The New Apartment(1930)

The Time of Indifference(it)

Maria Grazia and her children Michele and Carla are left without a livelihood. Maria Grazia's money-hungry lover Leo develops a plan to take the last property from the family - the attic in which they live. Michele tries to thwart Leo's plans, but when his attempts fail, young Carla takes over.

The Naked Gun 2½: The Smell of Fear(en)

Bumbling lieutenant Frank Drebin is out to foil the big boys in the energy industry, who intend to suppress technology that will put them out of business.

(re)kindle(pt)

Ana and Helen, two divorced women, were close friends as teenagers. Today, amidst the corona virus pandemic and in quarantine, they get in touch after 20 years via internet. Through video conference calls, memories, sensations and emotions reflourishes.

Re-Elected(en)

Friends battle former U.S. presidents when they come back from the dead as zombies on the Fourth of July.

166 Main St.(en)

2 adventurous teenagers decide to go into a supposedly haunted apartment building.

Hello(en)

The film tells the story of three best friends named Ako, Aki and Awang, who are well-known in their village for their mischievous and humourous pranks. The trio work for Pak Man. One day, they are assigned to pick up his daughter Misha, who has just returned from overseas and dreams of becoming a doctor. The trio have been in love with her for a long time but she does not pay them any heed. When Misha is robbed by a snatch thief one day, she is rescued by a doctor named Shafiq. Her face reminds the doctor of his late wife, and he begins to pursue her, which annoys the trio.

Flow(en)

Pound x Pound: The History of Juan Manuel Márquez(en)

Pound x Pound introduces you to the world of boxing elite through the eyes of Juan Manuel Marquez, four-time world champion. It is a ringside ticket to the professional and personal life of Juan Manuel. An unique access to the truth behind the rivalry with Manny Pacquiao. Read the story behind the Mexican idol, who through work, effort, sacrifices and frustrations, has established itself as one of the best pound for pound fighters in the world.

Yu Yu Hakusho: Eizou Hakusho(ja)

Two recap specials that focus on Team Urameshi's matches in the Dark Tournament and four separate volumes focusing around one of the main characters; Yusuke, Kurama, Hiei, or Kuwabara.

Carry On Camping(en)

Sid and Bernie keep having their amorous intentions snubbed by their girlfriends Joan and Anthea, so when they decide to take them on a holiday to Paradise Camp, they think they're off to a nudist colony—but they couldn't be more wrong, and meet up with the weirdest bunch of campers you can imagine.

Fireworks(it)

Ottone, a professional dog sitter who's uncertain about most things in life, asks an analyst if he made the right decision love-wise while recounting the significant relationships he had with four women.

Hello(hi)

Call-center workers receive a phone call from God.

Scooby-Doo Safari, So Goodi!(en)

When the gang goes on safari, they encounter a variety of freaky, glowing demon animals.

Workers Leaving the Lumière Factory(fr)

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

Riv i hjertet(no)

Follow Sondre Justad's journey from his childhood room in Henningsvær to becoming one of Norway's biggest pop artists. He started filming himself as a child, and through private notes and recordings, concerts, and festivals, we gain a unique insight into Sondre's inner and outer journey.

Francofonia(fr)

Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.

Caged Fury(en)

Kat arrives in Los Angeles to audition for movies. However, after meeting a sleazy producer, she and her new friend find themselves in a women's prison run by sadistic guards and a lesbian warden.

Sweet 20(id)

Adapted from Korean movie, Miss Granny, this movie tells a story of old woman that despise old-age that suddenly transform to a pretty girl with all her youth problems.

Re-Animated(en)

Part live-action, part animated story about a boy who, after an awful amusement park accident, gets a brain transplant, which allows him to see cartoon characters in real life.

