10.0Abandoning the Abaddon-loathed abandoner opens plenty of reclaimed... everything(s).
10.0It's time the times met each other over & over.
10.0Don't ask me why, but I feel we're about to cry trying.
7.0Enigma is something of a more glamorous version of White Hole, with a wide variety of elaborate textures (often composed of iconographic and religious symbols) converging towards the centre of the screen.
3.8An anthology of one-minute films created by 51 international filmmakers on the theme of the death of cinema. Intended as an ode to 35mm, the film was screened one time only on a purpose-built 20x12 meter public cinema screen in the Port of Tallinn, Estonia, on 22 December 2011. A special projector was constructed for the event which allowed the actual filmstrip to be burnt at the same time as the film was shown.
8.0Part of a collection of restored early works by Nam June Paik, the haunting Beatles Electronique reveals Paik's engagement with manipulation of pop icons and electronic images. Snippets of footage from A Hard Day's Night are countered with Paik's early electronic processing.
0.0A poetic, semi-autobiographical short film of the sun setting over a village, shot from behind the curtains of a small, dimly lit room.
10.0Locked away but not away; somewhere nearby but unreachable, a periphery so notfaroff it's always in sight.
7.0The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
0.0Charcoal animation, taken from from Point of View: An Anthology of the Moving Image (2003).
6.5Centrist revelations abound among repetitions & revisitings.
10.0Pounding backbeats beaten by [(Don't Get)] warm[welcomes]th.
10.0Your raging romp results only in rescinded regret @ the hands of radder cadets.
0.0An animated short consisting of 4 segments: bowl, garden, theatre, marble game. Preserved by the Academy Film Archive in partnership with Harvard Film Archive in 2015.
0.0Commissioned by David Bienstock, creator of the New American Film Series at the Whitney Museum of Art to raise funds for the second season of the series. The film was projected at the end of each program and a box to receive donations was placed at the exit of the theater. Whitney Commercial ran for two or three years until the Museum agreed to sponsor the series on its own which has continued to the present season. Preserved by the Academy Film Archive in 2015.
10.0Hiding inside&out, writhing about, taken out&in.
10.0This cacophony runs over me, over everything I see, everything I want to see: it's me.