Umberto Eco's novel Il pendolo di Foucault (1988) is an immensely ambitious, multi-layered and allusive book. The film contains an initial account and examination of this new book, which is as contentious as it is controversial. Eco's publisher and prominent Italian critics have their say and, of course, the author. He talks about the eight years of work on the book, about the two central images that stand at the beginning of his novel, and about what this story of magic, occultism, and delusion has to do with us and our present.
Umberto Eco's novel Il pendolo di Foucault (1988) is an immensely ambitious, multi-layered and allusive book. The film contains an initial account and examination of this new book, which is as contentious as it is controversial. Eco's publisher and prominent Italian critics have their say and, of course, the author. He talks about the eight years of work on the book, about the two central images that stand at the beginning of his novel, and about what this story of magic, occultism, and delusion has to do with us and our present.
1989-11-20
0
A walk through the immense private library of Italian writer and thinker Umberto Eco (1932-2016).
A German TV documentary that chronicles the daily rehearsals, the filming and all the behind the scenes of Jean-Jacques Annaud's classic "The Name of the Rose". From actors perspectives to the ideas used by the director to produce an impeccable international epic adaptation of Umberto Eco's best selling novel, the film presents the obstacles behind the creation of a production of such large scale and also the making of the many difficult scenes, most of the ones presented here are the characters' murders inside the mysterious abbey.
A documentary on the genesis, writing, shooting and analysis of the film "The Name of the Rose".
Umberto Eco, the author of best-selling novels who passed away in February 2016, unveils the secrets behind his undertakings and novels.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.
Two adolescent sons and their parents. A family whose members have known each other for so long that their mutual affection can feel like cabin fever. They all have dreams they want the others to validate, perhaps even more than their need to fulfill those dreams.
This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
A journey into the BBC archives unearthing glorious performances and candid interviews from some of Britain's greatest poets.
Eric Idle persuades Professor Brian Cox to present a lecture on the birth of the entire universe. Brian soon realises Eric is actually hosting a comedy and musical extravaganza.
The film is about the life and work of Grigory Ordzhonikidze Konstantinoviche, an important personality in both the Communist Party and the Soviet state. The film includes speeches by his bereaved friends who attended his funeral. In 1937, after the unexpected death of Sergo Ordzhonikidze, Vertov received an urgent order from the government to produce a film about the life of Ordzhonikidze. He was ordered to work together with Yakov Bliohom and the director of the film "Battleship Potemkin" distributed by Goskino (Soviet State Committee for Cinematography).
Revealing bio-documentary giving an exclusive look into the life of one of the world's most admired and respected musicians as Bruce Springsteen explores and explains his greatest influences
A documentary about a rural family in Iran that has two teenage daughters, with their oldest child working to help the family. Together they face difficulties and obstacles, especially because she uses a motorcycle for work which is forbidden for women.
In 1971, Hara Masato and a group or actors started shooting his 16mm film, The First Emperor, based on an old Japanese book about history and myths that is known as the Kojiki ('Record of Ancient Matters'). He did not finish the film.
A group of scientists form a relationship with Bruce, a Great White Shark, in order to prove the Great White is more than a mindless killing machine.
A documentary that explores the challenges that a life in music can bring.
A 16 year old girl recalls the last moments of her summer vacation, spent with friends in the Laurentians north of Montreal. She reminisces about their talks on life, death, love, and God. Shot in direct cinema style, working from a script that left room for the teenagers to improvise and express their own thoughts, the film sought to capture the immediacy of the youths presence their bodies, their language, their environment.