Movie: Orfeo Chamán
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Recommendations Movies
Return to Horror Hotel(en)
Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.
The Return(en)
After the death of his father, a brilliant college student returns to his family home where he learns that the horrors from his childhood aren't as dead and gone as he once thought.
Return of the Fly(en)
Fifteen years after his father's experiments with matter transmission fail, Philippe Delambre and his uncle François attempt to create a matter transmission device on their own. However, their experiments have disastrous results, turning Philippe into a horrible half-man, half-fly creature.
Return(es)
Gulliver Returns(en)
World traveler and adventurer Gulliver is invited to return to Lilliput, the town he previously saved from the enemy fleet of the neighboring Blefuscu.
Return(fr)
The Phantom Stockman(en)
Kim Marsden inherits a cattle station near Alice Springs after the death of her father. Kim becomes convinced her father was murdered. She sends for a legendary local bushman called the Sundowner, who was one of her father's best friends.
Return(en)
A girl is at school. Suddenly it's as if she can't breathe. As she runs down the stairs we follow her into her mind. It takes us deep into dark woods.
Return to Dust(zh)
Humble, unassuming Ma and timid Cao have been cast off by their families and forced into an arranged marriage. They have to combine their strength and build a home to survive. In the face of much adversity, an unexpected bond begins to blossom, as both Ma and Cao, uniting with Earth's cycles, create a haven for themselves in which they can thrive.
Return to Space(en)
The inspirational rise of SpaceX as well as Elon Musk's two-decade effort to resurrect America’s space travel ambitions.
Sonic Youth: Koncertas Stan Brakhage Prisiminimui (April 12, 2003)(en)
Filmed April 12, 2003 at a benefit concert held at and for The Anthology Film Archives, the international center for the preservation, study, and exhibition of avant-garde and independent cinema. In addition to screening films for the public, AFA houses a film museum, research library and art gallery. The event, which raised money for the Archives and celebrated the life and work of avant-garde film maker Stan Brakhage, featured Sonic Youth providing an improvised instrumental collaboration with silent Brakhage’s films. The band performed with drummer/percussionist Tim Barnes (Essex Green, Jukeboxer, Silver Jews).
Return(en)
A young couple purchase their new home to start a life together, only to find out the elderly couple next door have other plans for them.
Return(en)
After reading an article about hypnotic regression, a woman whose maternal grandfather died when she was only three years old contacts the hypnotic subject named in the article believing that he is the reincarnation of her grandfather, and hoping that she can learn the truth about how he died.
Scooby-Doo! Return to Zombie Island(en)
Scooby-Doo and his pals win an all-expense paid vacation and embark on a trip of a lifetime to a tropical paradise. Their destination however, turns out to be Zombie Island. As soon as they arrive, they realize the place looks strangely familiar and is reminiscent of a trip they took years ago, in which they became wrapped up in a mystery involving zombies. The gang soon learns that their trip to paradise comes with a price when the zombies re-emerge and attack their hotel. Will Scooby-Doo and the Mystery Inc. gang finally solve the mystery behind Zombie Island?
1920: Evil Returns(hi)
This story revolves around a famous poet who meets a woman who is in trouble. In order to treat her, he takes her to Shimla in a big hospital, but soon that woman gets possessed by devil and goes out of control. Now the question remains that what is the relation that poet shares with her which compelled him to go to any extent to save her, why she was possessed by devil and who is the devil.
Similar Movies
Mozart: La clemenza di Tito(it)
How do we live together in an age of conflict? How do you heal a divided and angry people? In their 2017 production of Mozart’s La clemenza di Tito, Peter Sellars and Teodor Currentzis examine these questions through the story of a warrior-emperor who brings peace to his divided land and pardons his own would-be assassins. Written under a time crunch (legend has it that it was written in only 18 days, although it is likely an exaggeration) during the last year of Mozart’s life, the opera is based on a libretto written more than half a century earlier by Pietro Metastasio. It was commissioned for the coronation of Leopold II as King of Bohemia, and received its first public performance at the Estates Theatre in Prague on September 6, 1791.