Elephants Dream(en)

Elephants Dream is the story of two strange characters exploring a capricious and seemingly infinite machine. The elder, Proog, acts as a tour-guide and protector, happily showing off the sights and dangers of the machine to his initially curious but increasingly skeptical protege Emo. As their journey unfolds we discover signs that the machine is not all Proog thinks it is, and his guiding takes on a more desperate aspect. Elephants Dream is a story about communication and fiction, made purposefully open-ended as the world’s first 3D animated “Open movie”. The film itself is released under the Creative Commons license, along with the entirety of the production files used to make it (roughly 7 Gigabytes of data). The software used to make the movie is the free/open source animation suite Blender along with other open source software, thus allowing the movie to be remade, remixed and re-purposed with only a computer and the data on the DVD or download.

The Arrival of a Train at La Ciotat(fr)

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Railway Station(pl)

Kieslowski’s later film Dworzec (Station, 1980) portrays the atmosphere at Central Station in Warsaw after the rush hour.

Berlin Babylon(de)

A documentary focusing on the rebuilding projects in Berlin after the fall of the Berlin Wall.

Places for the Soul(en)

An intimate portrait of Christopher Alexander, a critic of modern architecture on a lifelong quest to build harmonious, livable places in today’s world. The film tells the story of two projects – a spectacular high school in Japan and an innovative homeless shelter in California. For Alexander, feelings come first, users are deeply engaged and process is paramount. We discover what happens when an architect’s unconventional method collides with standard practices in his profession.

The Untold Story of the Vatican(fr)

What started as a simple tomb became over a 2,000 years history the universal seat of Christendom and is today one of the most visited museum in the world with invaluable collections of Arts, Manuscripts, Maps. Using spectacular 3D modelisation and CGI to give viewers as never before a true understanding of the history of this architectural masterpiece and its extensions, the film will also use animation to tell relevant historical events. This heritage site reveals new untold secrets with the help of historians deciphering the Vatican’s rich archives and manuscripts collection and following the restorations at work (newly discovered frescoes by Raphael) and recent excavations. A story where Religion, Politics, Arts and Science meet to assert religious authority and serve as a spiritual benchmark.

Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture(en)

"Clean Lines, Open Spaces: A View of Mid-Century Modern Architecture" focuses on the construction boom in the United States after World War II. Sometimes considered cold and unattractive, mid-century modern designs were a by-product of post-war optimism and reflected a nation's dedication to building a new future. This new architecture used modern materials such as reinforced concrete, glass and steel and was defined by clean lines, simple shapes and unornamented facades.

A Life's Work(en)

What’s it like to dedicate your life to work that won’t be completed in your lifetime? Fifteen years ago, filmmaker David Licata focused on four projects and the people behind them in an effort to answer this universal question.

Die Bauten Adolf Hitlers(en)

Nazi Third Reich propaganda film that used architecture as a statement about "racial accomplishment," and so called "racial superiority." Hitler claimed that between 1934 and 1940, the Nazi rule of Germany had produced architectural uniqueness, and this film was produced to shown to attempt to validate that. The opening montage gives a survey of earlier Gothic and Baroque structures in the country as an example of "architectural superiority" that the German race was said to be the sole inventor of; then moves on to deride the recent construction of the Bauhaus school (with a racially motivated score of Jazz music) and an example of German "architectural decay." Then proceeds to show off buildings constructed by the Nazi and an architectural revival, to "last 1000 years," Film also spends a great of time dwelling on massive and "busy" monuments that had been erected all over the county.

Son of Torum(et)

In the same vein as Meri's other documentations, this one takes advantage of the glasnost policy to discuss the social and ecologic impact of the Russian oil industry on the natives and the lands they inhabit.

From the West(de)

A film essay investigating the question of what “the West” means beyond the cardinal direction: a model of society inscribed itself in the Federal Republic of Germany’s postwar history and architecture. The narrator shifts among reflections on modern architecture and property relations, detailed scenes from childhood, and a passed-down memory of a “hemmed-in West Germany,” recalling the years of her parents’ membership in a 1970s communist splinter group.

