Götterdämmerung(1990)

Wagner: Siegfried(de)

Robert Lepage’s remarkable Met Opera production of Wagner’s Der Ring des Nibelungen, the 2013 Grammy Award Winner for Best Opera Recording, is now available as individual DVDs. Siegfried features Bryn Terfel, Jay Hunter Morris, and Deborah Voigt, with Fabio Luisi conducting.

كعبة حلوى(ar)

Are we born criminal or we became one ?

National Family(es)

Don Poli, the patriarch of a family embedded in politics, faces the change of party in his state - after a hundred years in power - losing all his privileges. Humiliated and angry, he threatens to disinherit his family and leave to rebuild his life. This forces his children (Kippy, Ramses and Belén) to take extreme measures to ensure their future, causing everything that could go wrong to turn out worse.

Fate of Alakada(yo)

Yetunde is now a social media influencer still living the fake life and pretending to be a Lagos success. After sneaking into a movie premiere event with her trusted friend and fellow ‘fakester', Kas, she pretends to be an event planner after hearing how much money can be made from the profession. Yetunde must now fake her way through bringing Celebrity guests she pretends to know and throwing the best party for Swanky Jerry & his babe Stephanie, that Lagos has ever seen. The movie aims to poke fun at social media fakeness and the current Nigerian pop culture.

Worst to First(en)

WORST TO FIRST is a feature-length documentary that portrays the against-all-odds inspirational story of the launch of the iconic and most successful radio station in history, New York City's Z100.

Dschugaswili from Georgia(de)

Forced collectivism, famines, errors and mistakes mark Stalin´s ruthless rise to dictorial power and only increase his madness until he even declares a chicken to be an English spy that should be liquidated.

Stripped Down: The Making of ‘Anora’(en)

Making of documentary surrounding the production of ‘Anora’

Inspiration(ru)

A lonely artist lives on the shore of a dry lake. From time to time the postman comes to him, but instead of letters he brings paintings. A powerful man takes them, giving them alcohol and food in return. The artist is trying to find out who owns the paintings.

Altitude(en)

On their way up to a mountain cabin, Sarah and Thomas run into a dense mist and seem to go astray in the dangerous altitudes. In search of the cabin they encounter increasingly strange events. Lost in those heights, eventually a life-threatening battle between reality and illusion begins...

Before You Leave(fr)

A group of friends in their thirties meet for a weekend in a mountain chalet for what will be a sort of review of an era in their lives and their relationships.

Stephen Fry: Guilty(en)

Fry discusses his guilty pleasure in Abba, soap operas, darts and hitting people.

O2(ta)

A mother fights to protect her son and his oxygen cylinder as they get stuck in a tunnel with other passengers and the oxygen level depleting

Vera F. Birkenbihl - Eltern-Nachhilfe(de)

Ofelia(it)

Ophelia is 92 years old, and her foggy memories continue to fade. The only way to slow down the unstoppable action of time is to document the present and rediscover the past in old Super 8s.

I Don't Expect Anyone to Believe Me(es)

A writer's career — and entire life — suddenly goes off script when he falls prey to a dangerous web of criminals right before moving to Barcelona.

Trial(pt)

In 1970, a man is tortured and murdered by the regime's secret police. Now nearly 40 years later, his friend, who had also been tortured, recognizes the man he deems responsible for the murder of his friend. Along with three old friends and the victim's daughter, they kidnap the man and take him to an isolated house. Once there, the concepts of justice and revenge begin to mix dangerously in a private trial with irreversible consequences.

Tender is the Wolf(fr)

A night of violence in the Medina (old city) of Tunis. A young prostitute is raped by a gang of misfits. To get revenge, she will have Stoufa, the only one who had defended her, almost massacred. In a world of wolves, the gentlest are the ones who pay and, like the victim of a sacrifice, the young man ends up by taking on the guilt of all the others. However, after leaving hospital, Stoufa kidnaps the girl to avenge the injustice he has suffered. But she will hurt him once again. For a night the two give into thoughts of love, but in he morning, the harsh law of the gang prevails.

WWE Survivor Series 1989(en)

The 1989 WWE Survivor Series was the third annual Survivor Series professional wrestling pay-per-view event produced by the World Wrestling Federation. It took place on Thanksgiving Day, November 23, 1989 at The Rosemont Horizon in Rosemont, Illinois. This was the first Survivor Series event to feature team names. It was also the first Survivor Series to feature four-on-four tag matches instead of five-on-five. The main event was a four-on-four Survivor Series match where The Ultimate Warriors faced The Heenan Family. The undercard also featured Traditional Survivor Series Elimination Matches.

Six Hours: Surviving Typhoon Yolanda(en)

In the middle of a broadcast about Typhoon Yolanda's initial impact, reporter Jiggy Manicad was faced with the reality that he no longer had communication with his station. They were, for all intents and purposes, stranded in Tacloban. With little option, and his crew started the six hour walk to Alto, where the closest broadcast antenna was to be found. Letting the world know what was happening to was a priority, but they were driven by the need to let their families and friends know they were all still alive. Along the way, they encountered residents and victims of the massive typhoon, and with each step it became increasingly clear just how devastating this storm was. This was a storm that was going to change lives.