Verdi Macbeth Chailly(it)
Claude D'Anna's film of Verdi's Macbeth is a gloomy affair, stressing the descent into madness of the principal villains. It's acted by the singers of the Decca recording of the opera (with two substitutions of actors standing in for singers) and the lip-synching is generally unobtrusive. The musical performance is superb, conducted by Riccardo Chailly with admirable fire, and sung by some of the leading lights of the opera stages of the 1980s. Shirley Verrett virtually owned the role of Lady Macbeth at the time, and she delivers a terrific performance, the voice equal to the role's wide register leaps and it's suffused with emotion, whether urging her husband on to murder or maddened by guilt in the Sleepwalking Scene. Leo Nucci's resonant Macbeth may lack the ultimate in vocal color and steadiness (his last notes of the great aria Pietà, rispetto, amore are wobbly) but he compensates with intensity in both singing and acting.
La Traviata(en)
A collaboration between award-winning American filmmaker Sofia Coppola and Italia haute couture king Valentino comes in the form of a revival of Giuseppe Verdi's classic opera, La Traviata. Captured live from the Teatro dell'Opera di Roma.
Moonstruck(en)
37-year-old Italian-American widow Loretta Castorini believes she is unlucky in love, and so accepts a marriage proposal from her boyfriend Johnny, even though she doesn't love him. When she meets his estranged younger brother Ronny, an emotional and passionate man, she finds herself drawn to him. She tries to resist, but Ronny, who blames his brother for the loss of his hand, has no scruples about aggressively pursuing her while Johnny is out of the country. As Loretta falls for Ronny, she learns that she's not the only one in her family with a secret romance.
La Clemenza di Tito(it)
This is an effective staging, though the set looks medieval and the costumes are modern. It’s well paced, well played, well sung. Jonas Kaufmann is an ideal Tito. His voice is not only beautiful and flexible, it’s also ample, retaining warmth and sweetness when he sings out. The character of Tito is too good to be true, but Kaufmann makes him intense, noble, and beliveable. Vesselina Kasarova is riviting as Sesto. Her voice is gorgeous and multi-colored, her technique exquisite, her immersion in the role complete.
The Metropolitan Opera: Dead Man Walking(en)
American composer Jake Heggie’s compelling masterpiece, the most widely performed new opera of the last 20 years, arrives in cinemas in a haunting new production by Ivo van Hove. Based on Sister Helen Prejean’s memoir about her fight for the soul of a condemned murderer, Dead Man Walking matches the high drama of its subject with Heggie’s beautiful and poignant music and a brilliant libretto by Tony and Emmy Award–winner Terrence McNally. Met Music Director Yannick Nézet-Séguin takes the podium, with mezzo-soprano Joyce DiDonato starring as Sister Helen. The outstanding cast also features bass-baritone Ryan McKinny as the death-row inmate Joseph De Rocher, soprano Latonia Moore as Sister Rose, and legendary mezzo-soprano Susan Graham—who sang Helen Prejean in the opera’s 2000 premiere—as De Rocher’s mother.
The Metropolitan Opera: Florencia en el Amazonas(es)
Inspired by the magical realism of Gabriel García Márquez, Mexican composer Daniel Catán’s 1996 opera tells the enchanting story of a Brazilian opera diva who returns to her homeland to perform at the legendary opera house of Manaus—and to search for her lost lover, who has vanished into the jungle.
The Metropolitan Opera: Nabucco(it)
The success of Verdi’s third opera, a stirring drama about the fall of ancient Jerusalem at the hands of Nebuchadnezzar (Nabucco), catapulted the 28-year-old composer to international fame. The music and Verdi himself were subsumed into a surge of patriotic fervor culminating in the foundation of the modern nation of Italy. Specifically, the Chorus of the Hebrew Slaves ('Va, pensiero'), in which the Israelites express their longing for their homeland, came to stand for the country’s aspirations for unity and that exciting era in Italian history, the Risorgimento, or 'Resurgence'.
The Metropolitan Opera: Carmen(fr)
Director Carrie Cracknell makes her Met debut, reinvigorating the classic story with a staging that moves the action to the modern day, in a contemporary American industrial town.
The Metropolitan Opera: La Forza del Destino(it)
Music Director Yannick Nézet-Séguin conducts Verdi’s grand tale of ill-fated love, deadly vendettas, and family strife, with stellar soprano Lise Davidsen as the noble Leonora, one of the repertory’s most tormented—and thrilling—heroines. Director Mariusz Treliński delivers the company’s first new Forza in nearly 30 years, setting the scene in a contemporary world and making extensive use of the Met’s turntable to represent the unstoppable advance of destiny that drives the opera’s chain of calamitous events. The distinguished cast also features tenor Brian Jagde as Leonora’s forbidden beloved, Don Alvaro; baritone Igor Golovatenko as her vengeful brother, Don Carlo; bass-baritone Patrick Carfizzi as Fra Melitone; and bass Soloman Howard as both Leonora’s father and Padre Guardiano.
