A man (Thomas Edison's assistant) takes a pinch of snuff and sneezes. This is one of the earliest Thomas Edison films and was the second motion picture to be copyrighted in the United States.
In a long, diaphanous skirt, held out by her hands with arms extended, Broadway dancer Annabelle Moore performs. Her dance emphasizes the movement of the flowing cloth. She moves to her right and left across an unadorned stage. Many of the prints were distributed in hand-tinted color.
William K.L. Dickson plays the violin while two men dance. This is the oldest surviving sound film where sound is recorded on the phonograph.
They get ready to kiss, begin to kiss, and kiss in a way that brings down the house every time.
The film consists of a series of animations on a beach containing two beach huts and a diving board. Two characters play at diving into the water from the diving board and then appear on the beach. The woman begins to play with a small dog and is then joined by a gentleman. The two play around on the beach before getting changed into bathing costumes and going into the water. They bob up and down in the water before swimming out of the scene. Once the couple have gone a man sails out in a boat.
In Capitalism: Slavery, Jacobs uses a Victorian stereograph (a double-photograph) of slaves picking cotton under the watchful eye of a white overseer as the source for this wrenching silent work. Through digital manipulation, Jacobs creates a haunting illusion of depth and movement. It is as if he has "entered" the image and reactivated this historical moment; he moves among the figures and isolates individuals, creating a stuttering, pulsing effect that suggests motion even as it animates stasis.
Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.
Lasting for roughly 50 seconds, it shows the goodbyes of many passersby - first Europeans, then Palestinian Arabs, then Palestinian Jews - as a train leaves Jerusalem.
When his sister disappears after leaving their home in hopes of singing stardom, Luis tracks her down and discovers the grim reality of her whereabouts.
Rosetta and new arrival Chloe band together to try to break the garden fairies' legendary losing streak in the Pixie Hollow Games, a sports spectacle filled with pixie pageantry, fantastic fairy events and hilarious surprises.
When Alex is caught using magic to clean her room she is forced to go to wizard school with Justin. Max and Jerry camp out on the terrace to prove their manhood.
The gang's vacation to Paris takes a wrong turn when Scooby and Shaggy miss their flight and end up on a skydiving expedition in the Himalayas. To make matters worse, upon arrival they must outrun the Abominable Snowmonster.
In a tributary of the Amazon, a monster – half-man, half-fish – is captured and placed in a reservoir in a Florida national park to be observed by scientists.
Siblings Wednesday and Pugsley Addams will stop at nothing to get rid of Pubert, the new baby boy adored by parents Gomez and Morticia. Things go from bad to worse when the new "black widow" nanny, Debbie Jellinsky, launches her plan to add Fester to her collection of dead husbands.
In a spoof of 1972's The New Scooby-Doo Movies, Scooby-Doo and the Mystery Inc. gang pick up a hitchiking Gary Coleman. Soon after, the Mystery Machine proceeds to break down (multiple times) leaving them stranded at a haunted castle owned by David Cross.
While trying to prove to her family she can be mature and responsible, teen wizard Alex Russo conjures up a spell to rid herself of her bad qualities, unintentionally creating a Good and Evil Alex. When Evil Alex gets involved in a plan to take over the world by a dark wizard, Good Alex must find a way to save her family, humankind, and ultimately herself in an epic Good vs. Evil battle.
Set in 1944, Valiant is a woodland pigeon who wants to become a great hero someday. When he hears they are hiring recruits for the Royal Homing Pigeon Service, he immediately sets out for London. On the way, he meets a smelly but friendly pigeon named Bugsy, who joins him, mainly to get away from clients he cheated in a game of find-the pebble, and helps him sign up for the war.
Kirikou's Grandfather says that the story of Kirikou and The Witch was too short, so he proceeds to explain more about Kirikou's accomplishments. We find out how little boy became a gardener, a detective, a maker of pottery, a merchant, a traveler and a doctor.
Zenon Kar is 15 and lives on a space station which the military has taken over and is dismantling. She receives a mysterious signal and must convince everyone that it's from aliens who have come to help them.
As a result of a successful conspiracy against Menshikov, Peter II is prematurely recognized as an adult and is in a hurry to be crowned in Moscow. The Dolgoruky brothers gather for this celebration. There were eight of them - all-powerful and influential representatives of the ancient Rurikovich family - and among them the beautiful Ekaterina, the daughter of the huntsman Alexei.
