A flicker film made with images taken in Malawi. FF was in response to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which they invited artists to make a “Future Film”.
A flicker film made with images taken in Malawi. FF was in response to an assignment given by artists Melissa Dubbin and Aaron Davidson who created the soundtrack to which they invited artists to make a “Future Film”.
2010-08-26
6.026
We have selected 17 short films on the environment divided into 4 different categories: amateur, animation, fiction and documentary. These short films are in competition for the prize on each category.
Rizin Fighting Federation 1 was a mixed martial arts event held by the Rizin Fighting Federation on April 17, 2016 at the Nippon Gaishi Hall in Nagoya, Japan.
Even though she is in great shape and only 36, the dancer Skye Rhodan is confronted with the approaching end of her career and the question of what she wants to do next in her life. Skye doesn't want to accept that she should only dance in the second division because of her age.
Sybille, a divorced mother, can't stand watching her teenage son Samuel slip into a violent and meaningless life. She is also struggling with her own demons, past and present. As a last resort, she takes Samuel on a long journey across Kyrgyzstan.
Grace Ravenglass is the owner of Luckenham House, an estate in the picturesque Hudson Valley near the metropolis of New York. Grace is just about to break up her marriage and has to come to terms with her husband Edward moving out to be with his younger lover when she meets Ellie Summers. The young artist earns her living with commissioned drawings of private houses. She also offers her services to Grace. As different as the women seem, they like each other straight away. Grace understands how Ellie feels, having been left pregnant by her boyfriend, and offers her a place to stay at Luckenham.
FF is around three years' worth of collected footage culled from all sources in a variety of formats, from dumpsters to video. It is put together in such a way as to provide miniature, almost instantaneous fictions, confined and numerous, where meaning can occur between the frames as much as it might in the frame. Overall, the film could be described as a visual assault as well as a reference to the invasive nature of the act of taking photographs and more abstractedly with the problem of image or picture functioning as representation of some or all aspects of an object or thing. While the movements and the pace of the film are structured as to suggest relentlessness and insistence of control, the assembly of images therein serve to illustrate the nervous breakdown of the characters represented as their actions, forced into exact repetitions, lose their original expression and take on a new, more ominous existence.
The parallel fates of a few inhabitants of a strange planet : the world of Internet gay encounters...
Bookseller Vivien Barner is close to her goal: an anonymous organ donor has agreed to donate her life-saving kidney. Just a few minutes before the operation, Vivien learns that he has backed out. Devastated, but with an irrepressible will to live, she sets off in search of the anonymous donor. Vivien tracks down the successful author Thomas Shield. Thanks to a misunderstanding, she is able to scrutinize him in disguise. And before she knows it, she is well on the way to falling in love with the charismatic writer. Then Thomas discovers the real reason for Vivien's appearance.
The attractive Davida enters a shop shortly before off-time and wants to buy a bathtub. Just the manager is still there. As business is not well, he is willing to stay longer. Davida wants to try the bathtubs. Although this is not allowed in the shop the manager agrees. As if that is not enough, Davida says she wants the bathtub for two and needs to be sure it fits her needs. She wants the manager to take place in the bathtub too.
A listless Wade Wilson toils away in civilian life with his days as the morally flexible mercenary, Deadpool, behind him. But when his homeworld faces an existential threat, Wade must reluctantly suit-up again with an even more reluctant Wolverine.
Seven years ago, Zaid went to war against the Copenhagen underworld to avenge his dead brother. His identity as a respected doctor of cardiology and life as a family man is but a fading dream, and in prison Zaid suffers the loss of his son Noah, whom he barely knows. When a police agent approaches Zaid and offers him a deal to be released in exchange for infiltrating the Copenhagen underworld, he sees his chance to reclaim the remnants of the family life he left behind. But everything has a price, and Zaid realizes that he has now seriously endangered his son's life. After all, once you become part of the underworld, is there any way out?
It follows a young man who dreams of becoming a general and Ying Zheng, whose goal is unification.
Diabolik narrowly escapes Inspector Ginko's latest trap, leaving his partner in crime Eva Kant behind. Furious, Eva offers Ginko her help in capturing him, but the former has to face first the return of an old flame of his, noblewoman Altea.
Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.
Peace and tranquility have set in Belogorie. The evil was defeated and Ivan is now enjoying his well-deserved fame. He is surrounded by his family, friends and small wonders from the modern world that help him lead a comfortable life. Luckily, he has his Magic Sword to cut a gap between the worlds to get some supplies quite regularly. But when an ancient evil rises and the existence of the magic world is put to danger, Ivan has to team up with his old friends and his new rivals. They will set out on a long journey beyond the known world to find a way to defeat the enemies and to return peace to Belogorie.
