
In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.

In the furnace of Algiers, the camera follows and accompanies Ibrahim, Adam, and Ismael, originally from sub-Saharan Africa, in an irregular situation who live in this hotel with the predestined name. They live from odd jobs. One is an elevator operator in a building, the second is a shoemaker and the third works in the construction sector. The other side of immigration from sub-Saharan Africa. Behind the statistics hide people, bodies waiting to be able to start another life elsewhere. A hotel thus becomes a transit point in which stories and hopes mingle, a place which seems suspended in time and space. A static journey waiting for another to begin.
2011-01-12
10
6.0In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.
6.3The powerful evil wizard Tarabas gets knowledge about a prophecy that a king's child will defeat him. So he sends out his army of dead soldiers to kidnap all royal children. When the soldiers attack Fantaghiro's castle to steal the babies of her sisters, the battle seems to be lost until she discovers the secret to defeat the solders but by doing that she loses Romualdo. Now Fantaghiro must find the evil wizard Tarabas and convince him to break the spell and bring back Romualdo.
5.9Brent Weinbach is weird. In this show, Brent attempts to adjust his quirky personality so that he can fit in with the world around him, which would be valuable to his career as a comedian and entertainer. Through an absurd and abstract discourse, Brent explores the ways in which he can appeal to a broader, mainstream audience, so that ultimately, he can become successful in show business.
5.9Anton and Erika started out as friends for five years and got into a romantic relationship for seven years. Anton is a commercial director while Erika is a former band member and becomes his stay-at-home partner. The day finally comes when he asks her to marry him.
7.0As Japan gears up for the 1964 Olympic games, the cops start to crack down on the gangs, under pressure from the public and the press, adding a new dimension in the war for power among the yakuza families of Hiroshima.
5.0A cute Korean story about a girl Jini and her memories of first loves. Her mom gave her a diary at coming of age and in the movie she goes through her past boyfriends and reflects on how they've given her memories.
5.7Once known for his intellectual prowess, a retired professor (Anupam Kher) begins experiencing memory gaps and periods of forgetfulness. But while he tries to laugh it off, it soon becomes clear that the symptoms are a sign of a more serious illness, prompting his grown daughter (Urmila Matondkar) to move in as his caretaker. Meanwhile, as his mind regresses, he recalls a traumatic childhood memory involving the death of Mahatma Gandhi.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
4.6Archaeologist Nicholas Zavaterro and his student find an antique vase with an inscription that points to where Noah's Ark is hidden. They decide to go looking, but things get out of control when they encounter opposing forces, including a monster named Tama.
6.2A documentary about unemployed people who bought fruit and vegetables at moderate prices at the wholesale market and sold these in the streets of Frankfurt. Since they had no permits they were constantly with their bulky carts on the run from the police. One part of the film was shot at the fairgrounds in front of the wholesale market. Newspaper and lottery ticket vendors, propagandists offering their ware for a few pfennigs, all convey the mood of a time when need made people inventive.
5.9A high school teenager named Ibo has a dream of becoming a professional soccer player. However, Ibo's dream of becoming a professional footballer did not find support from his parents.
6.9The incredible true story of a man who lived for 15 months trapped inside a small room, naked, starving and alone... and completely unaware that his life was being broadcast on national TV in Japan, to over 15 million viewers a week.
7.8Based on Mikhail Lermontov's novel Vadim, this costume drama, set in Russia during the 1700s, chronicles the battle between a vengeful, anarchic peasant and the tyrannical landowner who killed his mother and father.
8.1An unknown girl breaks out of her daily grind by undergoing an intense audio-visual trip.
7.7This captivating documentary on J. Robert Oppenheimer, the architect of the atomic bomb, explores his journey before the historic test and reveals the burden he carried after. De-classified documents, rare film footage and exclusive interviews, including Oppenheimer's grandson, show an intimate exploration of the burden Oppenheimer carried and the profound global impact still being debated today.
5.0Three people, each having different aspirations from life, are caught in a tangle of emotions and don’t know the way out. There’s a husband and wife with love eroding from their life. And there’s a single, happy-go-lucky dude who falls in love with the wife.
10.0“La Voix du Peuple,” composed of archival photographs by René Vauthier and others, exposes the root causes of the armed conflict of the Algerian resistance. Participating in a war of real images against French colonial propaganda, these images aimed to show the images that the occupier had censored or distorted, by showing the extortions of the French occupation army: torture, arrests and arbitrary executions, napalm bombings, roundabout fires, erasing entire villages from the map, etc. This is what the French media described as a “pacification campaign”.