A ház(hu)

Czechoslovak Architecture 58–89(cs)

Vladimir 518, uncompromising rapper, artist, stage designer and activist, is a rare phenomenon, who not only writes books, but publishes them as well. Today also a respected authority primarily on pre-1989 architecture, he has written not only a major publication on the subject, but also the story for two audiovisual works treating the same theme, which were shot by Jan Zajíček, renowned director of music videos. In addition to the recent TV series we have the eagerly anticipated feature-length film which, through its fascinating and impressive exploration of Czech and Slovak architecture of the latter half of the 20th century, offers exclusive insight into extraordinary buildings and unique individuals living below the Tatra Mountains. Karel Och (kviff.com)

Brasilia, Contradictions of a New City(pt)

In 1967, de Andrade was invited by the Italian company Olivetti to produce a documentary on the new Brazilian capital city of Brasília. Constructed during the latter half of the 1950s and founded in 1960, the city was part of an effort to populate Brazil’s vast interior region and was to be the embodiment of democratic urban planning, free from the class divisions and inequalities that characterize so many metropolises. Unsurprisingly, Brasília, Contradições de uma Cidade Nova (Brasília, Contradictions of a New City, 1968) revealed Brasília to be utopic only for the wealthy, replicating the same social problems present in every Brazilian city. (Senses of Cinema)

Hospedaria(pt)

An old hostel, located in the center of Porto, served for many years as a hostel for people with few possessions, prostitutes and people passing through who made that place a more or less prolonged residence.

How Animated Cartoons Are Made(en)

Wallace Carlson walks viewers through the production of an animated short at Bray Studios.

Portrait of Anton Adriaan Mussert(nl)

Documentary about the leader of the fascist party in The Netherlands, from 1931 till 1945. This architect called Anton Mussert was shot in 1946 after having been convicted for high treason and aiding the enemy.

Enzo, domani a Palermo!(it)

Ciprì and Maresco's delicious documentary portrays Sicilian super-agent Enzo Castagna, a man with some 20,000 extras on his books, who has worked with the likes of Loren, Pasolini, Rosi, Coppola and Cimino (indeed, virtually anyone who's ever chosen to film in Palermo). It's typically weird, witty and wonderful, partly due to its subject, a self-styled 'little big man' who consents to be described as 'almighty' and 'the greatest contributor to Italian cinema in the last 35 years'. The local favourite has also done time for bribery, but refuses to comment on Cosa Nostra. The film is as astonishing as its subject. Shot in luscious b/w, it's driven forward by an offscreen interrogator who alternates between ludicrously hyperbolic flattery and forthright questions about corruption and crime. It also serves as a study of the way ethics get abandoned in the unending pursuit of fame, wealth and self-esteem.

Bílá Telč(cs)

Congonhas do Campo(pt)

Aspects of the city of Congonhas do Campo. The preponderance of baroque architecture, the Basilica of Senhor Bom Jesus de Matozinho, the six chapels on the terrace leading to Morro do Maranhão. Each chapel contains statues representing moments of the Passion of Christ. While in the first chapel there is Santa Ceia figuration, in the second there is the Passo Horto scene. The kiss of betrayal and the imprisonment of Christ before the scene of the third chapel. In the fourth, two scenes are gathered: the coronation and the flagellation. On the fifth, the Christ bears the cross and the crucifixion is featured in the sixth chapel. The twelve apostles of Aleijadinho and the Latin inscriptions of each one. The interior of the Basilica and its main altar, with the figure of the Lord Dead.

Electronic Poem(fr)

Poème Électronique is an 8-minute piece of electronic music by composer Edgard Varèse, written for the Philips Pavilion at the 1958 Brussels World’s Fair. The Philips corporation commissioned Le Corbusier to design the pavilion, which was intended as a showcase of their engineering progress. The pavilion was shaped like a stomach, with a narrow entrance and exit on either side of a large central space. As the audience entered and exited the pavilion, the electronic composition Concret PH by Iannis Xenakis (who also acted as Le Corbusier's architectural assistant for the pavilion's design) was heard. Poème électronique was synchronized to a film of black and white photographs selected by Le Corbusier which touched on vague themes of human existence.