Torre 1(NaN)

Vietnam Story(en)

A cinematic impression of Vietnam, told through the eyes of Vietnamese immigrants.

Próxima Parada(pt)

Experimental documentary that poetically exposes the reality of public transport in the city of Curitiba.

beer cans under my bed(en)

This short, started early on into sobriety, finished about nine months in, is a collage of diaries and notes, collected from within addiction and into recovery.

Deshilando Luz(es)

A film essay that intertwines the director's gaze with that of her late mother. Beyond exploring mourning and absence as exclusively painful experiences, the film pays tribute to her mother through memories embodied by places and objects that evidence the traces of her existence. The filmmaker asks herself: What does she owe her mother for who she is and how she films? To what extent does her film belong to her?

Fair Use Vol 1. (All This Trouble)(en)

A compilation of TV news about black culture.

Celina y Chichi(es)

The Psychedelic Experience(en)

Experimental movie, where a man comes home and experiences LSD. His kaleidoscopic visions follow, with readings inspired by the Tibethan Book of the Dead.

Where Is Amy Pressman(en)

In 2007, a teen girl from a posh L.A. suburb must deal with the grizzly murder of her family while trapped in the company of their killers.

An Uncountable Number of Threads(en)

Travel films have an established format with their own conventions, history and baggage. It is a medium that has all too often sought to control, define and dictate perceptions of ”other” places. Comprised of footage shot while travelling on group excursions across Russia in 2019, An Uncountable Number of Threads is an attempt to draw out the ethical restrictions of a travelogue, while questioning how (and why) to make one. At times there is an awkward tourist-gaze, aware of its outsider position. But as a self-reflexive work that considers its own creation, it ultimately unravels, as the artist rationalises themselves out of a particular way of working, inviting the viewer into their uncertainty.

Alternate Earth(de)

A scientific expedition travels to an alternative Earth in hope of finding a new home for humanity, which has destroyed its own planet. But is it even possible to escape old patterns?

Conversation with Two Lovers(en)

Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.

Ode to masturbation(de)

sonic salt(de)

The Mind We Live In(en)

Experimental documentary about what it means to be at peace.

The Soil, which connects us(en)

In this movie, Dmytro Dokunov and Richard Marx explore the question of the different realities which take place simultaneously: Richards in Berlin and Dmytro's at the frontline in Ukraine. How do you have to change your own perception of reality? How will the perception of your surroundings be changed too? The nature in which they live looks almost identical, but war is fundamentally changing the view.

Late Anthropocene(xx)

Hand processed expired Kodak 7291, Camera: Beaulieu R16, Lens: Angenieux 12-120mm with +3 Diopter, Polarising filter for the clouds. Hand processed in C-41 chem using a Lomo UPB-1A tank. Still haven't mastered removal of the rem-jet anti-halation layer (thats all the white 'static' on the film). The film expired about 40 years ago.

Tree(xx)

Structural study of a tree. Light, water and air coax it out of the soil in a manner foregrounding time’s relativity to different forms of life on Earth. Made the day my brother got his fork-lift license.

Inspection 01(en)

A closeup examination of a tree in the morning light.

FASCISM(s): A Film in Six Parts(en)

Six sequences about Fascism and its segments throughout history.

Phantasia(xx)

X-ray images were invented in 1895, the same year in which the Lumière brothers presented their respective invention in what today is considered to be the first cinema screening. Thus, both cinema and radiography fall within the scopic regime inaugurated by modernity. The use of X-rays on two sculptures from the Bilbao Fine Arts Museum generates images that reveal certain elements of them that would otherwise be invisible to our eyes. These images, despite being generally created for technical or scientific purposes, seem to produce a certain form of 'photogénie': they lend the radiographed objects a new appearance that lies somewhere between the material and the ethereal, endowing them with a vaporous and spectral quality. It is not by chance that physics and phantasmagoria share the term 'spectrum' in their vocabulary.