A landscape film about isolation, fear, and the ever-presence of religion in rural Pennsylvania.
A landscape film about isolation, fear, and the ever-presence of religion in rural Pennsylvania.
2024-11-01
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Featuring one of the most monstrous personalities to grace the screen, "Me and My Victim" follows the tumultuous romance between its creators, Billy Pedlow and Maurane. In their feature debut, they have created a new genre using a blend of podcast-style audio recordings and visual fragments. "Me and My Victim" is like turning over a rock and witnessing a full ecosystem of bugs scattering in the light. It'll make you cringe, but it'll be hard to look away.
From the 1950s to the 1980s, Catholic priests committed numerous sexual abuses on young boys in several French-speaking villages in New Brunswick. Brought to light when the victims were in their fifties, these scandals sparked shock and indignation in the media and the public. Why have affected communities chosen secrecy over justice and truth for so long? Taking advantage of their influence to impose a "pious silence" on their parishioners, several figures of authority have built a veritable structure of abuse that testifies as much to the oppressions specific to the Acadian populations as to the systemic denial of the Catholic Church. Challenged by the power of collective silence, seasoned filmmaker Renée Blanchar seeks to unravel the root causes by going out to meet the survivors.
In the Catholic religion Mayordomia, devotees wait their turn to ask Mary Magdalene to grant their wishes by speaking to her in private. They are convinced to be heard by someone who unfailingly send their requests to God.
What kind of world power is Iran becoming, and how will Western countries deal with it?
Tension mounts to the boiling point as Jewish “settlers” encroach upon the formerly exclusive Arab neighbourhoods of Jerusalem. On the other end of the Israeli political spectrum, the state complies with international demands to relinquish territory to the Palestinians.
After seeking transcendence through shamanic rituals, Ana’s life is transformed overnight by an unexpected turn toward faith.
This short experimental diary film reveals my struggles with mental illness in my adolescence and queer adulthood while simultaneously reflecting upon my joyous childhood experiences. I investigate when and how my depression began and explain that my relationships with the people I love have supported me through my harder times. The film incorporates footage shot over May and June 2023 and archival home videos. Overall, I aim to resolve my "growing pains" through the medium of diary film and by reconnecting with my younger self.
A short documentary and character study about a woman's complex relationship with religion and family.
Based upon a habitual fidget of the filmmaker involving the tags in his clothing, Reilly Mitchell explores the feelings of his past by removing something that has always stayed so close to him and turning it into something new.
Thirty worlds in less than a blink and oh-so many more...
Exploration of the territory in a delirious time-space journey through the largest Megalopolis in America.
On January 6, 2021, Americans witnessed an attack on the U.S. Capitol without precedent in our history. Armed militiamen and QAnon followers made headlines, but among them were a sea of crosses and Christian flags, rosaries and "Jesus Saves" signs. What motivated so many Christians to participate in this violent assault?
A one minute short film showcasing the sights, sounds, and people that characterizes Singapore's nightlife.
"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins
Shot in two places marrying with each other by a single and fractured bridge between Condrieu and les Roches-de-Condrieu, this film is the continuation of exploring ephemeral movement through the use of editing, camera movements and color sampling.
Using original animation, archival footage and personal interviews, this full-length documentary portrays the multiple relationships Canadian Muslim women entertain with Islam’s place of worship, the mosque. Islam is the fastest growing religion in the world. In North America, a large number of converts are women. Many are drawn to the religion because of its emphasis on social justice and spiritual equality between the sexes. Yet, many mosques force women to pray behind barriers, separate from men, and some do not even permit women to enter the building. Exploring all sides of the issue, the film examines the space – both physical and social – granted to women in mosques across the country.