Mefistofele(en)

The director, Roland Schwab, has created his version of Hell. The set is like a high iron walled hanger and the stage is continually occupied with people who look like fugitives from Mad Max and who interact with Mefistofele. The orchestra and choir are wonderful. Rene Pape gives a nuanced interpretation with a certain amount of sardonic humour under the evil. His singing and acting are first rate, as is that of Kristine Opolais and Joseph Calleja.

The Phantom of the Opera(en)

The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.

Deidamia(en)

Here is a rare and exceptional example in which the director and costume designer amuse themselves with `silly' costumes, but it actually works. I usually loath the stupid concept of 'clever' producers' of dressing opera singers in an motley set of `modern' and bizarre costumes (mostly tasteless) to help the `stupid' spectators to understand the universality of the opera across time and place. However, in this particular production I enjoyed every moment of it. All my reservations withstanding, I found that the costumes have actually helped highlight the `buffa' aspects of this supposedly `siria' opera. This work may not be among Handel's greatest masterpieces, but the way it is presented and sung here makes it a thorough pleasure for the senses.

Verdi Aida(en)

Originally commissioned to celebrate the completion of the Suez Canal and the opening of Cairos new opera house, Verdis Egyptian epic Aida is here seen in a spectacular new staging in the Teatro Regio Torino by the Oscar-winning American film director William Friedkin, creator of such famous movies as The Exorcist and The French Connection. The cast features American soprano Kristin Lewis who has been heralded for her remarkable voice, which she uses with powerful dramatic instinct, and Georgian mezzo-soprano Anita Rachvelishvili, whose Amneris dominates the stage with her dark, rounded, irresistible voice and extraordinary stage presence. Gianandrea Noseda leading the Orchestra and Chorus Teatro Regio Torino received accolaides from all: he controls everything- orchestra, singers, chorus, dancers, acrobats- with an all-encompassing overview. He knows exactly when its time to linger over a timbre, a color, an expressive chord.

Dennis Cleveland(en)

A 2002 live performance of Mikel Rouse's Dennis Cleveland, a multimedia opera set entirely on a television talk show in the late 20th century.

Don Quichotte(en)

This May 2010 production of Massenet's 1910 opera "Don Quichotte" marked the opera's centenary and also Jose Van Dam's operatic farewell at the Theatre de la Monnaie, Brussels. It is beautiful in every way--vocally, scenically, sonically, and visually--and a worthy record of Van Dam's farewell. Van Dam is just shy of 70 in this production, but you would never guess it from his singing or stage movements--a consummate artist. His is a noble portrayal and deeply moving. The Act V death scene is a model of beautiful singing and acting.

Májové jitro(cs)

Puccini: Gianni Schicchi(it)

Opera in one act, libretto by G. Forzano based on Dante's Divine Comedy. Third part of his opera Triptych. The plot is based on canto XXX of "Inferno" from "The Divine Comedy", which are dedicated to the rogue and deceiver Gianni Schicchi, who was punished for his sins: he impersonated a dying rich man in order to make a forged will on his behalf. Gianni Schicchi is Puccini's only comic opera, a brilliant example of a modern opera buffa based on the tradition of Verdi's Falstaff. The most expressive recitative, bubbling melody, sharp character, impetuous tempo distinguish her music. Recorded live at Glyndebourne Opera House, Sussex, UK on 11 July 2004.

Cosi Fan Tutte(en)

There are elements of Eurotrash in this outdoor Aix-en-Provence summer opera production. Nevertheless, the splendid singing and acting transform the story, normally treated as farce, into something considerably more serious. As many other critics have noted, the young lovers have not yet sorted everything out as this performance ends. Act One begins with the principal characters running around in the outdoor theater -- while the audience takes it in as if they had been advised to sit back and enjoy the novelty. Very likely they were also asked to refrain from applauding at the end of arias and ensemble pieces, in which the three-hour opera abounds.

Turandot(en)

Visually this is a gripping production which captures the drama of this opera perfectly. It's downright exciting! and I found the singing, acting, and orchestral playing reasonably fine. I found only one major problem with it, a problem that kept Puccini for quite a few years. Turandot has been looking for an opportunity to kill Calif and Calif has singlemindedly tried to get Turandot to love and wed him focusing on her and ignoring a better looking girl who loves him truly. The problem is how to get the audience to applaud the match once Calif gets his wish. Puccini couldn't figure out how to do it. The traditional quick ending doesn't do it, and Berio's attempt is longer , tries its best, but ends up making it plain this is one wierd couple.

