Sou Carnaval de São Salvador(2019)

Ijó Dudu: Memórias da Dança Negra na Bahia(pt)

Meditação de Carnaval(pt)

É o Boi(pt)

"É o Boi" is a documentary that narrates the origins, portrays the present and discusses the perspectives of carnival in the city of Porto Ferreira/SP. Celebrating a tradition that already is already 90 years old, the film is mainly made up of images taken during the Porto Ferreira's carnival and interviews with people who fight daily to keep this unique and at the same time typically Brazilian cultural manifestation alive. Made over almost a decade, "É o Boi" also portrays critical moments of this carnival in the countryside of São Paulo, including disagreements with public authorities that almost led to the carnival being banned and the impacts of the Covid-19 pandemic on the organization of celebrations.

O Carnaval é de Pelé(pt)

This short film follows Pelé, a retired nurse who looks back on his time as a Mateus in the century-old Bumba Meu Boi group, Boi Tira-Teima. As he builds a new boi for the festival, he revisits the defining moments of his journey as a performer, carnival artist, and son of Mestre Gerson, the group’s former patriarch. The film explores how the way we carry our memories of the past shapes who we become in the present.

A Última Vanguarda(pt)

70 years ago, a visionary management in education and culture as a political strategy for the dissemination and development of Bahia gave rise to an artistic vanguard that still impacts Brazilian culture today.

Deixa O Samba Me Levar(pt)

Cosmovisions(pt)

In Southern Bahia, seven indigenous women invite to reflection, sharing their mythology, ancestry and paths to living well.

O Cristo de Vitória da Conquista(pt)

Sonho de um Carnaval(pt)

A Raça Síntese de Joãosinho Trinta(pt)

82 Minutos(pt)

Batatinha, Poeta do Samba(pt)

A portrayal of the life of one of the most important samba musicians in Brazil, Bahian sambista Oscar da Penha, popularly known as Batatinha (1924 -1997). Through memories of their father, his nine children share their perspectives, as well as interviews with family, friends and musicians, to tell the story of Batatinha’s life, history and work.

Ebony Goddess: Queen of Ilê Aiyê(en)

Ebony Goddess: Queen of Ilê Aiyê follows three women competing to be the carnival queen of Ilê Aiyê, a prominent and controversial Afro-Brazilian group with an all-black membership. The selection is based on Afro-centric notions of beauty, in counterpoint to prevailing standards of beauty in Brazil, a country famous for slim supermodels and plastic surgery. Contestants for the title of Ebony Goddess dress in flowing African-style garments, gracefully performing traditional Afro-Brazilian dances to songs praising the beauty of black women.

Nossa Escola de Samba(pt)

A year in the life of a samba school, from the first rehearsals to the parade on the avenue.

O Mundo de Arlindo(pt)

The documentary talks a little about the carnival experience that Arlindo Rodrigues had during his more than 25 years of artistic life.

La casa del Carnaval(es)

Trans and queer communities shaped carnival traditions in the Canary Islands, exploring their historical role in developing costumes, performances, and celebrations that define the region's festive identity.

Biografía de un carnaval(es)

This Is Bate Bola (Somos Melhor Que Tem)(pt)

On the outskirts of Rio de Janeiro during its world famous Carnival, far from the beach and the touristic clichés, there is an explosive contest between neighbourhoods. This old form of carnival features teams of futuristic gladiators that are a surreal mixture of play and menace. A tradition that has its roots in ancient European carnival traditions and in African rituals, they look like visitors from another planet.

Los pueblos dormidos (por la Quebrada de Humahuaca)(es)

Documentary about the kolla people living in North Western Argentina.

The Man Who Drank the Universe(en)

It is late 2004, and 34-year-old Englishman Alistair Appleton is about to fly from London to the Brazilian coast, where he will drink ayahuasca for the first time. With wit, insight, and sensitivity, Alistair shares this experience with us, and chats with some fellow participants before and after the ayahuasca ceremonies. For the past few years, Alistair had been working as a television presenter. In 2000, he started making trips to the Centre for World Peace and Health in Scotland to learn how to meditate. When clinical psychologist Silvia Polivoy opened an ayahuasca healing center in Bahia in 2004, Alistair faced his fears and seized the opportunity to attend.