
This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.

Flora
Annina
Gaston
Barón Douphol
Doctor Grenvil
Marqués D'Obigny
Conductor

This set has Edita Gruberova singing in top form, all her scooping cast aside, which one finds in abundance in her Lucia under Richard Bonynge. Here, however, she makes ravishing use of those bits of tone that only she can produce: those instances of coloratura and dramatic legato with little asides and small florishes of style that suggest her intelligent approach and her high degree of musical involvement in this role. She does this in her I Puritani and her Anna Bolena, less so in Roberto Deveraux and Maria Stuarda(both sets). Listen to Addio del passato and the Sempre Libra...ravishing, yes, but there are again those nuances learned from Callas that she makes her own. A very singualr perform,ance, and extremely moving with its detail and cry for pity throughout..from the start even. Neil Schicoff is excellent, not an unworthy Alfredo at all! His is a great lyric tenor voice that should have been in the top line.
1992-08-14
4
5.8The gypsy Azucena (Fiorenza Cossotto) takes revenge for her mother who was accused of putting a curse on one of the old Count di Luna's two sons: she decides to abduct the younger child and throw it in the flames. But when she is about to carry out this fatal act, the gypsy sacrifices her own child and keeps the old Count’s son, whom she names Manrico (IL TROVATORE, Plácido Domingo). Later, as adults, the troubadour Manrico and the Count di Luna’s elder son (Piero Cappucilli) do not know each other, but become rivals for the beautiful Leonora (Raina Kabaivanska). Manrico succeeds in winning the young woman’s heart, and she sacrifices herself for him, deceiving the Count’s son. Mad with jealousy, the latter orders the execution of the troubadour in front of his mother. Azucena reveals to him that Manrico was his brother. This legendary performance of Giuseppe Verdi's most successful opera was recorded at the Vienna State Opera under the baton of Herbert von Karajan.
5.9Tension mounts between a quadraplegic man and his wife as she prepares a bath for him.
6.4The Making-of James Cameron's Avatar. It shows interesting parts of the work on the set.
6.3Angélique is in a North African Muslim kingdom where she is now part of the Sultan's harem. She refuses to be bedded as her captors try to beat sense into her. She finally decides to escape with the help of two Christian prisoners.
6.5In this prequel to the animated series The King's Avatar, Ye Xiu enters into the pro gaming world of Glory, and competes in the first Pro League series tournament.
6.8Star Chow, an officer in the elite police unit, resigns when he is made a scapegoat for a botched investigation. He goes undercover at a school to complete the case and realizes a bumbling detective is also undercover as a student.
5.3is a creative documentary-fiction film and a film that might expand your sense of reality. It is the story about a man who enters the virtual world Second Life to pursue his personal dreams and ambitions. His journey into cyberspace becomes a magic learning experience, which gradually opens the gates to a much larger reality.
6.5The deconstruction of the Avatar scenes and sets
5.3Michiko lost her dad in a car accident when she was 10 years old. After the car accident, Michiko has lived with her mother Kyoko. Michiko, now in her 2nd year of high school, gets a cell phone from her mother as a birthday present. Michiko is so excited to have her very first cell phone. Soon afterwards, she is forced into joining social networking site "AvaQ" by classmate, and queen of the classroom, Taeko.
A hitman is tasked to take out ex-mobsters when he suddenly hears a voice that questions his morality.
5.2The Avataro Sentai Donburies, which first appeared in Avataro Sentai Donbrothers' press conference gets a TTFC special!
6.3The Donbrothers are offered to appear in a movie based on Haruka's debut manga, which she allegedly plagiarized, First Love Hero by talented producer Reiko Mieda! She can't hide that she is upset about the offer. Will the plagiarism be revealed? That said, shooting for the movie is a mess and the Noto even got parts! What is happening with the movie's shooting?!
0.0The year's most beautiful natural experience on the big screen is also a poetic film about the power of language to re-enchant the world around us. Based on Robert MacFarlane and Jackie Morris' bestseller.
4.7Divided into three acts, the first act is about the Zenkaigers dealing with a new Kashiwa Mochi World and Zocks declares himself as "Kashiwa Mochi King", the ruler of Zenkaitopia?! In the second act, it's been a year since Taro left and the five companions continue to fight as a team with Jiro as their leader. Taro later regains his memories, only for his companions to ask him to leave the Donbrothers. In the final act, an incident caused the two worlds to connect, thus a full-throttle miracle battle between the two Super Sentai begins!
8.0The story of a man trying to cope with the death of his sister, but cannot because he must continue working with the illegal business of bringing undocumented immigrants from Dominican Republic to Puerto Rico.
7.9Bryan Konietzko and Michael Dante DiMartino, co-creators of the hit television series, Avatar: The Last Airbender, reflect on the creation of the masterful series.