The Newspaper(it)

The writer Dario Fo applies his inventive genius to Rossini's comic opera in its premiere DVD release. Recorded in 2005 under the musical direction of Maurizio Barbacini, Fo's production brings fresh vitality and colour to the story of Lisetta, and of her father Don Pomponio's increasingly ridiculous attempts to find a husband for her through an advertisement in the newspaper LA GAZZETTA. Filmed using high definition cameras with multitrack sound.

Handel: Admeto(en)

Axel Kohler, the internationally renowned countertenor has brought Admeto into the modern era in timeless style by the skillful application of imaginative theatrical digressions. Köhler's production at the Halle Opernhaus revisits a work that encompasses comedy, tragedy and almost absurd grotesqueness, couching it in the convincing metaphor of a modern hospital.

Amor, vida de mi vida: Zarzuelas(en)

The many passionate, fiery or lyrical vocal pieces of Spanish zarzuela have continued to thrive in concert and recitals all over the world. One of the most renowned and ardent supporters of zarzuela melodies is Plácido Domingo. Belying his 66 years, the world-famous tenor sings these rousing, seductive melodies with the beguiling sweetness of a much younger man and tranports the enraptured listener to the calles and plazas of Madrid and Seville, Domingo is accompanied by Mozarteum Orchestra underJesús López Cobos and, above all, by his partner for the evening, sprano Ana Maria Martínez, "a beautiful woman with a fascinating voice, full of velvety mezzoish half-tints in the middle and bottom ranges, with a gleaming top." (London Times) Martínez and Domingo serve up an evening of infectious good spirits and exquisite vocal treats."The dazzle of genuine stars shone brightly over Salzburg!" (Die Welt)

Freydís and Gudrid(en)

A group of merchants and vikings navigate dramatic events both within and without in this epic musical based on the Icelandic Vinland sagas. As secrets are exposed, two women (Freydís and Gudrid) have a reckoning.

Adriana Lecouvreur(en)

Francesco Cilea's Adriana Lecouvreur was inspired by the real-life story of a celebrated actress at the Comédie-Française who was much admired by Voltaire. Hailed as a masterpiece, the opera was triumphantly staged in cities around the world after its premiere in 1902. The dramatically effective narrative is a passionate love triangle filled with intrigue and complicated plot twists set in the gallant 18th century. Its subtle ironies and gorgeous cantabile style of music provide a perfect vehicle for the star cast in this stunning production from the Teatro del Maggio Musicale Fiorentino.

Gianni Schicchi(en)

Woody Allen's production of the Puccini comic opera at LA Opera in 2015

Werther(fr)

The production was the Vienna State Opera debut for the young Swiss conductor Philippe Jordan – the Argentinian tenor Marcelo Álvarez, took the title role. His Charlotte on this occasion was the young Latvian mezzo-soprano Elīna Garanča. Her performances have been enthusiastically received and she has already been labelled as the new mezzo wonder. Staged by internationally sought-after Rumanian director, Andrei Serban, the apparently sentimental love story – normally presented in 18th century period costumes - reveals a study of personal relationships and a close observation of a woman, who comes of age too late. Serban’s aim was to rid the opera of the unjustified reputation of banality that clings to it despite its underlying tragic mood. By setting the production in the stiff, claustrophobic atmosphere of a small town in the 1950s, he aimed to make the audience more aware of its deeper levels of self-denial.

Rameau Hippolyte et Aricie(en)

Emmanuelle Haïm has established herself as one of the world’s leading performers, conductors and interpreters of Baroque repertoire, not only with Le Concert d’Astrée, the ensemble she founded in 2000, but with several of the world’s greatest orchestras. Known for her fresh and expressive approach to Baroque music, she has garnered critical acclaim and several international awards with her own ensemble, including Victoires de la Musique Classique, ECHOs, Gramophone Awards, and Grammy nominations.

Lucia di Lammermoor(en)

Diana Damrau’s reputation as the world’s leading coloratura soprano has been built on her extraordinary technical virtuosity, her sensitive musicianship and her acute psychological insight. In this DVD of Katie Mitchell’s sometimes radical production of Lucia di Lammermoor from London’s Royal Opera House, she is, as the Financial Times wrote, “brilliantly convincing”. The British award winning director Katie Mitchell – took a revisionist approach to the drama, updating the action to the mid-19th century and applying a feminist slant as she added new and unexpected elements. The Financial Times wrote: “Mitchell shows us on stage personal traumas that a self-respecting woman in the early 19th century was meant to keep to herself. It is a messy, bloody list — nocturnal sex trysts, a knife murder, a miscarriage, a suicide in the bath … In all this Damrau is brilliantly convincing. Her rebellious Lucia is a woman of modern attitudes stuck in a still feudal Victorian world.”

Macbeth(en)

Carlos Álvarez takes the title role in the first of Verdi's Shakespearean operas, with Maria Guleghina as the manipulative wife whose desire to gain the Scottish throne drives her husband to murder and leaves both with blood on their hands. Bruno Campanella conducts the Symphony Orchestra and Chorus of the Gran Teatre del Liceu in the 2004 recording of Phyllida Lloyd's powerful production, first staged at London's Royal Opera House.