As Black and LGBTQ+ History Month begin this February, material science clothing brand PANGAIA leads celebrations with a poetic film that honors these two communities. Following a year of isolation, and with it a deeper understanding of the importance of outdoor spaces and the environment, Wè is a portrait of the self-love and acceptance we have learned to show others and gift to ourselves.
Taking its title from the poem by Wallace Stevens, the film is composed of a series of attempts at looking and being looked at. Beginning as a city state commission under the name and attitude of “Unschool”, the film became a kaleidoscope of the experiences, questions and wonders of a couple of high school students after a year of experiences with filmmaker Ana Vaz questioning what cinema can be. Here, the camera becomes an instrument of inquiry, a pencil, a song.
Lars von Trier challenges his mentor, filmmaker Jørgen Leth, to remake Leth’s 1967 short film The Perfect Human five times, each with a different set of bizarre and challenging rules.
Filmmakers use archival footage and animation to explore the culture surrounding nuclear weapons, the fascination they inspire and the perverse appeal they still exert.
In making this piece, Bourque literally distorted the personal home movie images appearing on the film plane through various manipulations in the process of doing her own low-tech contact printing. The point of contact in printing is continuously shifted so that the film plane appears warped and the images fluctuate, creating a distorted space of fleeting apparitions, like resurfacing memories.
The collective life of the generation born as Jurij Gagarin became the first man in space. Vitaly Mansky has woven together a fictional biography – taken from over 5.000 hours of film material, and 20.000 still pictures made for home use. A moving document of the fictional, but nonetheless true life of the generation who grew up in this time of huge change and upheaval.
Made during the height of the Vietnam War, Stan Brakhage has said of this film that he was hoping to bring some clarity to the subject of war. Characteristically for Brakhage there is no direct reference to Vietnam.
A vehicle of consciousness navigates the vertiginous labyrinths of San Francisco. ROMAN CHARIOT was filmed over several months with a spy camera mounted on filmmaker David Sherman's son's baby carriage.
First part of the collaborative project "Brise-Glace" showing the diverse travels on the icebreaker "Frej". Directed by Jean Rouch.
Sistiaga painted directly on 70mm film a circular (planetary?) form, around which dance shifting colours in a psychedelic acceleration matched by the soundtrack’s deep-space roar and howl. - Cinema Scope
This film describes a psychological state "kin to moonstruck, its images emblems (not quite symbols) of suspension-of-self within consciousness and then that feeling of falling away from conscious thought. The film can only be said to describe or be emblematic of this state because I cannot imagine symbolizing or otherwise representing an equivalent of thoughtlessness itself. Thus the actors in the film, Jane Brakhage, Tom and Gloria Bartek, Williams Burroughs, Allen Ginsberg, Peter Olovsky and Phillip Whalen are figments of this 'Thought-Fallen Process', as are their images in the film to find themselves being photographed."
This is a 1991 documentary film about the legendary artist and filmmaker, Joseph Cornell, who made those magnificent and strange collage boxes. He was also one of our great experimental filmmakers and once apparently made Salvador Dali extremely jealous at a screening of his masterpiece, Rose Hobart. In this film we get to hear people like Susan Sontag, Stan Brakhage, and Tony Curtis talk about their friendships with the artist. It turns out that Curtis was quite a collector and he seemed to have a very deep understanding of what Cornell was doing in his work.
SONG 5: A childbirth song (the Songs are a cycle of silent color 8mm films by the American experimental filmmaker Stan Brakhage produced from 1964 to 1969).
A cameraman wanders around with a camera slung over his shoulder, documenting urban life with dazzling inventiveness.
A ritual of grids, reflections and chasms; a complete state of entropy; a space that devours itself; a vertigo that destroys the gravity of the Earth; a trap that captures us inside the voids of the screen of light: «That blank arena wherein converge at once the hundred spaces» (Hollis Frampton).
A meditation on the human quest to transcend physicality, constructed from decaying archival footage and set to an original symphonic score.
A spiritual journey, symbolized by the spiral, through images and sounds selected from the physical world over several years as the filmmaker moved between city and country and journeyed to the Center. Lee added some sounds and music to enhance the mood and sees the film as a mirror in which the image is distorted by his own consciousness.