, a center of social integration located in González Catán, trying to find some refuge from hardship. Already entitled Los posibles, the piece opened in the La Plata Tacec and was later staged in the AB Hall of the San Martín Cultural Center. Now, it dazzles audiences out of a film screen, with extraordinary muscles and a huge heart: Los posibles is a rhapsody of roughen bodies and torn emotions. Precise and exciting, it’s our own delayed, necessary, and incandescent West Side Story.
Under the Trump administration, USA is a deeply divided country. One side feeds populism and religious rectitude in a monochromatic landscape, painted white, lamenting for a past that never will return. The other side fuels diversity and multiculturalism, a biased vision of a progressive future, quite unlikely. Both sides are constantly confronted, without listening to each other. Only a few reasonable people gather to change this potentially dangerous situation.
The importance of the internet and social media platforms is undeniable, concerning their contribution to the freedom of speech; however, the boundaries are often overstepped under the dark cloak of anonymity.
On August 9, 2016, a young Cree man named Colten Boushie died from a gunshot to the back of his head after entering Gerald Stanley's rural property with his friends. The jury's subsequent acquittal of Stanley captured international attention, raising questions about racism embedded within Canada's legal system and propelling Colten's family to national and international stages in their pursuit of justice. Sensitively directed by Tasha Hubbard, "nîpawistamâsowin: We Will Stand Up" weaves a profound narrative encompassing the filmmaker's own adoption, the stark history of colonialism on the Prairies, and a vision of a future where Indigenous children can live safely on their homelands.
Moment of Impact: Stories of the Pulitzer Prize Photographs, hosted by Sam Waterston, tells the compelling stories behind some of the world's most memorable photographs. Returning to the scene of the action, each photographer describes, in a gripping first-hand account, how they took their prize-winning photographs. The moments they captured forged history and changed lives - including the photographers own. The stories of these unforgettable photographs' own. The stories of these unforgettable photographs - many of them shown here for the first time - are as compelling and long lasting as the images themselves.
As her adolescence gives way to the obligations of motherhood, troubled Gemma matures in Motherwell, her Scottish hometown, heavily dependent on the steel industry. Unfortunately for her, her hedonistic way of understanding the world does not fit in with the philosophy of the rest of the villagers, so trouble soon follows.
It is the evocation of a life as brief as it is dense. An encounter with a dazzling thought, that of Frantz Fanon, a psychiatrist of West Indian origin, who will reflect on the alienation of black people. It is the evocation of a man of reflection who refuses to close his eyes, of the man of action who devoted himself body and soul to the liberation struggle of the Algerian people and who will become, through his political commitment, his fight, and his writings, one of the figures of the anti-colonialist struggle. Before being killed at the age of 36 by leukemia, on December 6, 1961. His body was buried by Chadli Bendjedid, who later became Algerian president, in Algeria, at the Chouhadas cemetery (cemetery of war martyrs ). With him, three of his works are buried: “Black Skin, White Masks”, “L’An V De La Révolution Algérien” and “The Wretched of the Earth”.
On August 3rd, 1979, a Vietnamese refugee shoots and kills a white crab fisherman at the town docks in Seadrift, TX. What began as a fishing dispute erupts in violence and ignites a resurgence of the KKK and open hostilities against the Vietnamese along the Gulf Coast. Set during the early days of Vietnamese refugee arrival, “Seadrift” examines the circumstances that led up to the shooting, its tumultuous aftermath, and the unexpected consequences that continue to reverberate today.
Every year, millions of Americans are incarcerated before even being convicted of a crime - all because they can't afford to post bail. How did we get here? “Trapped: Cash Bail in America” shines a light on our deeply flawed criminal justice system and the activists working to reform it. This new documentary explores the growing movement to end the inherent economic and racial inequalities of cash bail while highlighting victims impacted by an unjust system, the tireless campaigners fighting for criminal justice reform, and a bail industry lobbying to maintain the status quo.
Shots fired inside a club frequented by black Brazilians in the outskirts of Brasilia leave two men wounded. A third man arrives from the future in order to investigate the incident and prove that the fault lies in the repressive society.
Appalachian Journey is one of five films made from footage that Alan Lomax shot between 1978 and 1985 for the PBS American Patchwork series (1991). It offers songs, dances, stories, and religious rituals of the Southern Appalachians. Preachers, singers, fiddlers, banjo pickers, moonshiners, cloggers, and square dancers recount the good times and the hard times of rural life there. Performers include Tommy Jarrell, Janette Carter, Ray and Stanley Hicks, Frank Proffitt Jr., Sheila Kay Adams, Nimrod Workman and Phyllis Boyens, Raymond Fairchild, and others, with a bonus of a few African-Americans from the North Carolina Piedmont.
In 2020, the USA experienced a multiple catastrophe: No other country in the world was hit so badly by the coronavirus pandemic, the economic slump was dramatic, and so was the rise in unemployment. A rift ran through society. In the streets there were protests of both camps with violent riots, authoritarian traits were evident in the actions of the leader of the nation. And all of this in the middle of the election year, when the self-centered president fought vehemently for his re-election. From the start of his presidency, Donald Trump had divided American society, incited individual sections of the population against one another, fueled racism, hatred, xenophobia and prejudice, insulted competitors and denigrated critical journalists as enemies of the people. The documentary shows how this could happen and what role the targeted disinformation of certain sections of the population through manipulative media played.
The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.
The chronic shortage of housing in Central Havana has pushed the city upwards, where life spills out onto the rooftops. Resilient and remarkable, these rooftop dwellers have a privileged point of view on a society in the process of major transformation.