10 May 1943. Something is spotted drifting ashore off the coast of Northwest Donegal, Ireland. Something that would change the lives of the local people forever.
Once upon a time there was a garden, a refuge, a safe haven - 'The Garden of the Finzi Continis'. It came to life in Giorgio Bassani's 1962 semi-autobiographical novel recounting an unfulfilled love story between two young Jews in Ferrara, while fascism was raging in Italy in the late 1930's. In 1972, Vittorio De Sica's film adaptation of the book won the Oscar for Best Foreign Language Film. Since then, the fictional space of the garden became so tangible that people from all over the world come to Ferrara to look for it. Fifty years after winning the Oscar, reality and fiction come together once more, as we walk through an imaginary garden and bring to life the book, its author, its main protagonists, history, love, friendships and betrayals.
The fascinating story of knighthood, told through the extraordinary life and times of William Marshal, whom many consider the world's greatest knight. From Europe's medieval castles to the holy city of Jerusalem, presenter Thomas Asbridge explores William's incredible life, revealing a rip-roaring adventure story in the spirit of King Arthur's Knights of the Round Table. In a career that spanned half a century, this English soldier and statesman served some of Christendom's greatest leaders, from Eleanor of Aquitaine to Richard the Lionheart. Marshal fought in battles across Europe, survived court intrigue and exile, put his seal to the Magna Carta and proved to be the best friend a king could have, remaining loyal to those he served through disaster and victory. Then at the age of 70, despite all the odds, he saved England from a French invasion.
The filmmakers and lead actors of The Remains of the Day (1993) discuss how they came to make the film, and the subtle power of its execution.
After the loss of his father, Sammy embarks on a journey to understand him better through the stories of various men. "Fathers Are Also Sons" is a visual testament of this personal journey toward connection.
Catron County, New Mexico -- the 'toughest county in the West' -- has been at the center of a struggle between ranchers, loggers, environmentalists, and the U.S. Forest Service over the management of federal land. The only physician in the county, concerned about the health of his community, began a process of dialogue among citizens. This is a story of how health was used as a catalyst to make peace.
Negotiating Amnesia is an essay film based on research conducted at the Alinari Archive and the National Library in Florence. It focuses on the Ethiopian War of 1935-36 and the legacy of the fascist, imperial drive in Italy. Through interviews, archival images and the analysis of high-school textbooks employed in Italy since 1946, the film shifts through different historical and personal anecdotes, modes and technologies of representation.
Filmmaker Cam Archer examines and explores his ordinary, suburban neighborhood in search of hidden truths, new narratives and a better understanding of his fading, creative self. Combining heavily degraded video with personal photographs and real life neighbors, Archer re-imagines the concept of 'home video'. In an attempt to distance himself from his subjects, actress Jena Malone narrates the piece as Archer in the first person.
In the underground world of diffing, a community finds solace in their passion, as they navigate personal struggles and challenges both on and off the road.
The movie follows today’s beachcombers in Great Britain, the Netherlands, and Japan. The same endless piles of trash left by humans cover all the shores. Our shared ocean is loaded with time travelers made of plastic, the fruit of our throwaway culture and our indifference. They are the seeds of destruction, as they end up in the entrails of creatures living in the sea. Most of the beachcombers share the same worries about the environment. Beside the plastic trash, many travelers drift between continents, such as various plants’ seeds. Like all species, they look for new living environments where they could survive on a warming planet.
In this film from late in his career, Kramer returns to Hanoi after nearly 25 years to re-envision the city’s struggle through an uncertain and daunting past, present, and future. The Vietnamese characters in the film are diverse: Kramer’s former guide from an earlier visit in 1969; a tight-rope walker in the national circus; a man who took photos of B-52s and another who lost his fingers shooting them down.
RE:MEMBER is a documentary, split into three chapters, that provides insights into the topics of memory, media, and history, specifically through the lens of two millennial participants. Through their testimonies and introspections, we start to see the rift between the media they were nostalgic for and the reality we currently live in. They also consider how our current attitudes towards media have shaped our previous environments and how we can change society to better our future generations.
Deep Blue is a major documentary feature film shot by the BBC Natural History Unit. An epic cinematic rollercoaster ride for all ages, Deep Blue uses amazing footage to tell us the story of our oceans and the life they support.
Palm Springs, a small desert oasis 100 miles East of Los Angeles was Sinatra's true home for 50 years. During his brief yet turbulent marriage to Ava Gardner his Palm Springs home was center stage. For the rest of his life, the Rancho Mirage compound on Frank Sinatra Drive, was the home he called "My Heaven". Palm Springs still feels the ghost of Frank Sinatra.
Dreama Team is a film about a mom and amateur runner named Dreama Walton, as she competes in America's biggest ultra-marathon: The Western States 100. As she pushes to finish the historic race in under 24 hours, she draws inspiration from painful experiences in her youth, and the positive influence of others in the present. Dreama is determined to prove to her daughter the value of doing hard things.
«My grandma had a great strength and love for life which made me believe that some of us were able to become immortals and escape death. When she passed at the age of 92, her death was a surprise to me, which I was not prepared for. The cinema has the immense power of creating the illusion of life and its protection. This film is my attempt to rescue my grandma from death. It is not a documentary about my grandma but a film with my grandma. I wanted to film a ghost and then return it to the realm of the living, like Orfeu tried with Eurídice. It is a route to resurrection. It is my way of giving her immortality which I deem to be her right.»
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Ceschi and Stamm's documentary tells the incredible story of Monika Krause, a former East German citizen, who became Fidel Castro's Sexual Education Minister. After 20 years in Cuba, Krause set the Cuban sexual revolution in motion: in favor of a woman's right to sexual fulfillment and legal abortion, and against exclusion of homosexuals, she acquired the title "Queen of Condoms". A film about potent female agitators, staunch macho men and Caribbean love lives.