A wealthy man's son, who has a sinecure as a hotel owner, poses as a bellhop to win the affections of a woman guest with whom he has fallen madly in love, but who seeks a common man who is earning his own way. This first Cantonese-language talkie was based on a successful 1930 stage musical written by and starring Xue JueXian (Sit KokSin), the plot of which was in turn inspired by a 1929 silent Hollywood romance called "The Grand Duchess And The Waiter" which Xue admired. The film was produced not in Shanghai, by the Tianyi studio, headed by the eldest of the Shaw Brothers, Shao Zuiweng (RunJe Shaw), and was so successful in the Cantonese-speaking parts of China that Shaw moved the Tianyi company to British-administered, Cantonese-speaking Hong Kong to make more Cantonese films in the face of the right-wing Chinese Nationalist government's ban on Cantonese language in favor of Mandarin. A sequel to Baijin Long was made in 1937, and the film itself was remade in 1947.
Bok GumBing
Jong Yun Leong
Bok's father
Jen Joon-Wah
A wealthy man's son, who has a sinecure as a hotel owner, poses as a bellhop to win the affections of a woman guest with whom he has fallen madly in love, but who seeks a common man who is earning his own way. This first Cantonese-language talkie was based on a successful 1930 stage musical written by and starring Xue JueXian (Sit KokSin), the plot of which was in turn inspired by a 1929 silent Hollywood romance called "The Grand Duchess And The Waiter" which Xue admired. The film was produced not in Shanghai, by the Tianyi studio, headed by the eldest of the Shaw Brothers, Shao Zuiweng (RunJe Shaw), and was so successful in the Cantonese-speaking parts of China that Shaw moved the Tianyi company to British-administered, Cantonese-speaking Hong Kong to make more Cantonese films in the face of the right-wing Chinese Nationalist government's ban on Cantonese language in favor of Mandarin. A sequel to Baijin Long was made in 1937, and the film itself was remade in 1947.
1933-01-01
0
Fannie joins Johnny to perform a music-hall act which becomes a success, until two Broadway producers catch the act and offer Fannie a job on their latest show; however, they have no place for Johnny, so Fannie turns down the offer. (Film considered lost.)
Based on the David Belasco stage production of the Max Marcin play in which heavyweight-champion Jack Dempsey played the role of the fighter, Tiger: This "behind-the-scenes look of a heavyweight-championship fight" looks much like all of the other boxing films in which the Champ gets involved in a frame-up and is asked to take a dive.
In this comedy-drama, May Allison plays Teddy Hayden, a very independent society miss. When her childhood sweetheart, Gerry West (Wallace MacDonald) takes her to a Greenwich Village cafe, she thinks she's found where she belongs. So she spends all her time there and gets herself in a load of trouble.
Mazie, a shop-girl of New York City's Little Ireland, goes to the aid of a young man in formal attire involved in a street fight. Though badly beaten, he bears a strong resemblance to Lord Lytton, the hero of a magazine story Mazie is reading in installments. Although he is, in reality, a soda clerk, Mazie permits his attentions, and together they read the "Sloppy Stories" yarn about English nobility.
The adopted Irish daughter of the Rosensteins, Second Avenue pawnshop owners, Rose is much sought after by Tim McCarthy, a wealthy Irish contractor many years her senior. Meanwhile, Nat, her adopted brother, is accused of stealing from his firm and is arrested and put in jail; Rosenstein, heartbroken, becomes seriously ill.
Molly, a glamorous clothing model in New York, though yearning for a life of luxury, spurns the advances of her boss's son in favor of a shipping clerk, late of the backwoods.
Millionaire Joshua Barker insists that his daughter, Faith, must marry Phil Langhorne, a man that neither likes, and Faith is in love with and eager to marry her childhood sweetheart, John Temple.
Hajj, a rascally beggar on the periphery of the court of Baghdad, schemes to marry his daughter to royalty and to win the heart of the queen of the castle himself. This film is believed lost.
In nineteenth century Mesopotamia a series of romantic enganglements ensue.
A wealthy young fellow during vacation becomes infatuated with a poor country girl.
Thinking that her husband is paying more attention to his work and to their little daughter, Nina, than to her, Cleo Morin runs away with Henri Mordan. On the afternoon of their elopement, Morin, who is a ballet master, is seriously injured on the stage, and the doctor tells him that his spine is so affected that he will never be able to walk again.
Japanese poet Akira living in Tokyo, loves American Ruth Vale, who was placed in the care of Akira's father when her missionary parents died. Ruth returns Akira's affections until she meets Edward, but the American proves an unfaithful husband. Three years later, Ruth is gravely ill while Edward amuses himself with his new lover, Adrienne Chester, but Akira comforts the dying woman with the promise that he will protect her little daughter Blossom.
A young girl is reared on a desert island by natives and led to believe that she is a goddess. One day an outsider comes to the island, and persuades her to accompany him to preach about the kindness and love she has experienced. She agrees, but she's soon confronted by the problems and travails of the "outside" world.
Fresh from her college matriculation. Ruth Grantland returns to her country home. She is courted by two of the village beaux, who propose marriage. She likes the boys, but not sufficiently to marry them. Her preference is for Jack Hall, a young man of extreme culture and refinement. She tells the two boys that she will consent to marry them if they can beat her in a footrace, taking each one on separately. They agree, and she, being fleet of foot, runs away from them, crossing the line far in the lead. Jack, riding horseback, happens along and takes in the fun. Later, he proposes to Ruth.
Billy Emerson and Mildred Girard are secretly engaged to be married after Billy graduates from West Point and becomes a lieutenant. A very serious setback to their tentative understanding occurs when Mr. Girard loses heavily in a stock transaction that places himself under obligations to his friend Morley, whose son Paul, is anxious to marry Mildred.
Suffering with ennui, bored by society, Annie Bradley, a wealthy girl, is anxious to make her time more profitable by doing something worthwhile.
An officer in the British Guards takes to drink when a friend and fellow officer convinces the woman they both love that he has another woman.
Annette Kellerman, the Australian swimming star of the early 1900s, made a number of films, most of them in the 1910s, which displayed her athletic skills. Most of these films were underwater fantasies, and this one was no exception. Here, Kellerman is Merilla, a mermaid who is the "Queen of the Sea." Not satisfied with being a mermaid, she wants a mortal human body with an immortal soul. She discovers she can achieve this if she saves four human lives.
On the promise of marriage, Sylvia Smith, a simple girl from Lone Meadows, follows her lover to the city only to discover that he already has a wife.