7.1Returning wounded from the war Maksym was overcome by self-doubt, in his physiological state. He is undergoing rehabilitation. He loses contact with his wife. He is tormented by dreams. In one of his dreams Maksym goes to the island to catch a lot of fish, as the paramedic advised him. Maksym takes a boat, net, dynamite from the best man and sails to the island.
8.0Disciplined Italian composer Antonio Salieri becomes consumed by jealousy and resentment towards the hedonistic and remarkably talented young Salzburger composer Wolfgang Amadeus Mozart.
0.0To open its 2019-2020 season, La Scala in Milan has chosen Tosca, in a new production directed by Davide Livermore. The production is part of the rediscovery of Italian opera led by Riccardo Chailly, the conductor of the production and music director of La Scala. He has chosen the original version of Tosca, as created by Puccini in Rome in January 1900, which included eight "additional musical inserts" that were removed from the work after its second performance in Turin in February 1900 and will now be rediscovered for the first time on December 7 at La Scala.
7.1The deformed Phantom who haunts the Paris Opera House causes murder and mayhem in an attempt to make the woman he loves a star.
0.0The Zurich Opera gathered a superb cast for this production: Italian soprano Eva Mei sings the Countess Violante, known as Sandrina, the feigned gardener of the title. Spanish soprano Isabel Rey is her opponent Arminda, and Arminda's former lover, the melancholy Cavaliere Ramiro, is sung by Romanian mezzo Liliana Nikiteanu. Moretti's staging presents the action in a modern villa in a hierarchical world of the rich and famous.
0.0Johann Strauss, Jr., a would-be composer of waltzes in mid-19th Century Vienna, attempts to thwart his father's efforts to prevent his success when the older man becomes jealous of his melodic skill.
0.0From the first steps of an emerging singer to the final bow of a celebrated soprano, 'PRIMADONNA OR NOTHING' follows three relentless women who sacrifice everything to be an opera star.
10.0Premiered in 1787, “Don Giovanni” exposes the timeless theme of a man hovering between vitality and destruction. Neither morality nor the law can stop this serial lover in his quest to conquer all women as he places his own pleasure above all other principles. Today, the rich depth of Mozart’s masterpiece still astonishes audiences with its mix of comedy and seriousness, pleasure and love, entertainment and murder. At the helm of this new Salzburg Festival production, in a near-live broadcast from the Great Festival Hall, director Romeo Castellucci promises to focus on the ambiguity and inner turmoil of this serial lover whose immoral behaviour condemns him to a deadly solitude. The exceptional cast – featuring Italian baritone Davide Luciano (Don Giovanni), Russian soprano Nadezhda Pavlova (Donna Anna) and Finnish bass Mika Kares (the Commendatore) – is accompanied by the chorus and musicians of the musicAeterna ensemble, conducted by Vitaly Polonsky and Teodor Currentzis.
0.0A production of Mozart's opera recorded live at Zurich Opera House in 2000. Cecilia Bartoli leads an all-star cast including Roberto Saccà, Liliana Nikiteanu, and Agnes Baltsa. The conductor is Nikolaus Harnoncourt. Filmed live at the Zurich Opera House in February 2000 on a set which visualises the subtitle "The School for Lovers", the plot revolves around two army officers arguing about the fidelity of their brides, then setting out to test their chastity. Despite the often playful humour, this is not only psychologically telling music-making, but reveals Mozart exploring the structure of opera, discarding convention to mix large ensemble sections with arias for as many different combinations of singers as possible. With Liliana Nikiteanu attractively contrasted with Bartoli, and thoroughly convincing performances by Roberto Sacca (Ferrando) and Oliver Widmer (Guilelmo), this Così has a freshness and flow which, coupled with the timeless romantic themes, feels very contemporary.
0.0Simon Rattle conducts the Berliner Philharmoniker in Stepháne Braunschweig's production of Richard Wagner's Die Walküre. A Festival d'Aix-en-Provence 2007 production, in coproduction with Osterfestspiele Salzburg. Directed for HDTV and video by Don Kent.
0.0Richard Wagner called Die Walküre the “first evening” of the Ring of the Nibelung; he called Das Rheingold the prologue or Vorabend. Musically and dramatically, we are introduced to a radically new and different world when the opening bars of Die Walküre resound. A fully developed orchestral palette of Leitmotivs paints a wild storm scene, and the curtain rises on a modest dwelling: a fully human scene that has nothing to do with the gods, dwarves and nymphs of Das Rheingold. At the same time, however, the way Die Walküre portrays radical beginnings reveals some telling reminiscences of the unfolding of Das Rheingold. Die Walküre is exciting and deeply feeling drama.
