“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
1972-01-01
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A short documentary illustrating how art can influence public perception towards environmental issues. Green Patriot Posters is a highly acclaimed multimedia design campaign that challenges artists to deepen public understanding and ignite collective action in the fight against climate change. So far, it has reached five million people through print media, public space and digital culture. The film features interviews with key Green Patriot Posters contributors (Shepard Fairey, Michael Bierut, DJ Spooky, Mathilde Fallot) and its founders (The Canary Project, Dmitri Siegel).
Ashes and Snow, a film by Gregory Colbert, uses both still and movie cameras to explore extraordinary interactions between humans and animals. The 60-minute feature is a poetic narrative rather than a documentary. It aims to lift the natural and artificial barriers between humans and other species, dissolving the distance that exists between them.
A documentary to 'rediscover' the so called Sistine Chapel of Rock Art and to tell the story of the discovery of a cave and some paintings that astonished the world 138 years ago. Filming this documentary lead its director, José Luis López Linares, through many rock caves around the world, grasping information about the life of the Magdalenian man -who lived twenty thousand years ago- and about an art form, the paintings, that make Altamira "the Prado museum of prehistory".
A one-of-a-kind cinematographic experiment. A grotesque fairy tale, staged in the real lives of the characters. A completely self-produced movie, designed and directed by two visual artists, with the purpose of telling the tale of Artaserse, a retired worker, boxer, trainer and life-long painter. Everything is staged in an industrial, now decadent Terni; like a steel bay without the sea, here it's difficult to dream about becoming an artist. This movie is like a suburban western movie; the boxer and the painting dancing the communal square dance together, in life and death, the meeting-match between Artaserse and an allegorical and remorseless art world, and more generically, the battle of all the colorful characters, appearing throughout.
Moving Together is a celebratory love letter to music and dance that brims with kinetic life and energy. This documentary explores the intricate collaboration between dancers and musicians, moving seamlessly between Flamenco, Modern, and New Orleans Second Line.
A core group of architects embraced the West Coast from Vancouver to LA with its particular geography and values and left behind a legacy of inspired dwellings. Today, architects celebrate the influence established by their predecessors.
This ninety-minute film takes audiences on an epic journey across nine countries and over 1,400 years of history. It explores themes such as the Word, Space, Ornament, Color and Water and presents the stories behind many great masterworks of Islamic Art and Architecture. Narrated by Academy Award winning performer Susan Sarandon, this dazzling documentary reveals the variety and diversity of Islamic art. It provides a window into Islamic culture and brings broad insights to the enduring themes that have propelled human history and fueled the rise of world civilization over the centuries
A visual journey into the life and legacy of one of Australia's most celebrated artists, Brett Whiteley.
In 1959, a government employee named Richard Oyler, living in the tiny desert town of Lone Pine, California, asked world-famous modern architect Richard Neutra to design his modest family home. To Oyler's surprise, Neutra agreed. Thus began an unlikely friendship that led to the design and construction of an iconic mid-century modern masterpiece.
Narrated by Uncle Jack Charles and seen through the eyes of Indigenous prisoners at Victoria’s Fulham Correctional Centre, this documentary explores how art and culture can empower Australia's First Nations people to transcend their unjust cycles of imprisonment.
Raphael: The Lord of the Arts is a documentary about the 15th century Italian Renaissance painter Raphael Sanzio.
In Barcelona, the Casa Batlló alone sums up the genius of Antoni Gaudí. During the exhibition devoted to it by the Musée d'Orsay, we take a guided tour of this eccentric, colorful residence, completed in 1906.
Taking its lead from French artists like Renoir and Monet, the American impressionist movement followed its own path which over a forty-year period reveals as much about America as a nation as it does about its art as a creative power-house. It’s a story closely tied to a love of gardens and a desire to preserve nature in a rapidly urbanizing nation. Travelling to studios, gardens and iconic locations throughout the United States, UK and France, this mesmerising film is a feast for the eyes. The Artist’s Garden: American Impressionism features the sell-out exhibition The Artist’s Garden: American Impressionism and the Garden Movement, 1887–1920 that began at the Pennsylvania Academy of the Fine Arts and ended at the Florence Griswold Museum, Old Lyme, Connecticut.
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
New York based artist, Cindy Sherman, is famous for her photographs of women in which she is not only the photographer, but also the subject. She has contributed her own footage to the programme by recording her studio and herself at work with her Hi-8 video camera. It reveals a range of unexpected sources from visceral horror to medical catalogues and exploitation movies, and explores her real interests and enthusiasms. She shows an intuitive and often humorous approach to her work, and reflects on the themes of her work since the late 1970s. She talks about her pivotal series known as the `Sex Pictures' in which she addresses the theme of sexuality in the light of AIDS and the arts censorship debate in the United States.
The film follows Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martinez and Kade L. Twist, who put land art in a tribal context. The group bring together a community to construct the Repellent Fence, a two-mile long ephemeral monument “stitching” together the US and Mexico.
La Sagrada Familia – although still under construction in Barcelona – is a cathedral without any flaws. Almost 100 years after his death, experts are convinced that Gaudi was a mathematical genius and that each embellishing ornament of the Sagrada Familia actually serves an architectural purpose.