Untitled / Aubrac
Similar Movies
Superstar: The Karen Carpenter Story(en)
The final 17 years of American singer and musician Karen Carpenter, performed almost entirely by modified Barbie dolls.
High Voltage(en)
High Voltage is constructed from footage James Whitney contributed to Belson for use in one of his Vortex concerts.
Scherzo(en)
Norman McLaren made Scherzo early after his arrival in North America in 1939, but the film was subsequently lost. In 1984 the original materials were found and the hand-drawn images and sound were reconstituted. Picture and sound dance triple-quick in this animated version of a musical scherzo. A film without words.
Obmaru(en)
"Marx was born in Queensland, Australia, and was a landscape painter and model there before moving to San Francisco. However, when she arrived, she found herself in the midst of fascinating non-objective painting and filmmaking activity. She was greatly influenced by the work of Harry Smith and Jordan Belson, and changed her own style to non-objective, receiving graphic inspiration from Jungian brain drawings, symbols in the occult sciences, and the design used by Eastern cultures, all of which being important elements in the San Francisco school mystical school of non-objective art." -Robert Pike, A Critical Study of the West Coast Experimental Film Movement. Preserved by the Academy Film Archive in 2000.
Evolution of the Red Star(en)
Music: Carl Stone. Colored pen-and-ink drawings, like topological maps of biomorphic objects, grow and evolve from the red star. Once the master image is formed, this continuously throbbing, pulsating sight is used to ring changes based on years of optical work. Music and picture work together to create a mood of ecstatic tranquility. The bright colors, beautiful music, surprise at the end, etc. make this a good film for young children. Awards: Sinking Creek Film & Video Festival, 1973; Washington National Student Film Festival, 1974; Brooklyn Independent Filmmakers Exposition, 1974; Vanguard Int'l Competition of Electronic Music for Film, 1974; Humboldt Film Festival, 1974. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
Outremer(en)
It's a story about a young boy who is afraid of the sea. He finds shelter, in the house of an old woman who paints the sea.
Au Moulin Rouge(en)
1950. Agathe is preparing to audition for the Moulin Rouge, with the stress she recalls her past to overcome his fears .
Scatter Brain(en)
An experimental study of the inside of a "scattered brain".
White Tape(en)
White Tape explores the theme of boundaries: the frame, the space between brushstrokes and the implications of occupation.
TENSAI BANPAKU(ja)
The mutating forms of Tensai Banpaku, or “Genius Expo” create a stunning abstract orchestra.
Bloodlust(de)
An attempt to constitute a human / machine dialogue. It shows the filmmaker’s blood as seen / heard with the eyes / ears of the machine which is a film projector with optical sound. He affixed his blood onto clear film leader by cutting into the flesh and then pressing the film leader onto the wound. Additionally he had blood taken with a syringe and afterwards dripped it on the film leader. fresh and clotted blood was used.
La Maison en Petits Cubes(ja)
La Maison en Petits Cubes tells the story of a grandfather's memories as he adds more blocks to his house to stem the flooding waters.
The Incredible Mr. Limpet(en)
Milquetoast Henry Limpet experiences his fondest wish and is transformed into a fish. As a talking fish he assists the US Navy in hunting German submarines during World War II.
Quacked Jokes/Early Animations(en)
The animation referred to as Early Animations or Quacked Jokes is an anomaly among Beckett's films. It was probably not intended to be shown outside of his sphere of friends, being a collection of early experiments and directions. While lacking the sophistication and artistry that is found in his six finished works, this film provides invaluable insight to his first attempts at animation and clues to some of his later work. - Pamela Turner. Preserved by the Academy Film Archive in partnership with iotaCenter and National Film Preservation Foundation in 2007.
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"This installation or performance work puts my own earlier film of the Mona Lisa (1973) through another stage of transformation – my own irretrievable self of some 34 years ago is now also part of the subject I first saw the ‘actual’ ‘Mona Lisa’ when I was about thirteen. Of course I had seen dozens of reproductions in books and postcards by then and the popular mythology of the enigmatic smile was already well engrained in my mind. My strongest impression, as I recall, was how small and unsurprising it was – a heavily protected cultural icon – no longer really a picture – and I was much more excited by the painting of the distant landscape than by the face. My own ‘version’ of ‘la Giaconda’ was never an homage, nor like Marcel Duchamp’s ‘L.H.O.O.Q’, an attack on its cultural power. Instead it came from a fascination with change and transformation – maybe also with arbitrary appropriation." Malcolm Le Grice
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As fanged, furious furballs viciously invade an L.A. apartment building and sink their teeth into the low-rent tenants, Josh leads the battle to beat back the conniving critters and save the planet.
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Scooby-Doo 2: Monsters Unleashed(en)
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Natale sul Nilo(it)
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The royal couple Odette and Derek face yet another evil magician, this time a woman named Zelda. Lusting for the treasure of the Forbidden Arts, which will give her absolute power, Zelda kidnaps Odette as ransom. Derek and several animal friends head off to rescue Odette
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