The Red Star Cinema(2014)

Yo creo que...(es)

About Buenos Aires(es)

Eleven young film-makers got together to collaborate in this atypical project. Atypical not only because of its technical specs, but because of its narrative structure. There are several scenes with only the city in common, and more as a conceptual presence at that than as a precise geography. None of those scenes contains a single "story": Each one of them is part of a larger situation that we cannot see, as though the beginning and end of each "story" had to be filled in by the audience.

Spree(en)

Seeking fulfillment, a young drifter forgoes isolation to embark on a year-long murder spree.

Same Player Shoots Again(de)

Sequence of five shots, each one with a particular color treatment, in which a man carrying a machine gun runs. He moves fast in the beginning but, as the end comes closer, he starts to walk in zigzag. Is he hurt?

Service(tl)

A struggling family owns a Filipino porn theater where prostitutes conduct their business.

Chaplin(en)

An aged Charlie Chaplin narrates his life to his autobiography's editor, including his rise to wealth and comedic fame from poverty, his turbulent personal life and his run-ins with the FBI.

An Ode to Solitude(en)

Exploring the duality between friendship and loneliness, this intimate narrative short tells the story of David, a bright young boy struggling with a broken home life, as he tries to reconnect with his childhood best friends as they search for something to do in their small suburban town.

Public Enemies(en)

Depression-era bank robber John Dillinger's charm and audacity endear him to much of America's downtrodden public, but he's also a thorn in the side of J. Edgar Hoover and the fledgling FBI. Desperate to capture the elusive outlaw, Hoover makes Dillinger his first Public Enemy Number One and assigns his top agent, Melvin Purvis, the task of bringing him in dead or alive.

Cinema Paradiso(it)

A filmmaker recalls his childhood, when he fell in love with the movies at his village's theater and formed a deep friendship with the theater's projectionist.

The Storm(ar)

The Kuwaiti short film العاصفة (The Storm) explores Kuwait's social and economic shifts before and after the discovery of oil. Through the perspectives of an older father and his modernized son, it delves into the challenges of tradition versus rapid modernization.

Solino(de)

The movie portrays the story of an Italian family emigrated in Germany in the 1970s. Romano (Gigi Savoia), the father, decides to open a pizzeria which, by mutual decision with the wife Rosa (Antonella Attili), will call Solino, leaving his sons Gigi and Giancarlo to work there. A hostile relationship comes to life between the father and his sons, which will end up in the escape of the boys from family.

Perfect World(da)

A take it or leave it auteur-experimental fiction exercise: two women are monitoring their dreams, dreams that may of course also be stark naked reality, at least to the dreamers, as they come and they go like bubbles, rising, floating, bursting. A man appears out of nowhere. Poet Peter Laugesen co-wrote the script with Tom Elling, who was Lars von Trier's director of photography on "The Element of Crime".

What Was It Supposed to Be Like?(en)

Rather pointless, rather stilted, fetid; not what we want us going after.

Small Change(fr)

The lives of a motherless young man, who's just starting to find interest in women, and his physically abused, poverty stricken friend, are mixed with more or less innocent childhood experiences and challenges most their age experience.

Day for Night(fr)

A committed filmmaker struggles to complete his latest project while coping with a myriad of crises, personal and professional, among the cast and crew.

Chelsea Girls(en)

Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.

The White Sound(de)

Lukas, a young schizophrenic man, has to deal with a new town, a new relationship, and the paranoia in his head.

Lulu(en)

This highly stylized, critically acclaimed film from the 70's mixes silent film cards, a soundscape, color, opera music and atmosphere to explore the Freudian truths about men's fear of women that Wedekind powerfully exposed. A kinetic melodrama of the rise of a femme-fatale and her fate at the hands of Jack-the-Ripper. Rethinking Pabst's silent film and Alban Berg's opera.

Above the Lake(xx)

Avant-garde homage to pre-revolution Russian silent movies, and to the poet Aleksandr Blok.

Superstar: The Karen Carpenter Story(en)

The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.