0.0Fierrabras of 1823 is the last of Franz Schubert’s stage works. Rarely performed to this day, this heroic-romantic opera has now been staged for the first time ever at the Salzburg Festival by famous director Peter Stein. Based on an old French 12th-century epic, the plot depicts the military conflict between Christians and Moors at the time of Charlemagne – as a backdrop to stories of love and friendship that prove to be stronger than war and hatred of otherness. The strong cast includes the “marvellously expressive miracle Dorothea Röschmann” (Die Zeit) and “Michael Schade, who exudes his exceptional tenor in Fierrabras’s heroic arias” (Der neue Merker). Under the energetic baton of lngo Metzmacher, the Vienna Philharmonic unfold “the melos, the poetry, the sweetness and the dramatic force of Schubert’s highly refined and atmospheric sound worlds” (Kleine Zeitung) in highly romantic fashion.
0.0Dynamic are proud to present, for the first time on Blu-ray, Rossini’s La Gazza Ladra ‘The Thieving Magpie’ recorded at the prestigious Rossini Opera Festival in 2007 (standard DVD release 33567). The stage is set in modern times and the whole story is presented as the dream of a young girl who plays the role of the magpie. The brilliant, rousing overture was made famous thanks to the soundtrack of Stanley Kubrick’s motion picture “A Clockwork Orange”.
0.02014 marks a year of celebration recognizing the 150th birthday year of the German late-Romantic orchestral, operatic and lied master composer, Richard Strauss (1864-1949). Arabella (premiered 1933, Dresden) was the last of the half dozen Strauss works to feature a libretto by the great Austrian writer Hugo von Hofmannsthal. This production, from the most recent Salzburg Easter Festival is, after Capriccio, the second of three Richard Strauss operas C Major is releasing in honor of the composers birth, life and work. The star-laden cast includes soprano Renèe Fleming, baritone Thomas Hampson, Albert Dohmen (Covent Garden, Wiener Staatsoper, MET) and Gabriela Beaková (Wiener Staatsoper, Covent Garden). With Christian Thielemann and the Staatskapelle Dresden, the music of Richard Strauss is in the best of hands. (ORF) Thielemann gets the best out of the cast...especially Renée Fleming with her luxurious soprano FAZ
0.0A tribute to marriage coming from a bachelor is a tad suspicious. But for Beethoven the idealization of the woman-bride was heartfelt and sincere. It has always been a unique opera starring a courageous wife who wows audiences. Fidelio is a moral title, associated with the ideals of liberty of the French Enlightenment. Nobility and commoners are united in their thirst for justice against the oppression of power. For once the faithful consort of a desaparecido wins her battle against a treacherous tyrant, and the collective joy truly is “nameless”, as is sung on the stage. Especially because the “our heroes to the rescue” finale is recounted by the triumphant symphonic flair of the quintessential musician. Beethoven really does bring the world to collapse at the conclusion of this opera, which begins like a delightful little comedy, but which scales and transcends all the summits of the dramatic-musical art.
0.0Imagine a window into the past. Imagine finally connecting singers' bodies to the voices you have always treasured on record, watching footage of performances from another era. All of singers featured here have something in common (with one exception, Sutherland): they sang and performed on stage before the advent of filmed opera. . And it shows, for the first time, a few tantalizing minutes of recently recovered footage from Callas' legendary Lisbon Traviata, featuring Addio dal Passato and Parigi oh cara with Alfredo Kraus. This DVD will leave you asking for more.
0.0Erich Wolfgang Korngold's "Die tote Stadt" in a Bayerische Staatsoper production from 2019, directed by Simon Stone. Kirill Petrenko is conducting Jonas Kaufmann and Marlis Petersen.
0.0Sergey Prokofiev's operatic tragedy The Fiery Angel was never performed in the composers lifetime the musics brittle energy, drama and eloquent lyrical tenderness would re-emerge in his Third Symphony. The narrative focuses relentlessly on Renata, who is haunted by an angel who turns out to be the devil. Director Emma Dante describes the opera as an explosive mix of fantastical realism and endless confusion of nightmares, madness, sexual impulses and cultural clashes, and this Teatro dellOpera di Roma production was acclaimed as a presentation of Prokofievs masterpiece which sparkles in all its grotesque glory (operawire.com)
6.0Inspired by one of the twentieth century's greatest novels, composer Lorin Maazel evokes Orwell's totalitarian nightmare, where "Big Brother" is always watching, and those guilty of "thoughtcrime" are condemned to face their worst fears in the infamous "Room 101". Filmed during world premiere performances of Robert Lepage's spectacular and psychologically gripping Royal Opera production and conducted by the composer, an international cast brings George Orwell's dark vision to shattering operatic life.