7.2This excellent feature-length documentary - the story of the imperialist colonization of Africa - is a film about death. Its most shocking sequences derive from the captured French film archives in Algeria containing - unbelievably - masses of French-shot documentary footage of their tortures, massacres and executions of Algerians. The real death of children, passers-by, resistance fighters, one after the other, becomes unbearable. Rather than be blatant propaganda, the film convinces entirely by its visual evidence, constituting an object lesson for revolutionary cinema.
8.0Albert Camus died at 46 years old on January 4, 1960, two years after his Nobel Prize in literature. Author of “L'Etranger”, one of the most widely read novels in the world, philosopher of the absurd and of revolt, resistant, journalist, playwright, Albert Camus had an extraordinary destiny. Child of the poor districts of Algiers, tuberculosis patient, orphan of father, son of an illiterate and deaf mother, he tore himself away from his condition thanks to his teacher. French from Algeria, he never ceased to fight for equality with the Arabs and the Kabyle, while fearing the Independence of the FLN. Founded on restored and colorized archives, and first-hand accounts, this documentary attempts to paint the portrait of Camus as he was.
10.0In 1963, Rosans, a village in the Hautes-Alpes region depopulated by the rural exodus, welcomed Harkis (military soldiers) forced to leave Algeria for supporting France during the Algerian War. Around thirty families settled in a camp below Rosans. Nearly half a century after their arrival, first- and second-generation Harkis and native Rosanais recount their experiences of this culture clash, often painful, sometimes happy. Language barriers, religious differences, living in barracks for 14 years, and unemployment were all obstacles to overcome in order to be accepted and then achieve mutual enrichment. Enriched with archive footage to explain the historical context of the time, the film seeks above all to express feelings and unspoken words.
7.7In the 18th century, the Barbary threat became serious. In July 1785, two American boats were returned to Algiers; In the winter of 1793, eleven American ships, their crews in chains, were in the hands of the dey of Algiers. To ensure the freedom of movement of its commercial fleet, the United States was obliged to conclude treaties with the main Barbary states, paying considerable sums of money as a guarantee of non-aggression. With Morocco, treaty of 1786, 30,000 dollars; Tripoli, November 4, 1796, $56,000; Tunis, August 1797, 107,000 dollars. But the most expensive and the most humiliating was with the dey of Algiers, on September 5, 1795, “treaty of peace and friendship” which cost nearly a million dollars (including 525,000 in ransom for freed American slaves). , with an obligation to pay 20,000 dollars upon the arrival of each new consul and 17,000 dollars in annual gifts to senior Algerian officials...
10.0Illustrated with archival photographs, animations and live action, this film explores the history and historical and spiritual heritage of Emir Abd El-Kader. Algerian leader of the 19th century, was admired by Abraham Lincoln and celebrated to this day by the Red Cross as a great humanitarian. Emir Abd el-Kader, the man who challenged the French armies from 1832 to 1847 before creating the bases of a real Algerian state, is today considered by independent Algeria as one of the most outstanding figures. of its history. The nobility of his attitude after his capture and the very effective protection he brought to the Christians of Damascus at the end of his life also earned him great prestige among his former adversaries. A documentary told in dialectal Arabic by the voice of Amazigh Kateb.
10.0On November 1, 1954, the National Liberation Front of Algeria announced the war for the country's independence. France, colonizer since 1830, hastened to reinforce its military contingent in the four corners of the country and to prevent the advance of the rebels. A little Chaoui, born in a mountainous region of the country, sees his placid childhood collapse in the middle of a crossfire that he does not understand. The story, inspired by real testimonies, is constructed with images from the archives of the French army. From this apparently dissociated dialogue between image and word arises a sensitive homage to the memory that rests in the archives and to the ignored voice of its protagonists.
10.0"Gerboise bleue", the first French atomic test carried out on February 13, 1960 in the Algerian Sahara, is the starting point of France's nuclear power. These are powerful radioactive aerial shots carried out in areas belonging to the French army. Underground tests will follow, even after the independence of Algeria. From 1960 to 1978, 30,000 people were exposed in the Sahara. The French army was recognized recognized nine irradiations. No complaint against the army or the Atomic Energy Commission has resulted. Three requests for a commission of inquiry were rejected by the National Defense Commission. For the first time, the last survivors bear witness to their fight for the recognition of their illnesses, and revealed to themselves in what conditions the shootings took place. The director goes to the zero point of "Gerboise Bleue", forbidden access for 47 years by the Algerian authorities
10.0More than fifty years after the release of the film “The Battle of Algiers” in theaters in June 1966, director Salim Aggar found, after a search which lasted more than a year and a half, the actors, extras and technicians who worked on the film directed by Gillo Pentecorvo and produced by Yacef Saadi. In this documentary full of anecdotes and stories about the filming of the film, the director found the actress who played the role of Hassiba Ben Bouali, the young 17-year-old actress who played Bouhamidi's bride but especially certain figures important parts of the film who were barely 10 years old at the time of filming and who no one will recognize today. Beyond the important historical aspect of the film, the documentary focused mainly on the social, cinematographic and cultural aspect of the film and its impact on a generation which had just regained independence.
