A Sense of Nothing(2024)

Neon Genesis Evangelion: The End of Evangelion(ja)

SEELE orders an all-out attack on NERV, aiming to destroy the Evas before Gendo can advance his own plans for the Human Instrumentality Project. Shinji is pushed to the limits of his sanity as he is forced to decide the fate of humanity.

Woman Is My Last Name(en)

This visual poetry is a celebration of the full spectrum of womanhood, from the complex vulnerability to the hidden power.

Four Journeys Into Mystic Time: Trans(en)

Part of the larger filmic Four Journeys Into Mystic Time, in this work director Shirley Clarke makes use of a dancer’s body not only as the primary performer, but also as a canvas on which to paint projected images. Further enhanced by editing and effective use of shadows, the film is a transformative experience.

Billy Doucette's Hornpipe(en)

A fiddler's hand creates its own choreography is music is performed. This film is an attempt to share the dance. In the tradition and spirit of a Norman McLaren short, a light attached to a fiddle bow traces a dancing dot of light in darkness. The music was composed and is performed by Gordon Stobbe on fiddle and accompanied by Bill Doucette on guitar.

Almost Nothing: So Continues the Night(hr)

For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.

Tremble All You Want(ja)

Yoshika has had a crush on Ichimiya, whom she calls "the One" since she was in middle school. Now, a 24-year-old salarywoman, her all-consuming fixation has prevented her from even considering another candidate for boyfriend until an office colleague asks her out.

Santa Sangre(en)

A former circus artist escapes from a mental hospital to rejoin his armless, cult leader mother, and is forced to enact brutal murders in her name.

Doctor Knows Best(en)

Experimental short film by Josephine Massarella

Stop Buying Grapes(en)

Experimental short film by Josephine Massarella

Tree Limbs(en)

A homogeneous structure of wind and light across tree branches in the South region of Isère

Divine Intervention(zh)

Divine Intervention explores the journey of a woman tormented by the entanglement of her hair, seeking solace through a spiritual guide. Together, they employ a unique technique to enter her consciousness, aiming to uncover the root of her distress. The Yuan Shen Palace, also known as the House of the Mind, is depicted as a virtual world constructed by the brain. If it truly exists, it might function like a vast organic hard drive, recording the intricate details of one’s life. The film strives to rationalize magic and symbolize the process of spiritual healing.

Baa Baa Land(en)

An eight-hour contemplative epic, entirely starring sheep.

American Excess(en)

Jerod's first day out of prison entrails an exorbitant escapade of American unipolar indulgence.

Sangria(pt)

Dirt(en)

Suffering is the sandpaper of our incarnation. It does its work of shaping us.

Fungi(en)

As he falls down the spiral of personal obsession; a delusional mycologist finds himself in the midst of seeking the unattainable. Morals won't play a role in his relentless pursuit of transforming his being into fungus.

Poughkeepsie Crispies(en)

He really likes Poughkeepsie Crispies. Maybe too much. A darkly funny, minimalist loop of repetition, ritual, and barely-hinged performance.

Vshmsh(xx)

A cat trying to nap.

The Red Gate: Magellan at the Gates of Death, Part I(en)

"In the final format for MAGELLAN, Frampton had planned to disassemble these two films into twenty-four 'encounters with death' that were to be shown in five-minute segments twice a month. In their present state, seen together and roughly the length of an average feature film, the two parts of MAGELLAN: AT THE GATES OF DEATH constitute perhaps the most gripping, monumental, and wrenching work ever executed on film...Frampton in 1971 began his filming of cedavers at the Gross Anatomy Lab at the University of Pittsburgh. He returned to the lab four times over the course of the next two years and then spent nine months assembling his 'forbidden imagery' into an extraordinary meditation upon death."–Bruce Jenkins