The Fish(2016)

Dans le noir, les hommes pleurent(fr)

Hello(en)

Hello explores changes in two people’s working lives: a Mexican trash picker who separates and collects recyclable materials from landfills to sell by the kilo, and a German freelance computer-animation designer working for the advertising industry in Berlin. The double interview is controlled and manipulated by a computer-generated severed hand which Maria describes as an object once discovered in the trash while working in the violent northern town of Mexicali. This CGI hand was in turn produced by Max, who was born with no arms, and sought refuge in computer-imaging as a means to operate and manipulate a digital reality.

WWE Royal Rumble 2011(en)

The Royal Rumble (2011) was the twenty-fourth annual Royal Rumble pay-per-view (PPV). It took place on January 30, 2011 at the TD Garden in Boston, Massachusetts.

Hello(en)

I wouldn't answer if I were you' Hello is the story of a young lady who falls prey to an evil killer.. alone in her apartment, eagerly awaiting the return of her boyfriend, the phone rings...

Main Krishna Hoon(hi)

In answer to an orphan boy's prayers, the divine Lord Krishna comes to Earth, befriends the boy, and helps him find a loving family.

Family Film(cs)

A couple embark on an early vacation. Left alone, their children cut loose until the boy gets caught for skipping school and things take an unexpected turn. Boasting exquisite camera work, the film is also unforgettable for its wholly original ending.

At the Stroke of Twelve(en)

This entry in Warner's "Broadway Brevity" series of shorts is based on Damon Runyon's short story, "The Old Doll's House". Racketeer Lance McGowan, on the night he has decided to go straight, finds himself caught between the gunfire of two rival gangsters and, wounded by a bullet, he finds refuge in the home of a wealthy recluse. One of the gangsters is found riddled with bullets from the gun Lance dropped while making his escape, and he is arrested and tried for murder. The reclusive widow comes to the trail and testifies that Lance was her guest that night when the clock struck twelve, the time of the killing. Lance, while innocent, is also lucky, as the widow had her all her clocks set to always strike twelve, as the time her husband had died.

Sabían demasiado(es)

A gang of Spanish pickpockets decide to send one of them to Chicago to learn how to be a gangster...

Girl on the Moon(ru)

Someone from another planet crashed on Earth and evil is chasing him, and then love appears, and it defeats evil through an amulet.

Maine-Ocean Express(fr)

"Maine-Ocean" is the name of a train that rides from Paris to Saint-Nazaire (near the ocean). In that train, Dejanira, a Brazilian, has a brush with the two ticket inspectors. Mimi, another traveler and also a lawyer, helps her. The four of them will meet together later and live a few shifted adventures with a strange-speaking sailor (Mimi's client).

Christy(en)

Seventeen-year-old Christy is at a crossroads. Thrown out of his suburban foster home, he has moved in temporarily with his estranged older brother, Shane, in Cork’s inner city. But Shane wants something better for Christy. After so many years apart, the brothers are forced to reconcile their turbulent past, whilst deciding what the future looks like. Sometimes, to move forward, you have to go back.

Giovanni's(en)

In the 1950s, Giovanni, a black and gay American, left his native country to go to Paris where he thought he would find more tolerance.

Hello, Moscow!(ru)

At the amateur talent show the boy, accompanying himself on the accordion, sings a song about Moscow... The plot of the movie is based on the story of the director of the school about how this accordion, once belonging to a cadre worker who died during a demonstration in 1905, has been in many hands before it got to the guys.

Ghosts of Attica(en)

Documentary about Attica prison riot and lawsuits to get compensation for the victims of these events.

Panda(fr)

Two teenagers are playing by night in a dirty parking lot. After they are driving on an empty road, they start to tease each other on the way to the sea, but they seem to be too young to drive and the road is a bit strange.

The Safe House(fr)

An eccentric family portrait set during the May 1968 protests in Paris. A nine-year-old boy stays with his grandparents and uncles while his parents protest. When an illustrious guest seeks refuge in the apartment, the family’s dynamics change.

All Together(it)

Marco Simon Puccioni rolls the camera into his own home to recount the daily life of his rainbow family, placing focus on the viewpoint of his children

Music Machine(en)

While flying a kite on a hill, two children named Stevie and Nancy are swept away aloft by their kite in sci-fi fashion to a fantasy, wonderland-type world called Agapeland. It is a lush green place near a river, containing over-sized mushrooms, living plants, and friendly woodland animals. Shortly after their arrival in the pleasant Agapeland, Stevie and Nancy discover the Marvelous Music Machine, which Stevie explains is a "quanamatic digilator." Stevie tries to make it work, but only succeeds in causing it to produce a loud noise, which shoves him back into the Music Machine's caretaker (possibly creator), The Conductor.

Age 12: Love with a Little L(en)

This film is depicts early lesbian sexuality, using reenacted scenes from the experience of a 12-year old girl as the platform for a meditation on forbidden desire, transgression, and Lacanian psychoanalytic concepts of identity formation. Raw adolescent memories counterpoint staged scenes, exploring mechanisms of power and submission.

Chance, History, Art...(en)

Anne Bean, John McKeon, Stuart Brisley, Rita Donagh, Jamie Reid and Jimmy Boyle are interviewed about their artistic practice and the legacy of Surrealism on their work.

