
Using only rare archival and newsreel footage, this film tells the story of Palestine from the nineteenth century through current times.


Using only rare archival and newsreel footage, this film tells the story of Palestine from the nineteenth century through current times.
1993-01-01
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7.4Documentary about war photographer James Nachtwey, considered by many the greatest war photographer ever.
6.1A verité legal drama about Judge Kholoud Al-Faqih, the first woman appointed to a Shari'a court in the Middle East, whose career provides rare insights into both Islamic law and gendered justice.
0.0While millions of birds migrate freely in the skies above, Fadia, a Palestinian refugee stranded in Lebanon, yearns for the ancestral homeland she is denied. When a chance meeting introduces her to the director, Sarah, she challenges her to find an ancient mulberry tree that once grew next to her grandfather’s house in historic Palestine, a tree that stands witness to her family’s existence.
6.8Drunk and disillusioned Roman, Marcellus Gallio, wins Jesus' robe in a dice game after the crucifixion. Marcellus has never been a man of faith like his slave, Demetrius, but when Demetrius escapes with the robe, Marcellus experiences disturbing visions and feels guilty for his actions. Convinced that destroying the robe will cure him, Marcellus sets out to find Demetrius — and discovers his Christian faith along the way.
6.7A portrait of two Palestinian women whose individual struggles both define and transcend the politics that have torn apart their homes and their lives. Farah Hatoum, a widow living with her children and grandchildren, and Sahar Khalifeh, a novelist from the West Bank.
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10.0A Bunch of Questions with No Answers (2025) is a 23-hour film by artists Alex Reynolds and Robert M. Ochshorn. Compiled entirely from questions posed by journalists at U.S. State Department press briefings between October 3, 2023, and the end of the Biden administration, the work removes the officials’ answers, leaving only the unresolved demands for clarity and accountability.
0.0The film follows journeys of observational tours solicited by the Palestinian Museum and conducted by two professors from Birzeit University to collect photos of and information on the Palestinian Flora. The title is adapted from a collection of 123 images (circa 1900 to 1920) of wild flowers in Palestine found in the Matson Collection in the Library of Congress. Despite the tendency to trace the wild plants, the text in general aims at questioning the territorial extension of what is meant by the term “Palestinian”, while standing on insignificant topographical features of the (postcolonial) landscape in West Bank. Furthermore, it addresses photography as a practice and a tool of distributing and restricting information at once.
0.0In 2020, just as the pandemic was beginning, Gazala purchased land in western Ohio, on which sits a disused school building. This site allowed her to explore her complex relationship with “the land.” As the daughter of displaced indigenous Palestinians, she attempts to form a proxy bond with the earth, on ground that was stolen from the displaced indigenous Shawnee people. Closeness to the Land is video footage of hand-painted text signs that translate the word الأرض (ard) into six English words, displayed performatively in multiple locations to capture the now-invisible nature of indigenous culture in Ohio. These signs were installed on the old schoolhouse in early 2021.
10.0The Israeli filmmaker Shai Corneli Polak records the building of the 'security wall' through Palestinian territory at the village of Bil'in. The villagers protest mostly peacefully, while the Israeli army doesn't react peacefully. By now the Israeli High Court has ruled that the building of the wall was illegal.
7.7An Israeli film director interviews fellow veterans of the 1982 invasion of Lebanon to reconstruct his own memories of his term of service in that conflict.
0.0Something from there is a short film on the substance of our original lands. Weaving between the voices of the artist’s parents, one a refugee and the other not, the film is personal, yet evokes a shared Palestinian experience.
8.0In the Gaza refugee camp of Jerash, Palestinians face the critical issue of lacking identification documents. This situation undermines their rights and hinders access to essential services and opportunities.
0.0Jawaher was a farmer with her father when she was young, and a beekeeper in old age. Beekeeping to her is a way to overcome life's difficulties. Despite the difficulties she's facing; the economic situation, climate change, and wars, she's still sticking to her source of livelihood to save a living.
8.3When two young American Jews raised to unconditionally love Israel witness the mistreatment of Palestinians, they battle the old guard to create a new movement opposing Israel’s occupation, and recentering Judaism itself.
0.0Najwa, Nawal, and Siham, three Palestinian widows, live with their 11 children in a house on Shuhada Street in Hebron. Their house lies on the border; the façade is under Israeli occupation, the Palestinian Authority controls the back. At the entrance to the house is a military post; on the roof the Israeli army has placed a watch point over Palestinian Hebron. The three women, trapped in the middle and constantly surrounded by Israeli soldiers, carry on their difficult lives in a perverse situation: the occupation becomes a routine, the absurd becomes a given. This is the story of an occupation that extends to the staircase and the roof of the house, where it encounters poverty, loneliness, pain, but also the small joys of everyday life. This is an internal prison, the external one is the ongoing occupation.
6.9An Iranian filmmaker participates in a series of video calls with a young Palestinian photojournalist who describes her life confined in Gaza during the current regional conflict.
0.0Filmed entirely with an iPhone, Teta, Opi & Me is a tribute to conformity, tolerance and courage. It is a poetic, meditative, multilingual, and feeling-driven short film, documenting the intricacies of the artist’s playful process in capturing her grandparents’ enduring romance through social, political and racial adversity. He comes from Bethlehem, Palestine and she comes from Vienna, Austria. Incorporating poetic filmic scenarios, vérité scenes, interviews, and home movies, the work is an inter-generational dialogue that explores themes of family, love, and the intermingling of cultures.