
Because of a storm wealthy Diana Webster and Jimmy Harrison, her Aunt Sue's fiancé, must stay all night at a country hotel. Getting a single room, they pretend they are married to satisfy the concerns of the hotel manager though Jimmy sleeps on a cot in the hall. Another hotel guest, Bruce Terring misconstrues the situation and later when he meets Diana his scandalous interpretation of her escapade infuriates the young woman. She decides to teach him a lesson and show him that "seeing is not always believing" by placing him in a similar unusual position. She hires an acting couple to frame a badger game on Bruce, but they double-cross her, forcing Diana into an extorting scheme from which Bruce must rescue her, resulting in a snappy but happy ending for Bruce and Diana.


Because of a storm wealthy Diana Webster and Jimmy Harrison, her Aunt Sue's fiancé, must stay all night at a country hotel. Getting a single room, they pretend they are married to satisfy the concerns of the hotel manager though Jimmy sleeps on a cot in the hall. Another hotel guest, Bruce Terring misconstrues the situation and later when he meets Diana his scandalous interpretation of her escapade infuriates the young woman. She decides to teach him a lesson and show him that "seeing is not always believing" by placing him in a similar unusual position. She hires an acting couple to frame a badger game on Bruce, but they double-cross her, forcing Diana into an extorting scheme from which Bruce must rescue her, resulting in a snappy but happy ending for Bruce and Diana.
1922-05-01
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0.0The Jazz Age rages in this comedy film starring Viola Dana as the madcap title character madly dashing through a series of adventures.
0.0When, on a prank, shimmy dancer Marcia Meadows visits bookworm Horace Tarbox in his Yale dormitory, Horace falls madly in love and follows her to New York where he and Marcia marry. Denounced by his wealthy father, Horace attempts to support Marcia through his writing, but all his manuscripts are rejected, and he is fired from every job.
0.0Paul is a fearless French Foreign Legion officer. Ordered to quell a native uprising at a far-away outpost, he discovers that the revolt is actually a subterfuge hatched by the Arabs, so that the city under Paul's command will be left unguarded and defenseless.
An escaped lunatic threatens the romance of his wife and her new suitor.
0.0One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.
0.0Left penniless after the death of her reprobate father Linda Haverhill procures a loan from John Converse, who is smitten with her. She squanders the money in an attempt to maintain her social position by going abroad. During the journey Linda falls in love with Army Captain Brian Anestry of the United States Army, but foolishly burns her possessions planning to file an insurance claim to tide her over. Arrested, she is involved in a wreck which just might provide an escape for both Linda and Brian from their troubles.
0.0Abby Hopkins, the eldest of a small-town newspaper-owner's five daughters, is urged by her family to marry the wealthy, twice-widowed J.B. Hanks. Abby leaves Hank on the night of the wedding and goes to New York, where she supports herself as a waitress and shares an apartment with a co-worker. At the restaurant, Abby meets J. Booth Hunter, a heavy-drinking "ham" actor, and tries to convince him to give up liquor. Hanks shows up one day and during a battle with his estranged wife, Hunter comes to Abby's rescue. Abby finally gets a divorce from Hanks, Hunter conquers his drinking habit, and Abby marries him.
A young woman who disguises herself as a man to go gold prospecting after her father and brother forbid her from joining them.
0.0Young and wealthy Molly Allison can't be "presented" into society until her older sister Julia is married, but that doesn't stop Molly from pursuing her usual wild ways. She finds herself in turn pursued by Count Renaud, unaware that he is a criminal interested in swindling her out of her money. To discourage the Renaud's attentions--and because she already has a boyfriend, Billy Wilcox--she tells Renaud that she is actually an Indian squaw who is just living in the Allison household. That doesn't stop the Count, however, and he turns his attentions to Molly's sister Julia.
0.0Cal Stanley goes undercover as a beef buyer in order to catch the gang responsible for stealing the area's cattle.
A short silent film produced by Gaston Mèliès in San Antonio.
When our picture opens, Joe Flynn, a rider in the service of the government, has been shot from ambush by a masked man and is dying. Grouped at his bedside are his son Jack, a sturdy young man, the local doctor and the county sheriff. The old man dies and a week later we see Jack delivering the mail. The sheriff has inserted the description of the murderer in the Yuma Gulch Herald, and the country is being scoured to find him. Jack has a long and perilous ride between the two points of his route and is frequently beset with danger. Steve Benson, a desperado, who has killed old man Flynn, is living unhappily with his wife in hourly fear of having his crime discovered.
A short silent film produced by Gaston Mèliès in San Antonio.
An early silent short comedy directed by William Haddock.
A short silent comedy produced by Gaston Mèliès in San Antonio.
0.0A wealthy man's son, who has a sinecure as a hotel owner, poses as a bellhop to win the affections of a woman guest with whom he has fallen madly in love, but who seeks a common man who is earning his own way. This first Cantonese-language talkie was based on a successful 1930 stage musical written by and starring Xue JueXian (Sit KokSin), the plot of which was in turn inspired by a 1929 silent Hollywood romance called "The Grand Duchess And The Waiter" which Xue admired. The film was produced not in Shanghai, by the Tianyi studio, headed by the eldest of the Shaw Brothers, Shao Zuiweng (RunJe Shaw), and was so successful in the Cantonese-speaking parts of China that Shaw moved the Tianyi company to British-administered, Cantonese-speaking Hong Kong to make more Cantonese films in the face of the right-wing Chinese Nationalist government's ban on Cantonese language in favor of Mandarin. A sequel to Baijin Long was made in 1937, and the film itself was remade in 1947.
0.0“This hilarious bit of foolishness has for its theme the gradual rise of a hard-working plumber and his wife, who, after years of struggle, find themselves with a lovely home. The wife who has social aspirations and a desire to entertain people of wealth and note, invites a millionaire couple to dinner. She hires a caterer to help her with the serving and they send a butler who turns out to be a truck driver with whom her husband has had a collision, a short time before, which resulted in a street fight. What these two do when they recognize each other and what happened to the millionaire couple has to be seen to be appreciated.”
0.0Major Starr is an ambitious newspaper reporter who has taken undercover employment as chauffeur to Lady Susan Loman in the hope of witnessing high-society goings-on which he can use in a feature article he is planning.
The city chap arrives in a flivver and makes love to the daughter of the proprietor. The rival plays a strong hand but is not quite strong enough to regain the girl. Little brother plays his part with tact and gets the regulation quarter for allowing the spooners to be alone. An elopement in moonlight provides a good finish.