A Messenger from the Shadows (Notes on Film 06 A/Monologue 01)(de)

Thanks to his myriad film roles, Lon Chaney is known as “the man of a thousand faces,” and you could say that the early horror era never beheld a figure more intriguing. Yet because of his numerous transformations, his face never became as iconic as that of, say, Boris Karloff. Accompanied by a soundtrack from Bernhard Lang, this “re-imagination of shots” taken from Chaney´s forty-six surviving films offers a beguiling excursion into the history of film. The director reveals surprising associations, while highlighting the enduring magic of works which are now more or less forgotten.

El desastre de Annual(es)

The Five Obstructions(da)

In 1967, experimental filmmaker Jorgen Leth created a striking short film, The Perfect Human, starring a man and women sitting in a box while a narrator poses questions about their relationship and humanity. Years later, Danish director Lars von Trier made a deal with Leth to remake his film five times, each under a different set of circumstances and with von Trier's strictly prescribed rules. As Leth completes each challenge, von Trier creates increasingly further elaborate stipulations.

Urth(en)

The last woman on Earth: Filmed inside Biosphere 2 in Arizona, Urth forms a cinematic meditation on ambitious experiments, constructed environments and visions of the future. The film considers what an endeavor such as Biosphere 2 might mean today and in the near future, in terms of humankind’s relationship with the natural world.

December Hide-and-Go-Seek(ja)

"Ryuta is 5 years old. Even though he is my son, I sometimes wonder what this small person is to me. Even though I see his joys and sadnesses and know the feel of his warmth on my skin when I hold him, there are moments when my feelings for him become vague and blank." - Takashi Ito

Bukit Orang Salah(en)

At various points in its history, tiny St. John's Island was where Singapore's colonial founder Sir Stamford Raffles docked his ship upon arrival, a quarantine centre for immigrants and pilgrims returning from Mecca, a penal colony for political detainees and secret society leaders, and a sleepy holiday resort. Unlike its neighbouring islands, however, St. John's was never fully developed. It occupies an in-between space, the vestiges of its history scattered around the land. Its indeterminacy stands in sharp contrast to Singapore, where land use is meticulously planned to fulfil economic and social functions. In this film, St. John's Island - otherwise known as 'Bukit Orang Salah', a nickname coined by the people who were quarantined there - becomes a site of and for reflection, prompting questions about our history, heritage and identity.

Almost Nothing: So Continues the Night(hr)

For us, a thought always presupposes a society, a culture and above all the consciousness of time. We are haunted by immortality, human notion par excellence. As if the world was here to fascinate us. And to disappoint us. The film travels around the bulb like the Earth around the Sun. Light makes the film visible. A fragile film, like our existence. In the orbit of the film tragedy and our reality, the image resists the cruelty of the experiment.

L’angle du monde(fr)

'The angle of the world allows us to see the real as an outer and inner presence at the same time, an opaque otherness, yet capable of becoming an intimate space. These incommensurable lengths and distances of an interior that opens up: The mysterious movement of the clouds, the cadence of the waves against the light, or the silent slippage of a barely identifiable human silhouette, everything seems transfigured, derealized and reinvented by light in a poetic world that evokes the paintings of Turner or Friedrich, the writings of Poe or Baudelaire.’ — Violeta Salvatierra

Worm and Web Love(en)

WORM AND WEB LOVE begins with bracketed light, a throbbing worm in the sand and sea foam mixed with grass and oceanic detritus, soon superimposed upon the dark blue-toned face of a man, then a woman (Michael McClure and Amy Evans McClure), each seen, then on, through superimpositions of drifting smoke and the back-lit stark grid of a spider's web. The obvious affections of the man and woman, their clear display of love, is metaphored in these tenuous superimpositions, culminating in the frantic movements of the spider itself and the dance of joy of the features of the couple in loving resolution.

City Streaming(en)

This is a film made in Toronto, in memoriam, so to speak - a memory piece, a "piecing-together" of the experience of living there. The consciousness of the maker comes to sharply focused visual music - not to arrive at snapshots, as such, but rather to "sing" the city as remembered from daily living...complementary, then, to an earlier film, "Unconscious London Strata." Preserved by the Academy Film Archive in 2015.

Flight(en)

Pun on "light" intended - that short preceding expulsion of breath perhaps the "subject matter" of this film which centers in consideration of death. It is the third tone poem film and did much surprise me by thus completing a trilogy of the "4 classical Elements." (SB)

Ahasverus(sh)

Short experimental 16mm film.

Velocity Into Execution(en)

In continuous motion with no end or barrier in its way.

Leftovers(en)

A manufactured memory.

Aggregate States of Matters(en)

Aggregate States of Matters highlights the ambiguous relationship between humans and nature. For her new 35mm film shot in Peru, Rosa Barba worked with communities that are affected by the melting of a glacier and geological time becoming exposed. Barba shows the slow disappearance of the glacier and the perception of this fact within the Quechuan population in the Andes. While exploring different local myths, she outlines the possibility of translating ancient knowledge into the present time.

Labirint(xx)

Two halves split by the perseverance of a scorpion. Come on, feet.

Baa Baa Land(en)

An eight-hour contemplative epic, entirely starring sheep.

60 Seconds of Solitude in Year Zero(en)

An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.