

10 Meter Tower is a short film taking place in a swimming pool with 6 cameras aimed at the tallest diving tower. All focus is on the 43 people between 9 and 78 years old. They have one thing in common, this is the first time in their lives they climb up to the platform to make the decision whether to jump or not. The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down.



10 Meter Tower is a short film taking place in a swimming pool with 6 cameras aimed at the tallest diving tower. All focus is on the 43 people between 9 and 78 years old. They have one thing in common, this is the first time in their lives they climb up to the platform to make the decision whether to jump or not. The situation itself highlights a dilemma: to weigh the instinctive fear of taking the step out against the humiliation of having to climb down.
2016-01-29
7.1
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A hotel in the centre of town is a war-time home and refuge for many of Sarajevo's homeless people. Every morning they leave the hotel and wander around the destroyed city gathering again at the defunct hotel in the afternoon. This film follows their separate fates through the bitter comparing of images of the bums with those of dogs abandoned by their owners and now left et the mercy of the war ravaged streets of Sarajevo.
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0.0An intimate portrait of a unique sportswoman in extreme life roles. Mother of three adopted children, world and European champion in fitness and record holder on long distances throughout Slovakia. Soňa Kopčoková is a former professional fitness athlete with the titles of World and European Champion. After the end of her elite sporting career, she devoted herself fully to her family until she discovered that she loves long-distance running in the mountains. And so today she fulfils her dreams in the hills, running often only by herself... On June 16, 2021, she reached Devín after 11 days, 15 hours and 30 minutes in a new Slovak women's record on the SNP Heroes' Route route. From Dukla to Bratislava, she ran alone, without support and with only a single backpack where she carried everything, she needed to survive...
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6.2At his Long Island beach house, and on the occasion of the publication of his masterful nonfiction novel In Cold Blood, reporter Karen Dennison interviews celebrated writer Truman Capote, who displays his exuberant personality, makes witty jokes, shares his thoughts on writing, reflects on various aspects of the book and, in a sweet and endearing voice, reads and explains some of its highlights.
0.0Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.
0.0Indonesia, 1965: hundreds and even thousands of people are arrested without warrant. Some did come back, the others lost without trace. Svet, one of the survivors of the Indonesian dark history recounts the memory she had of her father, whom she believes to be responsible for the 1965 tragedy.
0.0A homage to Andrei Tarkovski made for the Spanish edition of the Chris Marker movie 'Une journée dans la vie d’Andrei Arsenevich'.
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6.0A walk through the landscapes of the province of Salamanca, Spain, as well as a testimony of the daily life and customs of its inhabitants.
6.0A walk through the landscapes of the province of Barcelona, Spain, as well as a testimony of the daily life and customs of its inhabitants.
0.0Shot at high noon in New York’s financial district, Wallstreet is much like a vertical tickertape, charting the existence of typical office workers. The film’s elongated shadows suggest these workers’ depersonalized, neuter, nearly uniform lives, which flow by without any solid or stable element that might provide definition.
0.0Ronald Reagan and Richard Nixon on Camera 1983
0.0Through a powerful visual metaphor, Camille Vigny gives a first-person account of the domestic violence she suffered. The images and text interact with remarkable precision to convey the devastating impact of the cataclysm. It's a political gesture, brimming with courage, an icy cry that takes your breath away.
8.0Susana Barriga’s documentary, the illusion, begins with violence. A long shot reveals a man standing on a street corner, his features indiscernible in the night. He moves out of the camera’s line of vision, but the filmmaker, persistent, moves with him as the jostling of the camera marks her steps. As we learn moments later, the man in the distance is Susana’s father – and this is the clearest image of him we will have. Suddenly, an angry British man demands that Susana cease filming. Susana protests in heavily accented English, “He is my father!” Glimpses of a man’s torso are followed by blurred images as the camera spins rapidly over surfaces. The image cuts to black. A new male voice asks in carefully spaced out words if Susana would like him to call the police. When she doesn’t respond immediately, he speaks louder, as though volume would compensate for the language difference. She gives her name; she refuses the offer of an ambulance.