10.0In 1967, Visconti came to Algiers for the filming of The Stranger with Mastroianni and Anna Karina. Camus, during his lifetime, had always refused to allow one of his novels to be brought to the screen. His family made another decision. The filming of the film was experienced in Algiers, like a posthumous return of the writer to Algiers. During filming, a young filmmaker specializing in documentaries Gérard Patris attempts a report on the impact of the filming of The Stranger on the Algerians. Interspersed with sequences from the shooting of Visconti's film, he films Poncet, Maisonseul, Bénisti and Sénac, friends of Camus, in full discussions to situate Camus and his work in a sociological and historical context. “The idea is for us to show people, others, ourselves as if they could all be Meursault, or at least the witnesses concerned to his drama.”
0.0Happy farmers, a wedding and some giant cauliflowers...
9.0This documentary by director Claire Billet and historian Christophe Lafaye details the massive and systematic use of chemical weapons during the Algerian War. Algerian fighters and civilians, sheltering in caves, were gassed by "special weapons sections" of the French army. The gas identified on military documents is CN2D, whose widespread use forced insurgents to flee "treated" sites, at the risk of dying there. The method is reminiscent of the "enfumades" used by the French expeditionary force during the conquest of Algeria in the 19th century. Between 8,000 and 10,000 such operations are believed to have taken place on Algerian soil between 1956 and 1962. This historical aspect is little known due to the difficulty of accessing archives, many of which are still classified, raising questions about memory, historical truth, and justice.
10.0"A country without artists is a dead country... I hope we are alive..." It is in this film by Fawzi Sahraoui produced by the RTA in 1985 and filmed a few months before the painter M'hamed Issiakhem 'turns off this sentence is spoken. A very interesting docu-fiction in which Issiakhem delivers himself with finesse, passion and generosity.
6.8Between 1954-1962, one hundred to three hundred young French people refused to participate in the Algerian war. These rebels, soldiers or conscripts were non-violent or anti-colonialists. Some took refuge in Switzerland where Swiss citizens came to their aid, while in France they were condemned as traitors to the country. In 1962, a few months after Independence, Villi Hermann went to a region devastated by war near the Algerian-Moroccan border, to help rebuild a school. In 2016 he returned to Algeria and reunited with his former students. He also met French refractories, now living in France or Switzerland.
6.4Filmmaker Karim Aïnouz decides to take a boat, cross the Mediterranean, and embark on his first journey to Algeria. Accompanied by the memory of his mother, Iracema, and his camera, Aïnouz gives a detailed account of the journey to his father’s homeland, interweaving present, past, and future.
10.0This 17-minute documentary is featured on the 3-Disc Criterion Collection DVD of The Battle of Algiers (1966), released in 2004. An in-depth look at the Battle of Algiers through the eyes of five established and accomplished filmmakers; Spike Lee, Steven Soderbergh, Oliver Stone, Julian Schnabel and Mira Nair. They discuss how the shots, cinematography, set design, sound and editing directly influenced their own work and how the film's sequences look incredibly realistic, despite the claim that everything in the film was staged .
10.0Many of them participated in the struggle for Algerian independence. There are "those who believed in heaven", priests, Christians committed against torture, friends of the "natives", there are "those who did not believe in it", communist activists, students, progressive intellectuals, others remained in this country because they could not imagine living anywhere other than in this land of all passions. They are European and chose to stay in Algeria after independence, most of them opted for Algerian nationality. The film is another vision of the history of Algeria from the end of the fifties to the present day, told by these Europeans filmed at home, or in the context of their activities, illustrated by unpublished archive documents.
10.0Étienne Dinet (إتيان دينيه), born March 28, 1861 in Paris, where he died on December 24, 1929, was a French painter and lithographer. He was one of the leading representatives of Orientalist painting at the turn of the 19th and 20th centuries. Obtaining a scholarship in 1884, Dinet undertook his first trip to southern Algeria in the region of Bou-Saâda, the Naili culture having a profound impact on him, as he would return there many times until he settled in his first Algerian studio in Biskra in 1900. In 1905, he bought a house in Bou-Saâda to spend three-quarters of the year there. In 1907, on his advice, the Villa Abd-el-Tif was created in Algiers, modeled on the Villa Medici in Rome. Having lived much of his life in Algeria, he called himself Nasreddine Dinet (نصر الدين ديني) after converting to Islam. On January 12, 1930, he was buried in the Bou-Saâda cemetery, where a museum that houses many of his works bears his name.