

A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject.

A perfect, fast and hilarious montage. Using images from Artis (Amsterdam Zoo), Bert Haanstra shows that a couple of similarities can be discovered between human and animal. Particularly the manner in which human and ape are confronted with each other, is significant. The images speak for themselves, human voices or commentary is absent. The ironic music of Pim Jacobs does add an extra dimension to the whole. With regards to human and animal Haanstra limits himself for the time being to this short film, recorded with a hidden camera. Later on, in several big films, he would return to this subject.
1961-01-01
6.9
6.1A duo of Edgar Allan Poe adaptations about a greedy wife's attempt to embezzle her dying husband's fortune, and a sleazy reporter's adoption of a strange black cat.
9.9Ava, an award-winning chef at a big-city restaurant, has lost her spark. Her boss sends her out to find herself to save her menu and her job. She returns home and finds little to inspire her, but when she reunites with her childhood friend Logan, Ava has to get her head out of the clouds and her foot out of her mouth to rediscover her passion for food.
5.5When DEA agents are taken captive by a ruthless South American kingpin, the Delta Force is reunited to rescue them in this sequel to the 1986 film.
6.5During the U.S.-led occupation of Baghdad in 2003, Chief Warrant Officer Roy Miller and his team of Army inspectors are dispatched to find weapons of mass destruction believed to be stockpiled in the Iraqi desert. Rocketing from one booby-trapped and treacherous site to the next, the men search for deadly chemical agents but stumble instead upon an elaborate cover-up that threatens to invert the purpose of their mission.
6.3Balto and his daughter Aleu embark on a journey of adventure and self discovery.
6.1Fantozzi is now retired but continues to go to the office where it is held up as a fine example of employees intending to do career.
5.6An unfortunate highschooler finds an ancient book that summons Allentown's deadliest maniacs back from the dead.
6.1After thirty years in the big corporation, Ugo Fantozzi retires. Suddenly, he needs things to do in everyday life and he tries a number of activities: helping Pina shopping; babysitting grand-daughter Uga; a trip to Venice; learning golf. He then fakes documents to get a new job, but in the end he becomes a hypochondriac and doesn't even take a long-awaited chance with Miss Silvani.
4.8Carlo descends on his former lover's unsuspecting family and the scheming Rocco tries to break up his old rival Marcello's wedding.
6.7Riggs and Murtaugh pursue a former officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.
6.5Fred, a raffish safe blower, takes refuge in the Paris Metro after being chased by the henchmen of a shady businessman from whom he has just stolen some documents. While hiding out in the back rooms and conduits of the Metro, Fred encounters a subterranean society of eccentric characters and petty criminals.
7.1In 1666, a colonial town is gripped by a hysterical witch-hunt that has deadly consequences for centuries to come, and it's up to teenagers in 1994 to finally put an end to their town's curse, before it's too late.
6.2Sam Witwicky leaves the Autobots behind for a normal life. But when his mind is filled with cryptic symbols, the Decepticons target him and he is dragged back into the Transformers' war.
7.2Set in 1955, French secret agent Hubert Bonisseur de La Bath/OSS 117 is sent to Cairo to investigate the disappearance of his best friend and fellow spy Jack Jefferson, only to stumble into a web of international intrigue.
7.0Riggs and Murtaugh are on the trail of South African diplomats using their immunity to engage in criminal activities.
7.3Peter Parker is going through a major identity crisis. Burned out from being Spider-Man, he decides to shelve his superhero alter ego, which leaves the city suffering in the wake of carnage left by the evil Doc Ock. In the meantime, Parker still can't act on his feelings for Mary Jane Watson, a girl he's loved since childhood. A certain anger begins to brew in his best friend Harry Osborn as well...
7.0After his brother's death, Larry Talbot returns home to his father and the family estate. Events soon take a turn for the worse when Larry is bitten by a werewolf.
4.9Destinies intertwined for two antithetical people who meet during a trip to India, where lots of misunderstandings and funny situations will take place.
5.7Otto is Friesland's answer to Rambo and stands between two worlds, two women and two animals. While he's trying to cure a dog with bite inhibition and a cat with suicidal tendencies, the dream of his sleepless nights crosses his path: Gaby. Otto falls instantly in love, but Gaby thinks only of Amboss, a real guy with muscles of steel and a brain of rubber. Well, Otto on the other hand is not exactly well built and attractive. But he's determined to get the lady's attention, even if it means taking part in body-building competitions...
A jetliner spans the miles, sheering through clouds to open sky and scenic vistas of the provinces below. Glimpses of town and country, of people of many ethnic origins, of a resourceful and industrious nation - impressions it would take days and weeks to gather at first hand - are brought to you in this vivid 1800-kilometer panorama.
0.0
0.0A twelve year old boy, living in a "yurt" but in love with hip hop and computer games is caught between modernity and tradition, aspirations and poverty and decides to become a Buddhist monk.
5.6Dialogue-free short detailing the daily tasks of a man and his wife.
5.2Stylized with dramatic interiors and a distorted frame rate, this early documentary miniature from Szulkin depicts six sequences of solitary, repetitious labor.
0.0A documentary written by Kane McKay, a returned military serviceman, about Bob Quinn, a recipient of the Military Medal for his heroic actions in World War II in Tobruk, 1941, and also champion player for a number of years at the Port Adelaide Football Club.
6.5A medium-length documentary commissioned by the Cuenca City Council. The documentary shows an honest, sincere, although sometimes mere tourist portrait, of the lands of Cuenca and its people, without artifice or imposture, with feeling and authenticity and at the same time with marked coldness.
10.0An exodus of migrants settled in Tijuana and they hope to cross each day regardless of the consequences, the children tell us what they see, want and what they are willing to pay.
6.0This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
8.0Worldy renowned for his masterpiece The Housemaid (1960), Kim Ki-young debuts with his first short film I Am a Truck (1953), which was sponsored by UN and made a year after the armistice of the Korean War. This film is a fascinating glimpse into the mind of a soon-to-be powerful auteur and influential filmmaker in the post-war Korean cinema, if not the whole history of Korean cinema.
0.0Images from 2000s music videos are transferred onto the film strip, torn and abstracted until the visuals convulse and shift—a tactile, poetic exploration of materiality, memory, and medium.
4.8An experimental film about life on earth as a cosmic experiment and the curiosity and naivete of reaching out to alien life.
7.1A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
7.5A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
6.8Starting with a long and lyrical overture, evoking the origins of the Olympic Games in ancient Greece, Riefenstahl covers twenty-one athletic events in the first half of this two-part love letter to the human body and spirit, culminating with the marathon, where Jesse Owens became the first track and field athlete to win four gold medals in a single Olympics.
6.7Part two of Leni Riefenstahl's monumental examination of the 1938 Olympic Games, the cameras leave the main stadium and venture into the many halls and fields deployed for such sports as fencing, polo, cycling, and the modern pentathlon, which was won by American Glenn Morris.
6.7Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.