The artist J.M.W. Turner is widely recognised as England’s greatest painter. Tate has the world’s finest and most extensive collection of his work. Turner at Tate explores Turner’s art through many of his best-known canvases and exquisite sketches and watercolours, all newly and exceptionally filmed in HDTV from the original artworks. Incorporating the landscapes and places that inspired the works, the film provides an overview of Turner’s life and - in an accessible and engrossing way - of critical approaches to his art. The film’s focus is Turner and England, and his work is considered against the radical social and political changes of the early nineteenth century. Turner at Tate is a film about ideas and history and landscape, a film about colour and light. Contributors include Tate curators Ian Warrell and David Blayney Brown, and art historians Sam Smiles and Barry Venning. Also featured on the DVD are ten additional short films, each of which considers in detail a major work.
The artist J.M.W. Turner is widely recognised as England’s greatest painter. Tate has the world’s finest and most extensive collection of his work. Turner at Tate explores Turner’s art through many of his best-known canvases and exquisite sketches and watercolours, all newly and exceptionally filmed in HDTV from the original artworks. Incorporating the landscapes and places that inspired the works, the film provides an overview of Turner’s life and - in an accessible and engrossing way - of critical approaches to his art. The film’s focus is Turner and England, and his work is considered against the radical social and political changes of the early nineteenth century. Turner at Tate is a film about ideas and history and landscape, a film about colour and light. Contributors include Tate curators Ian Warrell and David Blayney Brown, and art historians Sam Smiles and Barry Venning. Also featured on the DVD are ten additional short films, each of which considers in detail a major work.
2006-07-22
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Exploring the work of the artist J.M.W Turner, who is widely recognised as England's greatest painter.
This film tells the story of Markus Anatol Weisse, who, astonishingly enough, became an artist, in spite of being only very partially sighted. Markus also builds strange machine-like beings and wishes that he himself were a biological robot, or cyborg.
The film explores the role of photography, since its rudimentary beginnings in the 1840s, in shaping the identity, aspirations, and social emergence of African Americans from slavery to the present. The dramatic arch is developed as a visual narrative that flows through the past 160 years to reveal black photography as an instrument for social change, an African American point-of-view on American history, and a particularized aesthetic vision.
Florida, 1994. Artist Mike Diana is convicted on an obscenity charge in the wake of an undercover police officer purchasing his limited edition zine Boiled Angel. Here is the very unusual story of what led to this First Amendment debacle happening for the first time in the United States.
Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.
Follows the behind-the-scenes work of Studio Ghibli, focusing on the notable figures Hayao Miyazaki, Isao Takahata, and Toshio Suzuki.
Drawing on the collections of major Russian institutions, contributions from contemporary artists, curators and performers and personal testimony from the descendants of those involved, the film brings the artists of the Russian Avant-Garde to life. It tells the stories of artists like Chagall, Kandinsky and Malevich - pioneers who flourished in response to the challenge of building a new art for a new world, only to be broken by implacable authority after 15 short years and silenced by Stalin's Socialist Realism.
As the band Placebo approach their 20th Anniversary they were given a unique opportunity to play ten cities throughout Russia. In a time when Russia was at the forefront of the world’s current affairs, little was actually reported outside Russia about the internal culture of the country. Fronted by Placebo’s Stefan Olsdal, the film explores the alternative cultures that are present within Russia’s major cities. As the tour travelled through the country the band went out and met various artists, architects, animators and musicians, finding out about the alternative creative culture and celebrating all they have to offer. From Krasnoyarsk in Siberia to St. Petersburg on the Baltic Sea, Placebo: Alt.Russia takes you on the band’s journey through Russia, meeting great characters on the way, investigating the alternative culture in Russia, and taking in the raw emotions of Placebo’s powerful concerts.
A video letter to Nancy Holt, made in homage to a shared interest in terminal lakes, framed views, monuments and time. Filmed on and around the Great Salt Lake, Mono Lake and Meteor Crater.
Elles Kiers and Sjef Meijman lived intensively with four Bunte Bentheimer pigs for seven months. During the slaughter month they had their beloved pig Bom killed and then prepared it themselves. The short documentary Blood (Dinanda Luttikhedde, 2011) follows the visual artists in the final phase of their research project into the origin of our food. A valuable ritual unfolds around the processing of this animal.
Artist, musician and art magazine publisher Noah Becker gives us an art world insider's view of New York based contemporary art in 2011. Important New York based curators, critics and auction houses lend their views on New York's relevance as an international art scene in relation to globalized culture. Other topics include art value and how contemporary art is presented to the public through pop culture and the media. Featuring interviews with art world figures including Lee Ranaldo, Richard Phillips, Michael Halsband, Spencer Tunick, Bibbe Hansen, Bill Powers and Richard Butler. Musical performances by Lee Ranaldo of Sonic Youth with additional music by Moka Only and Noah Becker.
Immigrant residents of a “shift-bed” apartment in the heart of New York City’s Chinatown share their stories of personal and political upheaval. As the bed transforms into a stage, the film reveals the collective history of the Chinese in the United States through conversations, autobiographical monologues, and theatrical movement pieces. Shot in the kitchens, bedrooms, wedding halls, cafés, and mahjong parlors of Chinatown, this provocative hybrid documentary addresses issues of privacy, intimacy, and urban life.
This is the legendary meeting between a young filmmaker and one of the masters of surrealism: the spanish painter Óscar Domínguez, born in La Laguna, Tenerife, in 1906, died in Paris in 1957. In the "Visite," the artist -admirer of Picasso, rebellious disciple of Breton- is presented in solitude, far from the tumult of the exhibitions and parisian circles. An austere approach, almost “povera”, with no audio, nor flashy camera movements, but rarely attractive. Why Resnais could not finish his movie? Hope one of our experts help us to solve the mystery.
Up until the end of her life, Beatrice Wood continued to influence younger artists with her definitive, free-wheeling ways. She was central to the American Dada movement and was the last surviving member of this group. In this program she recalls her friends Man Ray, Picabia and others, and her ex-husband Marcel Duchamp. She died in 1999 at 105 years of age.
Ibrahim Sultani is a 22-year-old architecture major who has a hobby of painting portraits on banknotes. On them, he portrays Lebanese icons from the fields of music, cinema, sports, media, fashion, and many more due to the common appreciation and love that Lebanese citizens share for them. Due to the economic crisis that exists within the country, he hopes his work will give the currency back some of its lost value, at least metaphorically.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.
Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.