
This ironic and satirical video poem focuses on the mind of a young artist struggling with the desensitisation, exhaustion and stress of information overload at a time when 328.77 million terabytes of data are generated every day.
Narrator

This ironic and satirical video poem focuses on the mind of a young artist struggling with the desensitisation, exhaustion and stress of information overload at a time when 328.77 million terabytes of data are generated every day.
2023-01-01
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0.0A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.
1.0History as immersion and dispersion in the fragments of the past, a visionary journey accompanied by the voice of Patty Pravo. Presented at the Taormina Festival '97.
10.0For this film, Takashi Makino allowed himself to be inspired by the earth. In a never-ending stream of images, we recognize elements from the forest that he then reduces to an abstraction. The film came about as a classical composition in which the picture and the musical contribution of Jim O’Rourke link up seamlessly and lead the mood in turn. A sense of freedom is what predominates.
6.0Through the passage of the hours, water evaporates at the same time as signals catch a sight of their previous state. Within this outflowing recording, every light reading is a dedication to a single wandering soul.
0.0After the 100th take of 'Testo du jeudi' (in English, TTT), the trilingual references such as the Roman and Korean (Hangul) alphabets and the Japanese syllabary (Katakana) of the word TRANS on a sketch by Kě.
0.0Robert Estragon has worked his way to the top of the food chain as a doctor in the city, but it has driven him to self-imposed delusion. Here, we listen as he sits and projects himself onto the mad world he observes. It all comes to a head when Willie Krapp, a young colleague, invades this world, hoping to teach Robert that it was wrong to let his own daughter die in the operating room.
6.0Dilution is an experimental short film that explores the transit between resistance and (di)ssolution, between holding and releasing and a path towards obsessive repetition. They are layers, exposed pores, matter that oscillates between remaining or disappearing. The sound is not a background, but a puncture: friction, tearing, water that drags what still persists. A sensorial testimony of what refuses to vanish completely.
0.0The film choreographically covers the distance between two women and their mirroring selves, under Laurie Spiegel's soundscape and with the ambiance of VHS video. Their bodies, sometimes two and others four, are always connected with a rope, influenced by white noise retro interference, sound scratches and pauses. They approach each other until they connect and then finally completely disappear, nullifying the distance between them. The reverse movement of these similar bodies-idols aims to compose a dance of the two and the one, our close and more distant self and to reach to the void in between them.
10.0A reflection on man's relationship and needs with the earth, with the self and with hope.
0.0Six sequences about Fascism and its segments throughout history.
0.0This is a didactic film in disguise. A progression of brilliant geometric shapes bombard the screen to the insistent beat of drums. The filmmaker programmed a computer to coordinate a highly complex operation involving an electronic beam of light, colour filters and a camera. This animation film, without words, is designed to expose the power of the cinematic medium, and to illustrate the abstract nature of time.
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0.0To free their poetic minds, Guillaume Marin and Ariane Caron-Lacoste have created, through an audio testimony, a video poem where verses on the screen act as counterpoints, initiations, and endings. The rich visuals answer the speech to constitute its body.
7.0CGI collage short film originally premiered as part of the 'Extinction Renaissance' exhibition at the Loyal Gallery in Stockholm.
A short video adaptation of the poem "River: Morning" by Yuyutsu Ram Dass Sharma. Part of the Visible Poetry Project.
A short film adaptation of the titular poem by Melissa Lozada-Oliva.