A struggling pulp fiction writer who doubles as an incompetent jewel thief. He gets caught in the act every time, but he uses his looks and charm to make the best of it. Soon he becomes a celebrity. Wealthy women start leaving their jewels out like milk and cookies for Santa Claus in hopes that the sex thief will unlawfully invade their domiciles.
Emily Barrow
Guy Hammond
Angie
A struggling pulp fiction writer who doubles as an incompetent jewel thief. He gets caught in the act every time, but he uses his looks and charm to make the best of it. Soon he becomes a celebrity. Wealthy women start leaving their jewels out like milk and cookies for Santa Claus in hopes that the sex thief will unlawfully invade their domiciles.
1973-01-01
5.125
He stole their jewels. All they reported was the robbery.
The life story of Dr. Magnus Hirschfeld, a German Jew, who as a physician established the field of sexology, and fought militantly against German anti-sodomy laws in the late 19th century. The script reveals main characters in Hirschfeld's life including impossible love interest Baron von Teschenberg, and Hirschfeld's aids- young Karl Giese and guardian angel, the transvestite Dorchen, as they establish the First Institute of Sexual Sciences in Berlin in 1920, and follows their struggles to keep it open, up to the rise of the Third Reich in the mid 1930s.
A bored young housewife falls prey to the sexy charms of a prank caller. As she finds herself deep into the secret carnal pleasures of phone sex, she likewise finds herself consumed by the fires of the dark, wild and dangerous thrills of promiscuity.
With a wedding to plan, an engagement party to throw, and an inn full of surprise guests, the road to true love for Olivia and Mick takes a few unexpected twists and turns
A man must decide whether to flee the U.S. draft and go to Canada or stay or go fight for his country in Vietnam.
The East Side of Los Angeles, known for its drugs, violence and corruption is about to go to war. This Time, however, it's between two childhood friends who are forced to face a secret so deep that it has kept them apart for 15 years. Luis Ruiz, a former gang leader, is on the verge of getting out but his younger brother, Carlos, will not allow it. An innocent kid with a chip on his shoulder, Carlos dishonors the drug lord Pablo Mendecello, forcing a stream of events that lead to the ultimate face off. To make matters worse Luis falls in love with Tess McKay, an LAPD cop whose sole mission is to end the gang war. Luis must choose between two worlds: one where his family lives, or the other where his future lies.
Boi Aruá is a feature film of Brazilian animation, directed by Chico Liberato. The film is based on the book "O Boi Aruá" by Luís Jardim.
In glorious stop motion pixilation an artist (David Russo) applies for a grant to make the film that we are watching. It unfolds as he describes it. The grant committee is not impressed.
George and his friends are kicking the can when an existential discussion turns catastrophic...
A man tries to sell provocative footage of his wife. When she finds out, he tries blackmailing her. She enlists the help of a friend to tackle the situation at hand.
Man hides out in Puerto Rico from the police and his double-crossing attorney.
Theatre 1 (Observational Film Series #3) is a feature length documentary, which closely depicts the world of Oriza Hirata, Japan's leading playwright and director, and his theatrical company, Seinendan. By depicting them, the film leads the audience to revisit fundamental but timely questions: What is theatre? Why do human beings act?
The documentary portrays the life and history of Mexican wrestlers who for various reasons have decided to participate in this contact sport characterizing exotic characters. The exotic refers to the strange, the mysterious, the weird, the unusual. Particularly in wrestling exotic style refers to refined athletes in their clothing, well groomed, with a very special walk, occasionally thin effeminate. Not rude, not technical, but not rare height or size, these mannered gladiators have represented a third option within the Mexican rings, some shamelessly displaying their sexual preference and thereby defying the homophobic, or secretly homophily, mood of the wrestling fans.
Jeena Teri Gali Mein is a romantic and musical love story revolving around a couple, who are friends since their college days, and shows their trials and tribulations in life.
Peppa is a loveable, cheeky little piggy who lives with her little brother George, Mummy Pig and Daddy Pig.
Tsuchiya, who lives with his single mother in Osaka, does not get serious work once he graduates from high school, but rather devotes himself to mailing jokes to the “Ohgiri” variety show. Seeking to be recognized as a show “Legend,” he devotes his entire life to laughter, setting himself the task of submitting hundreds of entries per day. At loose ends, he encounters a drifter, Pink, who finds him work at his bar while Tsuchiya now devotes himself to becoming a “postcard craftsman” who submits material to a radio program. The entertainers on the program begin to use material from his postcards. A comedian Tsuchiya admires, one of a comic duo called “Bacon,” says on the air that he admires Tsuchiya’s material and that he wants “to do material together.” Dreaming of another chance, Tsuchiya heads for Tokyo.
When vaudeville performer Florette Faxon is left penniless with her six-year-old son Jimmy, she relies on the friendship of fellow performer Bud Hannigan to help her get a job. Bud is reluctant to become her partner, as he has proven to himself to be unreliable in relationships, but he tells her to call him whenever she needs help. While working in a beer garden, Florette meets Hap Stanley, an avaricious performer who marries her to get the rights to perform her show routine. Hap dislikes Jimmy and eventually convinces Florette to send him away to school. Both Jimmy and Florette are broken-up over being apart, but Jimmy pretends it is what he wants so Florette can be happy with Hap.