2023-01-01
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Luzía visits the eight stages of the 'pilgrimage' that the intellectuals Otero Pedrayo, Vicente Risco and Ben-Cho-Shey hiked from Ourense to San Andrés de Teixido in 1927; the story of the journey was published in the book ‘Pelerinaxes I’ (Pilgrimages I). She carries out this journey in order to finish up an audiovisual project about Otero Pedrayo’s book started at the University, together with a colleague who passed away in an accident.
Marion Stokes secretly recorded television 24 hours a day for 30 years from 1975 until her death in 2012. For Marion taping was a form of activism to seek the truth, and she believed that a comprehensive archive of the media would be invaluable for future generations. Her visionary and maddening project nearly tore her family apart, but now her 70,000 VHS tapes are being digitized and they'll be searchable online.
Portrait of Costa da Morte (coast region in Galicia, Spain) from an ethnographic and landscape level, exploring also the collective imagination associated with the area. A region marked by strong oceanic feeling dominated by the historical conception of world's end and with tragic shipwrecks. Fragmentary film that approaches to the anthropological from its protagonists: sailors, shellfish, loggers, farmers ... A selection of characters representative of the traditional work carried out in the countryside in the region, allowing us to reflect on the influence of the environment on people.
With great expressive freedom, Diana Toucedo transports us to a seaside village in Galicia. We are invited to observe the work of the women who collect shellfish, and hear from their own voices their relationship with their trade, the heritage of matriarchy and their sense of belonging. Sailors at sea complement this genuine and devoted community of workers.
Peter Weiss' The Aesthetics of Resistance meets a General Strike in Barcelona on September 2010. That night's discussions will be put into question by five anonymous friends who are no longer adolescents nor communist militants and yet also try to oppose the state of things, as did the protagonists of Weiss's novel.
After threatening his ex-partner for years, Marcos M. murders his 11-year-old son with a shovel. A year later a popular jury condemns him for murder, to kill making full use of his faculties, and determines that the crime against the child did not seek anything other than to punish the mother. In the fact on which we base ourselves, violence, harassment, the murder of a child to harm the mother and the death threat that still hangs over the woman concur.
Hyohakusha is a lyrical trip to Japan, passing through Galicia (magic land in the northwest of Spain). Two women filmmakers recover twenty forgotten rolls of Super8 that showed the journey of two Galicians to different places of Japan in 1973, and with this material, and the reflections and emotions of his owner watching the rolls for the first time (the son of the travelers) with her wife, that is Japanish and could not know her father in law that died soon after that trip, these two filmmakers give birth to a new story seeking suggestive relations between the two countries (half of the film is filmed by them in Galicia, also in Super8). This filmmakers during the process of making this film are reading a book of haikus of Basho, that wrote in his lyrical diary "Oku no Oshomichi" about the beauty of some of the places where this Galician couple went to visit in their trip to Japan many centuries later. So some passages of this travelogue are included too.
The Way of Saint James, northern Spain, 2016. Two brothers, Oliver, the eldest, and Juan Luis, the youngest, a disabled person in a wheelchair, face the hardest challenge they have found so far on their long road of dirt, stones, rain and cold. Everyone says they will not make it, but, fortunately, they are not alone.
Follows Iwao Ichikawa, a second-generation Japanese Mexican, navigating racial segregation in Mexicali, Baja California during WWII, offering a poignant exploration of identity and belonging amidst adversity.
There are more neurons in a human brain than particles in the universe. But if we could put one behind another, the only thing we would see would be a small river. An insignificant river and at the same time infinite. Under the streets of A Coruña there is a river that many have forgotten, but that from time to time overflows claiming what once was its course.
The documentary Carving the Divine offers a rare and intimate look into the life and artistic process of modern-day Busshi – practitioners of a 1400 year lineage of woodcarving that’s at the heart of Japanese, Mahayana Buddhism.