The Metropolitan Opera: La Rondine(it)
Puccini’s bittersweet love story returns to cinemas, with soprano Angel Blue starring as the French courtesan Magda, opposite tenor Jonathan Tetelman as Ruggero, an idealistic young man who offers her an alternative to her life of excess. Maestro Speranza Scappucci conducts Nicolas Joël’s Art Deco–inspired staging, which transports audiences from the heart of Parisian nightlife to a dreamy vision of the French Riviera. Soprano Emily Pogorelc and tenor Bekhzod Davronov complete the sterling cast as Lisette and Prunier.
The Metropolitan Opera: Madama Butterfly(en)
Extraordinary soprano Asmik Grigorian tackles the demanding role of Cio-Cio-San, the loyal geisha at the heart of Puccini’s devastating tragedy. Tenor Jonathan Tetelman stars as the callous American naval officer Pinkerton, whose betrayal destroys her. Mezzo-soprano Elizabeth DeShong reprises the role of the steadfast maid Suzuki, and baritone Lucas Meachem is the American consul Sharpless. Acclaimed maestro Xian Zhang takes the podium to conduct Anthony Minghella’s vivid production.
The Metropolitan Opera: Romeo et Juliette(fr)
Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation, with Met Music Director Yannick Nézet-Séguin on the podium to conduct one of the repertoire’s most romantic scores. Bartlett Sher’s elegant staging also features baritone Will Liverman and tenor Frederick Ballentine as the archrivals Mercutio and Tybalt, mezzo-soprano Samantha Hankey as the mischievous pageboy Stéphano, and bass-baritone Alfred Walker as Frère Laurent.
Die Walküre(de)
The gorgeous and evocative Otto Schenk/Günther Schneider-Siemssen production continues with this second opera in Wagner’s Ring cycle. Hildegard Behrens brings deep empathy to Brünnhilde, the favorite daughter of the god Wotan (James Morris) who nevertheless defies him. Morris’s portrayal of Wotan is deservedly legendary, as is Christa Ludwig, as Fricka. Jessye Norman and Gary Lakes are Sieglinde and Siegmund, and Kurt Moll is the threatening Hunding. James Levine and the Met orchestra provide astonishing color and drama. (Performed April 8, 1989)
Siegfried(de)
Siegfried is the third of the four operas that constitute Der Ring des Nibelungen (The Ring of the Nibelung), by Richard Wagner.
Donizetti : Mary Stuart(en)
David Rendall, John Tomlinson, Janet Baker, Peter Butler, Rosalind Plowright, Angela Bostock, Glenn McKeown, Giuseppe Bardari, Tom Hammond, Alan Opie, Leigh Maurice
The Prompter(no)
Siv works as a prompter for the Norwegian opera. As the rehearsals for Aida starts, she marries a demanding man, Fred, who still has a strong connection to his ex-wife. Starting at her wedding, Siv must repeatedly take a back seat, both to Freds children and their mother. But when she meets a man who shares her passion for music, she starts to question the path her life has taken.
Norma(en)
Gaul has been conquered by the Romans. Oroveso, the Arch-Druid longs to lead a Gallic rebellion against the colonial forces. He and all the others wait for the signal to be given by his daughter, the Druid High Priestess Norma. But Norma has fallen in love with the Roman Proconsul, Pollione, and given birth to two children. They have been brought up in secrecy by her confidante Clotilde. Norma still loves Pollione but he has fallen in love with a novice priestess, Adalgisa.
Mozart Apollo et Hyacinthus(en)
First of all it is impossible to conceive of the creative genius who wrote this music when only [...]. Add to this the outstanding musicianship of the young singers/actors and orchestra members.Christiane Karg has a voice that is pure beauty; her range, precision and her ability to convey tremendous emotion are astounding.Her aria "Laetari, iocari" is a tour de force, tossed off with the greatest ease. Then there is the beautiful duet she sings with Maximilian Kiener. This is to die for! The staging, the singing and the acting are of an extremely high level. On the second disc Christiane Karg plays a totally different character, wily and playful, but oh, that voice!