Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.
Short that tells the history of Campoma, a small Venezuelan town founded by black slaves.
1976-01-01
0
Hugo Chavez was a colourful, unpredictable folk hero who was beloved by his nation’s working class. He was elected president of Venezuela in 1998, and proved to be a tough, quixotic opponent to the power structure that wanted to depose him. When he was forcibly removed from office on 11 April 2002, two independent filmmakers were inside the presidential palace.
Trade union leader Manuel Taborda, a pioneer of workers' organisations in the oil industry, recounts his experiences and those of his colleagues from 1920 to 1936, with an emphasis on the struggles against foreign companies and the government.
Cruz Quinal, "the mandolin king," lives near Cumana in a mountain valley surrounded by sugarcane fields. Perpetuating 16th century Spanish traditions of guitar-making, Cruz fashions such musical instruments as cuatros, marimba, escarpandola, and his own creation, a mandolin with two fretboards. He is an accomplished musician as well. In this moving portrait, Cruz compares himself to a decaying colonial church across the street: revered yet neglected, the village altar stands, paint peeling, under the open sky.
In 1969, the Renovación Universitaria movement and the subsequent raid on the Central University of Venezuela by the government of Rafael Caldera, triggered a strong wave of protest in the Institutes of Higher Education in Venezuela. This documentary collects part of the events that took place in the city of Mérida, Mérida State, where the University of the Andes is located.
Imagen de Caracas was an experimental film spectacle, directed by Jacobo Borges and Mario Robles in 1968 for the 400 anniversary of the foundation of Caracas. It needed more than 48768 meters of film and 5000 actors.
Intertwined stories of people fighting for love, survival and the truth during quarantine.
Río Negro is the struggle of two men, Osuna and Funes, hungry for power and wealth in a small town in Venezuela, during the dictatorship of Juan Vicente Gómez
Documentary about the life of Simón Bolívar, directed by Antonio Bacé.
A celebration of Stanley Kramer's life and career, featuring interviews with Karen Sharpe, his widow, and screenwriter Abby Mann.
Abby Mann discusses his Oscar-winning screenplay and his inspirations.
In recent years, stories of older British women hooking up with younger Gambian men have made news headlines, from one-night stands to whirlwind weddings. But what's the truth behind the stories? Seyi Rhodes investigates.
The actor and the writer reminisce about working on both the Playhouse 90 and Stanley Kramer versions of "Judgment at Nuremberg."
Marc Chagall was an artist caught between two worlds, between traditional art and modernism, figuration and abstraction. The film accompanies him on an important stage of his life from 1910 to 1930, between Paris and Vitebsk. Chagall's home town was a laboratory for the artistic avant-garde in Belarus, while Paris was the center of modern art movements.
"Dope, Hookers and Pavement" is a lively and unfiltered account of the early days of the Detroit hardcore punk scene, circa 1981-82, in the notorious Cass Corridor, arguably one of the worst neighbourhoods in the city at the time. Featuring over 70 in-depth interviews — including John Brannon (Negative Approach), Tesco Vee (Meatmen, Touch and Go), Ian MacKaye (Minor Threat, Dischord Records), pro skater Bill Danforth, scene kids, and members of the Necros, The Fix, Violent Apathy and Bored Youth — and never-before-seen Super8 footage of the Freezer, "Dope, Hookers and Pavement" is both hilarious and reflective, and an overdue record of a nearly invisible but magic little moment in the long history of Detroit rock'n'roll.
In 1918, the U.S. Army Signal Corps sent 223 women to France as telephone operators to help win the Great War. They swore Army oaths, wore uniforms, held rank, and were subject to military justice. By war's end, they had connected over 26 million calls and were recognized by General John J. Pershing for their service. When they returned home, the U.S. government told them they were never soldiers. For 60 years, they fought their own government for recognition. In 1977, with the help of Sen. Barry Goldwater and Congresswoman Lindy Boggs, they won. Unfortunately, only a handful were still alive.
A film about borders and border checkpoints, poetically following the people that come into contact with them - one way or another. Borders is about men and women dreaming of a better life in Europe and the high price they often have to pay for it - if they succeed at all. Without taking an immediate moral stance, the film follows the route that many immigrants take from the heart of Africa to the centre of Europe, stopping at each border: Nigeria, Niger, Burkina Faso, Mali, Senegal , Mauritania, Morocco, Spain, France, Belgium, and finally, the Netherlands.
Jokes as a weapon of resistance: how satire sustains a beleaguered culture.