Purfled Promises was a work of expanded cinema. Two neo-drag entities entered the cinema and held a screen in front of the auditorium's red curtain on which a video was shown that consisted entirely of zooming shots of veils revealing more veils, increasingly baroque in nature until a voice over addressed the audience directly. As we'd been watching these 'reveals' it told us that what we hadn't noticed was the screen itself which was moving slowly closer towards us. At which point we did notice this and the screen kept on coming, its supporters clambering over the cinema's seats and audience's heads, finally laying it down on top of half a dozen of them who had to struggle out of it as the cinema lights came on.
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0.0A witch appears in the south of the city, recites a poem, performs a spell and vomits the world.
6.3High school hotshot Zach Siler is the envy of his peers. But his popularity declines sharply when his cheerleader girlfriend, Taylor, leaves him for sleazy reality-television star Brock Hudson. Desperate to revive his fading reputation, Siler agrees to a seemingly impossible challenge. He has six weeks to gain the trust of nerdy outcast Laney Boggs -- and help her to become the school's next prom queen.
0.0In 2003, Dutch artist Iepe Rubingh became the first World Champion of Chessboxing. This brain-busting combination of alternating rounds of chess and boxing was in fact an art performance calling for more balance in a world of extremes, and the audience reaction was so electric that it inspired Rubingh to push it as a real sport. Rubingh’s methodical ability to achieve balance in the ring is put to the test outside of it when impulsive British TV Producer Tim Woolgar takes up the sport and his opposing vision for success creates a rift between them, endangering chessboxing’s future.
0.0A collaboration between filmmaker Ayoka Chenzira and performance artist Thomas Pinnock, who performs his "immigrant folktales" using traditional lore of his native Jamaica to dramatize his migration to New York in the 60's.
McGuire constructs a murky black and white soap-opera world of endless, timeless, and placeless limbo, where the characters talk to each other entirely in clichés, bad poetry, and other contrite forms of speech — a short TV show in which nothing is resolved. The video culminates in an absolutely stunning monologue performance by legendary underground film and videomaker George Kuchar.
0.0DVD accompanying the book "Coyote III", documenting Joseph Beuys and Nam June Paik performing at the Sôgetsu Hall in Tokyo on the 2nd of June 1984. Nam June Paik sits on one side of the stage playing European classical music, improvisations and Japanese folk music. On the other side, Joseph Beuys acts out experiences from living in an enclosed space with a coyote - a free man who turns back into an animal, into a form of life that he understands as a prerequisite for this freedom
0.0One Meter of Democracy (2010) challenged the endurance of viewers, as well as the courage of the artist. In a quasi-democratic process, He Yunchang invited approximately 20 friends to vote in a secret ballot on whether he should have a surgeon cut a one metre incision the length of his body, from collar bone to knee, without anaesthesia. The vote was carried by a narrow majority, with several abstaining. The performance was documented in video and photographs that reveal the emotional cost of witnessing this gruelling event. This work, sometimes also known as ‘Asking the Tiger for its Skin’ was also staged on a symbolic date: 10 October 2010 was the 99th anniversary of the Wuchang uprising and the Xinhai Revolution which led to the fall of the Qing Dynasty and the establishment of the Republic of China. The final image shows the group with sombre, shocked faces.
0.0The Rock Touring Around Great Britain is a performance piece by Chinese artist He Yunchang that involved a walking circumambulation of Great Britain from September 23, 2006 to June 14, 2007. Starting from the hamlet of Rock, Northumberland, the artist walked to the nearby town of Boulmer where he selected a rock which he then carried counterclockwise until he returned it to the precise location from which it was taken. As the artist commented, the work was primarily "an attempt to represent the iron will of an individual and the living conditions of his being with simple and pure methods."
8.0This work re-examines the relationship between the elements that make up the quality of space, namely: "subject" and "object", "organic" and "mechanical", "reality" and "representation", "wholeness" and "partiality", " determinacy” and “indeterminacy”, “visibility” and “invisibility”, “natural” and “non-natural”.
3.7A loner artist with a history of abuse meets a beautiful woman who takes an interest in his life and work; leading to a chilling path of tragedy.
A man leaves his quiet life in the country to become a comic entertainer in the Big City. His journey is a Surreal celebration of the descent into a Hell of narcissistic self-destruction. In a string of events ranging from antisocial transgression to racist provocation to fantastic flights of absurdity, our protagonist loses grasp of his humanity and bit by bit slips into complete animal degradation. A comedy.
0.0Pistolteatern in Stockholm, Sweden, was a leading experimental scene in the mid 1960s, comparable to the Living Theater in New York. In the years 1964-67. Pistolteatern produced theatre plays, exhibitions and happenings at a very high pace. The name, Pistolteatern, comes from two of creators, PI Lind and STaffan OLzon.
8.0This work is an attempt to overcome alienation amidst the fragmented construction reality of everyday narrative. Rethinking the meaning of reflections and shadows, framed subjects, body movements, screen, as well as sounds that are constructed by connecting the expression of their existence with the history of representation in modern art.
0.0During the 1980 exhibition of Burden's monumental kinetic sculpture The Big Wheel at Ronald Feldman Fine Arts, New York, Burden and Feldman were interviewed by art critic Willoughby Sharp. Burden articulates the process of creating The Big Wheel, a 6,000-pound, spinning cast-iron flywheel that is initially powered by a motorcycle, and discusses its relation to his earlier performance pieces and sculptural works. Addressing his motivations and the meaning of this potentially dangerous mechanical art object, Burden discusses such topics as the role of the artist in the industrial world, "personal insanity and mass insanity," and "man's propensity towards violence."
0.0A ritual of transformation and awakening within the walls of the only existing original 'diorama' building in London. Followed by a celebration of the body and mind. The admission of sexual awakening and freedom. A tribute to the works of Georges Bataille. Filmed at The Bloomsbury Theatre, London, UK.
0.0A hybrid feature film that investigates contemporaneity through the body and its countless possibilities of expression and meanings. The film puts the body and the idea of the body in evidence, through metalanguage, articulation and confrontation of documentary, fictional and performative languages. The film follows the trajectory of the main character who uses her own body to formulate universes and investigate the meanings that are drawn in it. In a kind of subjective diary written on her skin, she records sensations and reflections, building relationships with thinkers, performances and archival materials, which lead her to other bodies and other stories.
0.0This fascinating and retrospective look at the music of the outspoken and multitalented Lydia Lunch represents every stage of her varied career, with featured songs such as "I Woke Up Screaming" from her Teenage Jesus and the Jerks days. Other songs spanning the decades in this collection include "Freud in Flop," "Sorry for Behaving So Badly," "Dead River," "Solo Mystico," "Summon," "Violence Is the Sport of God" and many more.
5.2New wave geniuses who helped define an era with their quirky, futuristic, and revolutionary style are back, entertaining the Japanese crowds who love them as much today as they did 25 years ago. Devo have been through a lot over the years, developing their parody of humankind's plight of conformity in their theory of devolution after member Gerald Casale witnessed the Kent State killings of student protesters in 1970, but they haven't wavered in their innovative sounds and pioneering visuals.
0.0This short documentary serves as a portrait of Lawrence Paul Yuxweluptun, one of Canada's most important painters. We meet him at the Bisley Rifle Range in Surrey, England, where he's literally shooting the Indian Act in a performance piece called "An Indian Shooting the Indian Act." It's in protest of the ongoing effects of the Act's legislation on Indigenous people. We then follow him back to Canada, for interviews with the artist and a closer look at his work.
