Landslides is a special movie theater experience based exclusively on a slideshow of still photography, and music. Photographer Vancsó Zoltán uses cinema as an irregular photo gallery to invite viewers for a close to 70-minute meditative journey. So there is no need to prepare for dialogue or an explicit story: the experience is based on photographs, taken mostly in forests, using a special, stunningly impressionistic technique, and a matching, meditative soundtrack, jointly created with Tius.
Landslides is a special movie theater experience based exclusively on a slideshow of still photography, and music. Photographer Vancsó Zoltán uses cinema as an irregular photo gallery to invite viewers for a close to 70-minute meditative journey. So there is no need to prepare for dialogue or an explicit story: the experience is based on photographs, taken mostly in forests, using a special, stunningly impressionistic technique, and a matching, meditative soundtrack, jointly created with Tius.
2012-09-20
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After being bitten by a genetically altered spider at Oscorp, nerdy but endearing high school student Peter Parker is endowed with amazing powers to become the superhero known as Spider-Man.
Representing the rhythmic movement of leaves or petals in higher plants in response to the onset of diurnal changes in light, Nyctinasty emblematically translates these crucial movements of self-preservation and survival to echo the ways humans face the delicate balance between the physical world and the spiritual realm. This ‘in-between’ - a space operating on multiple frequencies, where spirits linger and the mind and body shift into a state that tethers life, death and afterlife together as one - revealing the unbroken link of communication between the two.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Functions without theaters, murals without walls, clothes without fabrics and students without schools says the necessary about the state abandonment and but also talent and creativity of Colombians, which it has nothing to lose. The documentary tells the story of the beginnings and resilience of several artist from Barranquilla in different disciplines in continuing to maintain and diversify the living culture, that remain to exist.
Set in a world where human beings are digitally uploading their consciousness, it is GIRL’s turn to make her decision. Will she decide to join her family and leave her physicality behind, as well as the relics of what it once meant to be human?
This video is made up of television footage recorded between 2001 and 2004. A large part of the imagery was collected during a residence where participants were invited to record their channel-hopping of television stations from all over the world. A hadith – a narration brought from the prophet Muhammad - concerning women, provides the thread: “the first look at a woman is for you, the second is for the devil, the third is a crime”. (MF)
Two street artists with contrasting intentions about the artform tell the relevance of street art in society while accompanied by an enigmatic graffiti writing, “Bon Jovi.”
“In this legendary sculpture/performance Acconci lay beneath a ramp built in the Sonnabend Gallery. Over the course of three weeks, he masturbated eight hours a day while murmuring things like, "You're pushing your cunt down on my mouth" or "You're ramming your cock down into my ass." Not only does the architectural intervention presage much of his subsequent work, but all of Acconci's fixations converge in this, the spiritual sphincter of his art. In Seedbed Acconci is the producer and the receiver of the work's pleasure. He is simultaneously public and private, making marks yet leaving little behind, and demonstrating ultra-awareness of his viewer while being in a semi-trance state.” – Jerry Saltz (via: http://www.ubu.com/film/acconci_seedbed.html)
Ester Hernandez, winner of the San Francisco Foundation 2004 Community Leadership Awards (Helen Crocker Russell Award) - for fostering community and raising social consciousness through her groundbreaking art, for her work with Creativity Explored, and for inspiring and mentoring the next generation of artists.
Bruce thought he had everything. A stable life, a beautiful girlfriend. But he still felt dead inside. And he found himself at a crossroads, with no idea what to do with the rest of his life. Lily had always been told she was crazy. Most people saw her as naive and childish. But she'd managed to get into a major college, far away from her old life. And she'd met a nice guy, Bruce, who she knew liked her ... though his girlfriend would never approve of that. Rhonda was worried. She was deeply in love with Bruce, but had never felt secure with him. He was immature, for one thing, irrational and silly. But her main worry was that in a college relationship, nothing lasts forever. Will he just pack up and leave after graduation? Would he pack up and leave her now? Why couldn't he just give her a straight answer? And what the hell was he doing with that Lily girl anyway? People always told Clifford he was funny. Even women thought he was funny. But they didn't want to go out with him. ...
A documentarian strikes up an odd friendship with reclusive 80 year old outsider artist Al Carbee, whose strange Barbie-doll photography gains acclaim and interest over the course of the project's multi-year history. Far beyond a portrait of an eccentric, Magical Universe is about wonder, friendship, and the transcendent power of creativity
Fragments of the life of Antonia, a young photographer for a local newspaper in Corsica. Her commitment, her friends, and her loves intertwine with the major political events of the island, from the 1980s to the dawn of the 21st century. It is the fresco of a generation.
Buenos Aires is a complex, chaotic city. It has European style and a Latin American heart. It has oscillated between dictatorship and democracy for over a century, and its citizens have faced brutal oppression and economic disaster. Throughout all this, successive generations of activists and artists have taken to the streets of this city to express themselves through art. This has given the walls a powerful and symbolic role: they have become the city’s voice. This tradition of expression in public space, of art and activism interweaving, has made the streets of Buenos Aires into a riot of colour and communication, giving the world a lesson in how to make resistance beautiful.
BURNING MAN: BEYOND BLACK ROCK goes behind the scenes of a social revolution to explore the philosophy that fuels it, the social contract that drives it, and the transcendent experience that makes it a worldwide cultural force. Granted unprecedented access to the inner workings of the Burning Man organization, the filmmakers spent 18 months with the founders, organizers, artists and participants to document the full complexity and diversity of the Burning Man community. But, true to its title, the film goes beyond the city they raise in the desert - revealing the Burning Man's plans to bring its unique culture to the rest of the world. BEYOND BLACK ROCK tells, for the first time ever, the real story of Burning Man - from the inside out.
Master filmmaker Alexander Sokurov (Russian Ark) transforms a portrait of the world-renowned museum into a magisterial, centuries-spanning reflection on the relation between art, culture and power.
James Andersen: Over 50 Years of Taking Pictures is a culmination of photos, films that are brought to life with Andersen's own words. The James Andersen collection documents over 50 years of community life in and around Makkovik, Labrador. The stories that accompany "Uncle Jim's" work explain why for over 50 years he has never been without a camera as he documented daily rituals and life. Andersen does not shy away from telling these stories but shares them with conviction and with a voice that honours each event's importance; the church being rebuilt, fish being caught, and stories of sickness and death are each told with the same reverence.
Celess and Tina play the game too well to be considered your average gold diggers. And they're winning too. But when the jaw-dropping secret they both share is exposed, the same shovel that got them out of the dirt could very well bury them.