After the killing of George Floyd, a queer black woman in Los Angeles is determined to capture the spirit of a mass social movement, so she hits the streets, camera in hand.
José Rodríguez is a current PGA Tour golfer who had a miraculous and equally turbulent border-crossing experience as an undocumented Mexican immigrant in the mid-1990s. This film chronicles José's astounding personal journey, revealing an American Dream that's not always the fairytale it seems.
A sociological meditation on the different "exits" that young Palestinians choose, in order to cope with life in the refugee camps.
Set in 1971 on the Southwest coast of Florida, Dolphin Lover tells the incredible true story of Malcolm Brenner, a college student who lands his first professional gig as a freelancer photographing the marine animals at Floridaland, a tourist trap disguised as a roadside amusement park. The experience would launch Malcolm’s career as a photographer and introduce him to his one true love while changing his life forever. Dolphin Lover tells the incredibly true story of Malcolm Brenner’s year-long romantic and sexual love affair with Dolly, a captive bottlenose dolphin.
Women of mature years talk about their marriage, their first time, their intimate relationship with sexuality. In the repetition of these ancestral rituals, the director questions her own lack of marriage, of children, and with it, a chain of mother-daughter relationships that is dying out.
Documentary about the lost 1914 film "Sperduti nel buio". Film historian Denis Lotto journeys across Europe following the trail of the lost movie.
A series of ten shots, three minutes in length, of various locales in Munich.
Robert, an ex-shipyard welder from Govan in Glasgow, reflects on how his experiences have influenced his compulsion to write.
With his industry on lockdown and no end in sight, Toronto chef Luke Donato tries to keep his culinary passion alive during the COVID-19 pandemic - even if it means teaching a group of misfits online.
A documentary special taking a look at the upcoming films making up the DC Universe. Kevin Smith hosts with Geoff Johns, as they take a look at Batman vs Superman: Dawn of Justice, Suicide Squad, the upcoming Wonder Woman and Justice League movies.
"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.
This short documentary focuses on the children of alcoholics. In the relaxed environment of a mountain campsite, a group of young people discuss their anger and frustration, and talk about their struggle to cope with the problems created by their parents' drinking. By sharing their experiences, they open a door for others like them. Aimed primarily at an audience of elementary school children and older, this film provides an excellent vehicle for generating discussion about alcohol abuse and the family.
Dimitra Koutsiabassakos is 88 years old and lives alone in the village of Armatoliko in the Pindos mountain range, on the banks of the ancient river Acheloos, named after the mythical river god who fought Heracles for the favors of a woman and who could take on many forms. Dimitra’s home is located near the place where a great dam is being built and lies right in the middle of the area destined to become a lake after construction is completed. By a strange quirk of fate, the materials used in the construction of the dam are a product of a cement company named “Heracles”, so that it seems that the age-old contest between Acheloos and Heracles continues to the present day! Dimitris, Costas and Petros decide to pay their grandmother a visit and make a documentary.
A beautiful and vital film that tells the story of a young woman's fight with death.
Dance and prostitution play the same role for Cristhian’s body. Virtuosity, desire, technique, and sex intertwine, granting coherence to a way of life that offers many answers to few questions. A leitmotiv that reconciles opposites and contradictions. Answers that are sometimes painful, like all truths.
Twenty-five films from twenty-five European countries by twenty-five European directors.
Bokanowski returns to the complex - and mind-bending - optical array of pinholes, mirrors, prisms, and refractive substrates of his earlier film, La Plage to create the whimsical and playful Au bord du lac. The film is composed of mundane, everyday scenes of recreation and leisure on an idyllic, sunny day at a park that overlooks a lake - rowing a boat, playing a game of volleyball, rollerskating, bicycling, reading a newspaper, sunbathing, riding on horseback, or strolling on the promenade - shot through optical distortions to create fractured and knotted images that resemble embellished, gothic fairytale illustrations or appear to resolve into morphing, geometric patterns of fluid motion. Evoking the vibrant colors and sun-soaked palette of an invigorated Vincent van Gogh in Arles, Bokanowski transforms the quotidian into an infinitely mesmerizing dynamic kaleidoscope of shape-shifting textures and self-reconstituting objects of organic, abstract art.