A documentary by Dror Dayan and Susann Witt-Stahl, Germany 2021
Everyday life in the Waks household is a logistical challenge of monumental proportions. There are two minibuses to move the family around and the kitchen in its suburban Melbourne home has five ovens for kosher cooking. The family follows an orthodox form of Judaism. School, work, synagogue and socialising all take place within a tight-knit Jewish community.
This feature documentary looks at new evidence that suggests the majority of the Jewish people may not have been exiled following the fall of Jerusalem in 70 AD. Travelling from Galilee to Jerusalem and the catacombs of Rome, the film asks us to rethink our ideas about an event that has played a critical role in the Christian and Jewish traditions.
This fly-over features Germany filmed from helicopters and small airplanes. Footage was released as a multi-episode tv series over several years and this feature-length movie.
"This Nude World" is a groundbreaking 1932 "documentary" celebrating the age-old tradition of playing volleyball in you socks... and nothing else. The film purports to pose probing questions about the morality of nudist colonies o cover its actual aim of getting naked people on screen... primarily in long shots. A highlight of the film is the peeks at the phenomena in Germany, France (including Lido de Paris) and the United States along with wonderful pre-WWII footage of the cities visited A real hoot. It passed the National Board of Review in 1932.
Set during the second Intifada, this documentary follows four Palestinian families living in Dheisheh Refugee Camp near Bethlehem. Fadi is 13 and cares for his 4 younger brothers, the Hammashes are a close-knit family who pass on the lessons of life with humor and passion, Sana is a single woman who endures long commutes to do community work, and Emad and Hanan are a young couple trying to shield their daughter from the harsh realities of the occupation. They talk about their past and discuss the future with humor, sorrow, frustration and hope. Until When paints an intimate in-depth portrait of Palestinian lives today.
This concert from the Stadthalle Offenbach in Germany was filmed on June 11th. 1978 for the German Rockpalast TV series and perfectly captures the raw excitement of the original Bat Out Of Hell tour with Meat Loaf dominating the stage and the album s songwriter Jim Steinman contributing heavily.
An anti-western propaganda film about the influences of American visual and consumption culture on the rest of the world, as told from a North Korean perspective.
14 years after his first visit, Louis Theroux meets some of the growing community of religious-nationalist Israelis who have settled in the occupied West Bank.
This film analyzes the economic interests underpinning the conflict between Palestinians and Israelis, with a particular focus on the influence of international oil interests in the region. The analysis found here is inspired by the writings of the Palestinian writer and journalist Ghassan Kanafani.
A documentary on the historic first-ever visit of a Palestinian National team to Europe, following the Palestinian women's team as they arrive in Ireland to a heroes' welcome and play a solidarity friendly against Bohemian FC on May 15th, 2024. The sold-out match marked the 76th anniversary of the Nakba and highlighted the ongoing genocide and human rights violations happening every day in occupied Palestine. It was one of the most emotional and important games ever held at Dalymount Park in its long and storied history since 1901, and the event raised over €100,000 for three Palestinian humanitarian organizations.
Rabbi Israel ben Eliezer (1698-1760), known as the Ba'al Shem Tov ("Master of the Good Name"), is one of the most beloved and celebrated, yet elusive, figures in Jewish history. Today, Jews worldwide – and even non-Jews – revere him as the founder of the Hasidic movement, a 18th-century offshoot of Judaism that promotes a mystical interpretation of the Bible, and as a model of piety and spirituality. The documentary A FIRE IN THE FOREST explores the life and legacy of the Ba'al Shem Tov through interviews with religious leaders and scholars, and on-location footage. The title derives from a tale about rabbis finding a hidden fire in the forest where they could appeal to God for help and have their prayers answered.
Conservative Rabbi Marc Soloway invites us on his personal journey to modern day Ukraine to visit the graves of the Hasidic Masters as he tries to establish a connection with the famous names that have so long occupied a place in his imagination.
Scenes from a production of The Diary of Anne Frank are combined with footage of young Palestinians talking candidly about war, first love and topics that Frank wrote about as a teenager.
Filmed between 1973 and 1975, L’Olivier was produced by the Vincennes Cinema Group. This activist collective of teachers and filmmakers, formed on the occasion of this film, attempts to explain the Palestinian problem through interviews. The Olivier was one of the first films to attempt to give substance to what was still largely ignored in the West: the existence of the Palestinian people and their fight to recover their rights. L'Olivier responds to a concern: the already weak support of French public opinion for the Palestinian cause diminished following the Munich operation of 1972. Structured in such a way as to tell the Palestinian story and explain the state of the struggle at the time, the film appeals to global militant solidarity and, in particular, to European political commitments.
With God On Our Side takes a look at the theology of Christian Zionism, which teaches that because the Jews are God's chosen people, they have a divine right to the land of Israel. Aspects of this belief system lead some Christians in the West to give uncritical support to Israeli government policies, even those that privilege Jews at the expense of Palestinians, leading to great suffering among Muslim and Christian Palestinians alike and threatening Israel's security as a whole. This film demonstrates that there is a biblical alternative for Christians who want to love and support the people of Israel, a theology that doesn't favor one people group over another but instead promotes peace and reconciliation for both Jews and Palestinians.
Mohammed El Kurd is a Palestinian boy growing up in the neighbourhood of Sheikh Jarrah in the heart of East Jerusalem. When Mohammed turns 11, his family is forced to give up part of their home to Israeli settlers, who are leading a campaign of court-sanctioned evictions to guarantee Jewish control of the area. Shortly after their displacement, Mohammed’s family and other residents begin peacefully protesting against the evictions, determined not to lose their homes for good. In a surprising turn, they are quickly joined by scores of Israeli supporters who are horrified to see what is being done in their name. Among them is Jewish West Jerusalem resident Zvi Benninga and his sister Sara, who develop a strong relationship with Mohammed and his family as they take on a leading role in organizing the protests.
Shot in Munich just a few weeks after it was taken by the American troops on April 30, 1945.
In the Gaza refugee camp of Jerash, Palestinians face the critical issue of lacking identification documents. This situation undermines their rights and hinders access to essential services and opportunities.
Despite being forcibly converted to Christianity in 1497 many of the Jews of Portugal continued to practice Judaism in secret. Today, residents of the village of Belmonte practice an amalgam of Christian and Jewish rituals.
Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.